Music Reviews

EP Review: Costa Lounge – Seraphine

Title: Costa Lounge

Artist/Producer: Seraphine

Remixes: Alvaro Hylander & Tom Bednarczyk

Record Label: Deepwit Recordings

Genre: Deep House

Release Date: TBA

UK Lounge & Deep House label Deepwit Recordings has upped the ante with their latest offering ‘Costa Lounge’ by DJ/Producer ‘Seraphine’. He’s numerously hit the mark with his remixes ever since I landed on his music production radar. He also appears in the labels’ Lounge/Deep House project ‘Autumn Sampler’.

Costa Lounge is a futuristic Deep House package tailored in a similar vein to its antecedent [Autumn Sampler]. Comprising of two original mixes ‘Costa Lounge’ and ‘Another Boring Love Story’; it has a summery vibe to it and sits firmly at the Deep/Lounge crossover point with good results.

Remixes by Tom Bednarczyk [Costa Lounge] and Deepwit label head Alvaro Hylander [Another Boring Love Story] respectfully give the package a somewhat edgy feel that morphs with subtle changes rather than big drops and grooves along nicely.

They deliver a ‘day by the pool with friends’ vibe grooving to the subtle keys and timely vocal snippets.

Costa Lounge is a bright take and a perfect antidote to a knowledgeable proponent of Deep House with a sophisticated appreciation of the art and of the noble genre itself. It is also another sterling release for Deepwit Recordings to add in their already impressive catalogue. Nice!

REVIEW: Nduduzo Smalz Ngobese

Nina Kraviz – Debut Album Release Review and Tour Dates

Artist: Nina Kraviz

Title: Nina Kraviz

Record Label: REKIDS

Genre: Deep House/ Techno

Release Date: 27th February 2012

Muscovite Nina Kraviz has risen swiftly to the top of many peoples’ ‘favourite producer’ pile in the last two years. It’s her simple but infectious take on deep house and techno which has seen the starlet release on connoisseur labels like Underground Quality, Cocoon, BPitch and, of course, Rekids. The multi-talented DJ, producer and singer is now set to release her eponymously entitled debut LP on the revered Rekids imprint on 27th February 2012. To check out the album preview click here.

Playing out like a full artistic statement rather than just a collection of tracks, the odd time signatures, innocent and waify vocals, muted acid lines and hypnotic loops layered up by Nina all work subtly at pulling you into her world. Nothing on the album reaches out to make a grab for your attention; its much mores sensitive than that, instead working its way under your skin and staying there much longer than most house or techno records.

REKIDS010CD PROMO – Nina Kraviz by rekids
Though it explores a number of different styles, surfaces and moods, there’s a simple underlying beauty which holds the whole of Nina Kraviz together, from the sparse acid daydream of opener “Walking in the Night” to the otherworldly and fatalistic ambient closer ‘Fire’ via the smooth classicist depths of tracks like “Love or Go.’ This is an album which sounds best digested as a whole, from start to finish. That way, you find yourself fully immersed in Kraviz’s most honest and heartfelt world, just as she intended.

The first wave of tour dates to promote the album will be:

FRI 24-Feb-12 Rex, Paris, FR

SAT 25-Feb-12 Studio 80, Amsterdam, NL

THU 01-Mar-12 EGO, Hamburg, DE

FRI 02-Mar-12 Robert Johnson, Frankfurt, DE

SAT 03-Mar-12 Bob Beaman, Munich, DE

SUN 04-Mar-12 Panorama Bar, Berlin, DE

FRI 09-Mar-12 Warehouse Party, Rome, IT

SAT 10-Mar-12 Tenax, Florence, IT

FRI 16-Mar-12 Klubbers Day Festival, Madrid, ES

SAT 17-Mar-12 Be Cool, Barcelona, E

FRI 30-Mar-12 D! Club, Lausanne, CH

Album Review: Compton Soul – Andy Compton

Title: Compton Soul

Artist/Producer: Andy Compton

Record Label: Peng Records

Genre: Soul/Funk/Jazz

Release Date: 2nd December 2011

Versatile, consistent and prolific Andy Compton of ‘The Rurals’ (Peng Records) once again drops another seductive Soul/Funk/Jazz offering for 2012 ably titled ‘Compton Soul’. The album is trickled (as one would naturally expect) with an equal measure of Andy’s style, soul and passion.

It drips tastily with sexy melodies, spoken word and vocal renditions from an amazing ensemble of soul artists; each of whom reached from within and reveals the other sides of their artistic qualities.

The album, in its entirety revolves around a theme of soul music widely opening its arms to embrace the enduringly sweet soulful grooves ( Andy’s musical influences) of the Crusaders, Isaac Hayes, Marvin Gaye and James Brown just to name a few.

Compton – Blue Notes by BamaLoveSoul

I’m particularly impressed by ‘Somebody Elses Dream’; a jazzy, torch of a song. It filters through the air toys with your emotions while pulling gently at your heartstrings. The discerningly luscious vocals complete a melodic mastery of the instrumentation into an elegant affair indeed.

‘Oh Love I’ and ‘7 days’ ride along not far behind and are lent plenty of movement by a fantastic percussion and Fender Rhodes’ delivery.

I’d say this collection sets a new benchmark in the post modern interpretation of Soul music. It’s also not packaged in a usual compilation snapshot style, but rather as a superb ‘surround sound’ epic film. And if the word on the street has led to discover Andy Compton and his work; I really hope you savour this experience the same way I did.

REVIEW: Nduduzo Smalz Ngobese

EP Review: Don’t Put Me In Your Box – Maya Jane Coles

Title: Don’t Put Me In Your Box

Remixes: Dirty Culture & Alex Sosa

Genre: Deep House

Record Label: DeepWit Recordings

Release Date: 26 September 2011

Maya Jane Coles has surely solidified her name with this latest release. Her 4 track EP titled ‘Don’t Put Me In Your Box’, released through Hypercolour is filled with some impressive tracks. She has engineered some cool deep grooves laden with a few hidden gems.

It’s not likely that you will easily come across some of her earlier work, unless you are possessed by Deep House music and the vinyl needle is your short jab to a funky good time.

The EP has a bit of a retro feel into it although to some it may sound a bit dreary. Her repertoire however has got no shortage of soul gently tapping; beckoning you to take heed.

She fills her music with dreamy melodies, seriously pumping base beats and at some stages eerily evocative vocals.

Maya Jane Coles – ‘Don’t Put Me In Your Box’ EP (Hypercolour) by Maya Jane Coles

If mid tempo tracks are your flavour then each of these tracks will feature in most Sunday lounge. The tracks are really laid back and easy on the ear, but from the entire EP, two stand out tracks are “Dub Child” and “Something in the Air”.

Both tracks wouldn’t be out of place if they were featured on one of Glen Lewis’s (Metro FM) iconic mid-tempo compilations. ‘Dub Child’ is the only track on the EP which doesn’t have any accompanying vocals but has some compelling ambient vibes and sounds even better as mid-tempo track when you slow down the tempo.

The EP has already been released on major digital platforms, and is ready for download for the discerning ear.

REVIEW: Tebogo – Slymedia

Mi Casa Music – Mi Casa (Soul Candi Records)

<House> Mi Casa burst onto the house scene this year and completely took it over with their unique take on vocal house. Production and arrangement is handled by Dr Duda, with J-Something on vocals and lyrics, and Mo-T adding his trumpet to what should become a signature sound for the group. I should say because I have yet to pick out any melodic consistency in their sound on Mi Casa Music, their first collaborative release. The album features their hits These Streets and Heavenly Sent, both of which benefit from very catchy beats and J-Something’s soulful crooning. La Vida, a track sung in Portuguese, is the most richly textured production on the album, incorporating live guitars, drums, Mo-T’s trumpet and even Dr. Duda on tenor sax. The song is a glimpse of what the group can mature into as a sound, a kind of mix between Elements of Life and Tortured Soul with a distinctly South African feel. The entire album, however, doesn’t quite get to the same level of as the stand-out tracks. Dr. Duda’s bass lines can become monotonous very quickly, saved in the cases of Across the Room and Be the One by the complex guitar riffs and solos provided by Divine. I look forward to hearing their sound evolve into something more rounded and distinctive.

Soul Candi presents Pioneers of House: Atjazz (Soul Candi)

<House> Martin Iveson started out in the music industry programming music for video games in his native U.K. Hard to believe, right? Under the moniker of Atjazz (read All That Jazz), he has crafted an enduring sound so inimitably soulful and jazzy, that Soul Candi saw fit to put out their latest instalment in the Pioneers of House series exclusively featuring some of his best loved productions and remixes. Whether you’re a diehard fan of the man’s work or a complete newbie, you’ll be hard put to find fault with this collection of the virtuoso producers work. Atjazz exhibits a singular versatility on this release, adding deft touches to tracks like Dennis Ferrer’s wildly popular Hey Hey, which has a raw, almost dirty, techy feel to it; which is contrasted by the soulful, warm Love Soul rework of Leon Ware’s On the Beach. The classic Mercyless by Fred Everything is a gem. His remix of Relax by Rainy Payne & Doc Link has some unexpected tribal elements, yet still distinctively Atjazzy. The popular Chasing by C9ine ft Kholi is brilliant, followed by a very interesting take on DJ Whisky’s Boni Mores. Destiny by System Funk is a beautifully written and arranged track, followed by Glory by Halo ft Miaya. There’s also the hit Please You, which you just can’t help but get up and dance to. If there is such a thing as a flawless album, this release is a strong contender for the title.

House Blendz 2 – Mixed by Malankane (Soul Candi)

<House> The first thing I noticed about this album was that the ratio of local to international tracks is 3:1. Perhaps this is what Malankane means by titling his releases House Blendz? Potentially a top notch release, the overall effect is spoilt a little by one or two tracks; like mixing a teaspoon of store-bought instant granules into a mug of coffee made with freshly ground South American beans. The Glenn Underground remix of Into Life by The Rurals ft Jaidene Veda is a blissful, bass guitar-heavy track that sets a mellow mood for the album that is only slightly altered by So Insane by Abwalk ft Horward. Difference by Darque ft Kaylow is a hauntingly beautiful production, intelligently arranged with great vocals. The P.M Project remix of Happy Day by DJ Veany ft Mindgames is monotonous and gets annoying very quickly, immediately followed and contrasted by another P.M Project mix, this time of Lifted by MR Cee ft Lady X which is far more melodic. Facing the Sun by Rudesoul smacks of the instant coffee described earlier; it’s flat and hollow sounding. The rest of the album, though, is pure class. The unplugged mix of DJ Hypnosis’ Far Away is just great, and Simple Love by Essential I ft Jayla is another example of the formula: textured melodic arrangement + talented vocalist = good music. The Trancemicsoul remix of So Happy by Tom Conrad ft Dawn Tallman is brilliant, building slowly up to and maintaining a crescendo that just doesn’t let you be. The final track, an Essential I remix of Move On by Divine Lopez & OG, is a little fast paced but a good enough production to keep you nodding right through to the end. A solid release overall.

The Hot.99 Dance – Mixed by Just Mo (Soul Candi)

<House> YFM has a history of putting out house compilations that have proven time and again just how connected the station is with the youth market. This latest release is supposedly a mirror of the Hot 99 Dance countdown hosted by Just Mo, who is also responsible for mixing this gem of a release. It opens up on a quietly jazzy yet elemental note with Darque’s Afro Drum remix of Andy Compton’s Quietstorm. Put It On by Atjazz is given the Osunlade treatment to good effect, followed by the ever so soulful Atjazz remix of Ngawe by Bossruu ft Afrotraction (when did he stop being Wandile?). Ben Westbeech’s Falling is everything a tightly produced vocal song should be, whereas I by Donae O (Kenny Dope Remix) has incredible vocals and harmony but a disappointing instrumental. Deep Xcape tell us Stories rich with organ progressions and driving bass lines. There’s also an inspired, brilliant Charles Webster remix of DJ Micks’ First to Say Goodbye ft Robin Latimore, as well as a very cleverly arranged track by Blawa Mafiozo entitled Amazon Tribal. The Infinite Boys hauntingly jazzy retouch of Nasty Nev’s Hung Up is the penultimate track on a compilation that comes very close to being flawless. The track selection on the album is decidedly Deep, but the mix of moods and tempo of the tracks prevents it from becoming monotonous; there’s something on it for just about everyone. Fine work all round.

Goldfish – Get Busy Living Remixed (Sony)

<Electro House/Swing> It was just over a year ago that I sat listening to the Fishies third studio album, Get Busy Living, wondering if it could live up to the expectation created by the runaway success of Perceptions of Pacha. Well, as anybody who is familiar with the duo’s music will know, their album no. 3 more than met the anticipation of their fans and received amazing support from SA music channels including all the biggest radio stations. Goldfish have learnt to tread a precariously thin line between pop and dance music with songs that are cleverly constructed and are very well composed. In short their albums sell because they know how to write hit songs. A remix album is a different beast though. Tougher beats, deeper grooves, syncopated percussion and sassy vocal tweaks are the order of the day as 13 remixes are served up by a host of SA and international producers. Some tracks are remixed more than once but anybody who knows dance music will understand that remixes are DJ fodder and as such a different take on one track is a welcome interpretation. Overall this is a solid reworking of an already classic album that should ignite dancefloors both locally and abroad and re-affirms Goldfish’s status as SA’s leading dance music duo. Pick of the remixes for me are; In Too Deep (James Copeland remix), Big Band Wolf (Ugo Platana Remix) and Culoe De Song’s deep urban remix of Call Me is strangely alluring.

Kaskade – Fire & Ice (Just Music)

<House> America’s number one DJ bangs out with his seventh album Fire & Ice this year, featuring talented guest artists on every track of this double disc set. The first disc titled Fire offers up a serving of typical high energy club beats that are very good in quality. Each track sets a tone of long, warm build ups leading to hot, uplifting, happy breaks. Track four Lick It ft. Skrillex adds in a little bit of that edgy Dubstep that is all over any electro production these days. This gives the tone of the album that extra bit of synth kick. Track seven Waste Love ft. Quadron gave me that tingly nostalgic feeling, bragging that distinct Urban House bassline. The second disc’s tracks are cooler, icier remixes of each track on the first. He takes them on a somewhat down-tempo trip, delivering beats that come off more grounded and floor heavy, showing another side to his production style, a sound reminiscent of pieces of Café Del Mar, Old school House and new school experimental Electronica, rocking repetitive kick drums and enchanting, raspy vocals.

Joker – The Vision (Just Music)

<Dubstep> Joker’s debut mainstream album is a version of the gentler, softer Dubstep we see appearing in more mainstream pop productions as many artists are toying with the genre. Slaughter House resembles an R&B infused Dubstep that could remind me of the kind of track that plays on a radio station’s top ten. Tron seems to get a little more into that dirty Dubstep feeling, with a lot less vocal and stands out as one of the best on the album. Milky Way gives that floaty synth air, while spinning the sound waves in your ear drums. Delicate, deep and entrancing in its effect on your consciousness and just when you thought it got too soft, it breaks all grimy, then back to being a luscious, beautiful track. I put it on repeat. The interlude on track six combines an old school disco sound with a Pop/R&B style used widely during the nineties, this gives the middle of the album a feeling of familiarity and a sense of being home. The second half takes on a slightly heavier set feel as though the beats have progressed to something a little more grown up and serious on the same disc. If you have been enjoying the Dubstep pumping out of 2011 and like some variation in the genre you will no doubt love this one.

Addicted to Bass 2012 (Just Music)

<Drum n Bass / Dubstep> 2011 has definitely seen the happy Dubstep, Bass fan base grow rapidly all across the world. The infectious, slightly off centre and aggressive street rhythm of the genre is wholly intoxicating for anyone who digs it. One of the world’s most renowned dance icons, Ministry of Sound releases South Africa’s first Dubstep compilation album. Three discs of sixty crunchy, gut spinning Dubstep and Bass Bin remixes are on offer. The kids are going to love this one. Some of the hit producing artists featured include DJ Fresh (not the 5FM DJ), Deadmau5, Dizzee Rascal, Afrojack, Wretch 32, Faithless, Fatboy Slim, Roger Sanchez, Eric Prydz and Martin Solveig to name a few. Expect a lot of sexy, perfect, bass heavy, party jerking music when you give this a listen. On disc one, track nine by Deadmau5 & Kaskade I Remember should rate amongst the favourites along with Vato Gonzalez ft. Foreign Beggars Badman Riddim (Jump) and Robyn’s Call Your Girlfriend. On disc two, Aloe Blacc’s Need A Dollar comes as a happy remix surprise to me. Afrojack & Steve Aoki’s No Beef stands out as the most experimental on disc three whipping up some of that up-tempo township funk feel into the track, crazy but undeniably nice.

Gotan Project – Best of (Just Music)

<Tango Electronica/Trip Hop/Nu Jazz> The Parisian based group, Gotan Project, were formed in 1999 and have released four studio albums and one live album. Whether you’ve heard of them or not, you’ve very likely heard their music as several of their most popular compositions have been used in televisions commercials, a host of TV series and even a couple of films, the most notable being Oceans Twelve and The Truth About Charlie being two that I can remember. Although their music makes use of a lot of conventional instrumentation (as opposed to electronic) most of their compositions are a tasty mix of tango rhythms mixed with samples, beats, and breaks. If ever you wanted to impress your dinner guests with something sophisticated but with a very modern twist, Gotan Project certainly fits that bill. But beyond that their music is deep, intricate and beautifully composed offering the advanced listener something very special. If you’re already a fan this, their Best Of collection, packs some of their best known tracks alongside some more obscure gems as well as two newly composed numbers to enjoy. If you’re not familiar with Gotan Project but fancy some worldly down-tempo nu jazz with a Parisian tango twist, this collection is a great place to start.

Fabio & Moon – Not like the Otherz – (Spintwist)

<Psy-tech> Spintwist are a label on fire at the moment if the Beatport charts are anything to go by. Serving a clever mix of clubby trance and progressive psy-tech, they have breached a crossover sound that is finding its way into DJ’s sets of varying styles. Fabio & Moon epitomise this sound and should please fans of the currently very popular Neelix. But whilst Neelix sometimes flirts with progressive house and at other times with harder kicking tech-trance, Fabio & Moon are all about bouncy, funky tunes. Expect plenty 2-note basslines, vocal effects, synthy guitar stabs and reverse sweeps. The success in Not Like The Otherz lay in the fact that this is an album you can play from beginning to end in your car or at home, at a braai or house party and it’s bound to get you and anybody listening hopping to the infectious beats. The duo are seasoned producers, so expect an album dripping with well crafted production tricks. From a DJ perspective Not Like The Otherz is also a handy collection and although any of the tracks will work a dancefloor there are a few stand outs I expect will get the most deck time. Picks for me include; Passenger and the title track as well as a deep remix of Neelix’s recent anthem, Expect What.

Forensic Science – Compiled by Egorythmia (Iono)

<Progressive Psytrance> Egorythmia are one of the most promising new progressive producers around for me right now; tunes with phat kicks and expansive sounds that range from melodic (but not cheesy) to pretty kicking. Forensic Science as compiled by the artist is a collection of 9 tracks from a host of established prog artists with notable inclusions such as Ace Ventura, Ritmo, Mute and Phaze amongst others. Mindwave kicks things off with a solid afternoon groover, a vibe continued by Time in Motion. Ritmo and Egorythmia team up for a tougher, larger and indeed more psychedelic offering with Spin It, before Pop Art charges at full tilt with Sub System. Of course anything Ace Ventura touches gets my vote and his team-up with Egorythmia produces the best track on the album with White Tunnel. Nerso, Ritree, Mute and Phaxe all weigh in with large outdoor prog, each sustaining a good flow to the album. Forensic Science is a good release; solid tunes with enough variation to stock a prog DJ’s afternoon set but also great, expansive tracks to get your party on at home too. A must for lovers of progressive psytrance.

Captain Hook – Human Design (Iboga)

<Progressive Trance> By the time you read this Captain Hook will have played his first set in South Africa at Alien Safari’s Flying Circus event. As I write this I anticipate, judging by the 10 monsters that make up Human Science, he will have torn the dancefloor apart with his uncompromisingly massive tunes. His is a sound that redefines that link between the dark and twisty ‘minimal trance’ [as it was known circa 1999] and the new wave of large, phat progressive outdoor trance that seems to be surfacing amidst the plethora of melodic, fluffier stuff that prog has been associated with in recent years. It’s right on the button too. Slower BPMs [132-138] does not mean less intense as the ‘psy-pirate’ proves. Of course he has also become known for his Dubstep breaks but thankfully he does not over use this, something I feared he might do. But when the break does come you just know it’s going to beef the dancefloor up with the contrast it offers to the 4/4 beat. Captain Hook also enjoys his triplets, another winner on the dancefloor, again adding the appropriate amount of variety to some tracks without completely overdoing things. Most tracks are collaborations with other artists which adds a nice touch of variation but the best track belongs to his solo offering, Vertebra, a mean minimal groover that owes just a little something to the late Cosma’s legendary track Nonstop.

Christiania Selection – VA compiled by Flexus – Iono Music

<Psy Progressive> No, this is not a gospel compilation. Christiania was a deserted military base in Copenhagen, Denmark where some free thinking individuals with the same mindset started their own community in 1971. They broke free from the whole idea of being governed mentally by a system we call government. It sounds like my kind of place, and what better place for psytrance to flourish? It is also the hometown of Stephan Goransson, better known as DJ Flexus, who put the above philosophy to sound on this compilation consisting of some of the greatest progressive trance producers of today – Ace Ventura, Motion Drive, Yotopia and Liquid Space to name but a few. Starting with spacious funky, bouncy beats and then gradually taking it to the more driving grooves. As always, top notch production filled with fatness. An overall day time feel with no shortage of energetic sounds guaranteed to give the listener restless feet. Clearly a lot of thought went into this marvelous piece of audio. A highlight in a streak of quality releases from Iono and hands down one for the books.

EP Review: Javier Varez – You Are Here

Artist: Javier Varez

Title: You Are Here EP

Remixes: Dirty Culture & Alex Sosa

Genre: Deep House

Record Label: DeepWit Recordings

Release Date: 26 September 2011

I must say, Javier Varez is definitely in the upper echelons [and has established himself as one] of the heads for all things Deep and non-commercial.

There are beautiful grooving melodies in this EP. The Alex Sosa remix doesn’t change much from that except for the bassline which gets a lot dirtier. It’s a nice option to have if you’ve got a more Tech hungry crowd to please. The Dirty Culture Moody Mix tweaks the vocals a bit, adds a simple but effective synth to the original groove created by Javier as well as offering another stellar bassline.

‘Round Numbers’, another original mix on this EP definitely fits into the Deep Tech category with fast choppy percussion and swirling synths that gives the track a higher energy level than the others. The rolling bassline must sound quite yummy on a big rig and I can’t wait to try it out!

Javier Varez – You Are Here EP (Preview) by DeepWit Recordings

They are intelligently produced tracks that will have the underground Deep House scene dancing for a couple of weeks – you know how it is….we crave new sounds every week

I couldn’t find much info about these Danes online so I am assuming this label is new on the scene. They definitely have a sound which, to me, can go the distance. They are going into my list of producers to watch!

REVIEW: Michael Baker

Album Review: Franky – Tonight

Artist: Franky

Title: Tonight

Producer: Various

Genre: House

Record Label: Soul Candi Records

I can’t help the feeling that this release was a bit premature. If you’re going to have half your debut album feature your own productions, you’d better make sure every track is out of the top drawer. I don’t get the impression that Franky took the time to tighten up his studio game public with his sound. It’s past time for giving local producers the benefit of the doubt, something I was compelled to do with each successive listen through. The title track, Tonight ft Nandi, is already proving to be crowd pleaser, and Somethng About You ft Chad show flashes of the kind of sound he’s capable of producing.

The soulful Love is Just A Dream ft Kyla is a lovely addition, while Somebody Say Yes by Dj Morisky adds a touch of electro to the album. Manoo’s remix of I wanna Love you by Lulo Cafeft Nothende and the Layders’ Smiling in the S are other standouts in album riddled with missed opportunities.

Overall impressions don’t improve with time, I don’t see any of the songs that I disliked growing on me. The standard of local house production has risen so sharply recently, and the bar for compilations has been set so high, you really can’t afford to release a poor album. I reckon Franky should have taken a bit more time with this project and made sure of a polished product.

REVIEW: Nathan Kabingesi

Album Review: Dosline – The First Dose

Artist: Dosline

Title: The First Dose

Producer: Dosline

Genre: House

Record Label: Soul Candi Records

Dosline is an entirely unexpected producer. It’s always refreshing to hear a new talent this way, with unbiased ears. Let me say from the outset that The Furst Dose is exactly like a placebo, it works if you want it to.

The opening track is unimpressive, but as soon Telephone Tone ft BK gets into the chorus, the mind and ears start negotiating. “Listen”, says the mind to the ears,” I don’t need to tell you there’s something slightly off about these vocals, but the arrangement is so good, i’m willing to ignore that, alright? “Fair enough guv” reply the ears.

DJ DOSLINE – FIRST DOSE IS ADDICTIVE P.17 by Dosline

As great as BK is on this track, there’s a persistent sense that her voice is ever so slightly out of sync with with the instrumentals. The next three tracks are the same, high production value marred by vocals that are off pitch or just poorly recorded. Beautiful ft BK and Ngifunana Nawe ft Nonto manage to stand out by dint of the quality of the vocals, with beautiful synth and vox elements layering both tracks, with some especially haunting piano solo’s on the latter.

The overall effect is an album that could have been a very solid first outing by a clearly talented producer, instead, it comes off almost amateurish because of the poor quality of vocals on the majority of the tracks.

REVIEW: Nathan Kabingesi

Album Review: DeepWit – Autumn Sampler

Artists: Andre Detoxx, David Oniani, Seraphine, Distortion, Deep Spelle

Title: DeepWit Autumn Sampler

Genre: Deep House

Release Date: 14 October 2011

Record Label: DeepWit Recordings

House music has truly revolutionized the party scenes around the world and in our very own South Africa. Deep House especially is undoubtedly ruling lounge experiences with an iron fist. Classy, seductive and sophisticated melodies illuminate a great night out in town for a generation of young music lovers who are ready to party.

Let me introduce you to DeepWit Autumn Sampler Album from the well know Deep House producers Andre Detoxx, Seraphine, and Deep Spelle who worked together with new comers, but just as talented, producers David Oniani and Distortion.

This is a fresh and groovy work of art that gets your ears excited. The album comprises of five unbelievably engaging tracks, mixed and put out as a Deep/Downtempo House pleasure.

It’s a warm and timeless experience that begins with a sturdy paced beat overlaid with a soothing sax licks on ‘Over the Hill’. You can’t help but imagine yourself in a convertible driving down along the coastline. Then a sexy voice invites you to a party down at the beach house.

DeepWit Autumn Sampler Preview by DeepWit Recordings

The second track ‘One Piano’ invades the atmosphere with capricious drums and flirts with a Latin beat opening the door to more progressive body movement. ‘Just a Dream’ a third track in the playlist and has indeed a dreamy feel to it. Its electro sound combined with a classic tempo of trebles and high hats sends you straight to cloud nine.

The second last song ‘End of the Line’ is bear and straight forward but touches pretty deep. As the end approaches, the album serves its last delicious tune ‘Everybody’s Smiling’. The house flavour on this track is acid jazz garnished with a touch of sultry beat and mysterious whispers. And so the party is on.

This Deep House/Downtempo House album is perfect for any chill session with friends. Few cocktails and soft dance moves should be the order of the day for those who pick up Deep Wit Autumn Sampler as part of their music collection.

REVIEW: Stef Louw

Album Review: Thundercat – The Golden Age of Apocalypse

Artist: Thundercat

Album: The Golden Age of Apocalypse

Record Label: Brainfeeder

Genre: Space-funk, Electronic Jazz

Release Date: 30 August 2011

To think that I was initially only given two tracks from this album to review. [In a word…sacrilege]; and to make things worse, I wasn’t particularly impressed by my first listen of “Daylight” and “For Love I Come”, a cover of George Duke’s 1975 space-funk classic “For Love (I Come Your Friend)”.

Although I liked the similarities to French electronica duo Air, I felt that “Daylight” was a tad on the short side and taken together, they just didn’t gel. Something was lacking and that “something” was the rest of the album. However, once I got my hands on all thirteen tracks my opinion, and the content of this review, changed for the better.

The ‘Golden Age of Apocalypse’ really is a break from the norm and a true journey into the mind of Steven Bruner, otherwise known as Thundercat. An interesting name indeed His father was drummer with The Temptations. He was previously in a German boy band and he still plays bass with thrash band Suicidal Tendencies and has been involved in studio sessions with the likes of Snoop Dogg and Erykah Badu.

There’s nothing standard or predictable about Bruner’s debut solo release which is a fusion of jazz, funk, soul and electronica. It’s a true listening album which should be enjoyed uninterrupted from beginning to end for full effect.

The Golden Age Of Apocalypse – Thundercat by kronika

The sharp stabbing synths on the opening track “Daylight” feel like a slap in the face which grab your attention while the vocals aptly deliver the message “open your mind”. Bruner then dives head first into bass driven funk on “Fleer Ultra” then softens things out with “Is It Love” a smooth jazz number with a mellow beat, incredible guitar riff and vocals which bear a subtle resemblance to Sting & The Police mixed with 340ml.

It’s impossible to pigeonhole ‘The Golden Age of Apocalypse’ as it truly is experimental and its content so varied. You’d be forgiven for thinking this is predominantly an instrumental album but just as Bruner is leading us deep into a musical frenzy of 70’s influenced space-funk layered with moody jazz he does an about-turn and delivers the down-tempo vocal track “Seasons”. The instrumental journey continues with “Golden Boy” which is an equally laidback jam with a subtle breakbeat then Bruner demonstrates his dreamy falsetto vocal talents on “Walkin’”. A track which embarks upon yet another musical direction with a sound not dissimilar to Tortured Soul, yet it still fits so well into the album as a whole.

There are actually so many influences running through this album but Thundercat manages to keep things unique and interesting all the way. In the words of the legendary cartoon series: Thundercats HOOOOOOO!

REVIEW: Darren Rose

Roger Sanchez – presents Release Yourself ’11 (Just Music)

<House> The incredibly talented and globally successful New York House DJ/Producer Roger Sanchez releases his latest three disc compilation in a series of 1, 2, 3 steps that takes the listener from pre-party mode into full tech and tribal swing that he is so well known for. His infamous club nights Release Yourself as the compilation is named after will now have a brand new residency at Space in Ibiza. On this delicious delivery expect brand new material from the likes of Roger Sanchez & Baggi Begovic ft. Mitch Crown, MYNC, René Amesz, Blacktron, Timo Garcia, Federico Scavo, Michael Anthony, Afroboogie, Oril & Da Ragnio, Kid Shakers, Dirty Secretz, French Government and more. CD 1 resembles the feeling of those first few steps on the dance; just deep, sexy and funked up enough to get your body jerking and moving. CD 2 is even more upbeat and dance floor friendly with tracks such as Balkanize Me with its hip swinging feel and well placed hi-hats. 1104 carries on this raunchy rhythm lending an even deeper techy feel towards the end with Spin. On CD 3 fans get treated to unmixed, exclusive tracks that further define the genius of this producer. For the real House music lovers.

Review: Mary Honeychild

Sander van Doorn – ELEVE11 (Just Music)

<House> Eleve11 is reminiscent of the early 2000′s glow-stick commercial Euro Rave era. Picture the teen of that time and space now grown up and slightly more sophisticated in its twenties with a sound that brings together pop vocals and uplifting melodies with booming ultrasonic warehouse elements. It’s an unpretentious eager to please delivery which should appeal to a wider international audience. The opening track Love is Darkness reflects that huge sold out auditorium type tune, the second track Koko firmly sets in place and balances out the happy commercial Prog Electro vibe this album creates. It’s the kind of hit that makes you want to blow a little louder on your rave whistle. Yep – Go raver. Sidney Samson and Nadia ‘Rapture’ Ali weigh in with Rolling The Dice and ply on more of that fluffy club feel in finger-pointing-fashion. Not really one of the best tracks on the album. The Godskitchen Urban Wave Mix of Beyond Sound brings things back with a more grounded stomping and slightly darker, yet still uplifting sound. Drink To Get Drunk will make a great club track with its raspy vocal and continues with this same temperament and bangs out as a sexy dance floor filler. If you like the melodic, uncomplicated rave music vibes you will definitely enjoy this one.

Review: Mary Honeychild

Example – Playing in the Shadows (Just Music)

<House> Example lives in a world of mainstream Electro, his version of it filled with dysfunctional electro Rap lyrics speaking of relationships and life lessons that plague young people. This latest release Playing In The Shadows follows very closely on his first chart topping album Won’t Go Quietly with a different reputable producer on each track. Playing In The Shadows boasts productions by guys such as D ‘n B deviant Sub Focus (Kickstarts), The Fearless, the legendary MJ Cole, Dubstep connoisseurs Chase & Status, Scottish electro hit maker Calvin Harris and Swedish pop experimentalist Bjorn Yttling. Every track, individual in its personality, speaks of Example’s openness to experimentation and diversity. This could be owed to his almost instant success. He is clearly a boundary pushing pop artist with an ear for a fresh sound that he isn’t afraid to get on the development train himself. Midnight Run should be a great radio smasher combining glitch and electro house into something easily digestible with its vocal delivery and then unexpectedly slightly aggressive rap hook. This album definitely follows on in the footsteps of the first and shapes up to an era where many artists are fusing genres and production techniques this way. You will enjoy this if you are into more experimental sounds and couldn’t be bothered with too many boundaries around the genres you enjoy.

Review: Mary Honeychild

Wretch 32 – Black and White (Just Music)

<Hip Hop> Tottenham local, Wretch 32, was previously a grime mc known for his mixtapes that reflect raw masculine energy. With Black and White he now breaks out with this chart topping, commercial, smooth and sultry Hip Hop style that reflects a sense of personal growth in both the lyrics and composition. He successfully bridges the gap between the rap-pop and edgier hardcore rap coming out of the UK, with guest appearances by Chipmunk & Angel, Alex Mills, Etta Bond, Delilah, Daley, Ed Sheeran, Josh Kurma and Example. With nothing to prove but the ability to create music that sets a new dimension and standard with both dance floor and afternoon drive worthy tracks like Traktor hitting that bass heavy Dancehall feel and Unorthodox where he lets those listening know that he is not following trends or crowds, but instead doing what he feels best and natural when making music. The Result? This is sexy Hip Hop at its finest, the kind of Hip Hop the ladies can love and for the guys who aren’t entirely into aggression being the main idea behind the meaning of true rap expression. More than anything Wretch proves how growth as an artist is possible and entirely necessary when setting benchmarks and keeping your fans growing too. Rap Purists who are used to his older stuff may take this one to heart a little too much though.

Review: Mary Honeychild

SBTRKT (Young Turks/ Just Music)

<Electronica/Dubstep/Eclectic> Aaron Jerome aka SBTRKT has remixed the likes of MIA, Basement Jaxx, Mark Ronson and Underworld, as well as released a bunch of singles and EP’s but this self-titled release is his debut full length album. Not bad for a self taught Dubstep producer. At first I confused him with MSTRKRFT, an error many may make but judging by this offering, they are really nothing like each other save the strange names. Released on the Young Turks label, home to diverse artists such as Holy Fuck and the xx, this album is an eclectic mix of Chicago house, 2step, Dubstep and some just plain weird electronica and should be a hit with lovers of diversely eclectic grooves. This eponymous release has been compared to James Blake for its ambitious take on electronic music but SBTRKT has a bit more swagger to his arrangements and although not immediately engaging the album becomes more rewarding with each listen. The tracks are all vocally driven with a moodiness prevailing throughout. Sometimes the vocals can be a little wistful for my liking but the beats are undeniably clever and once you get into the album I am sure it’s a rewarding listen. Me, I’m still absorbing and enjoying the ride. A must for all chin-strokers of modern electronica.

Review: Dave Mac

Euphonik – For the Love of House Special Edition (Soulcandi)

<House> Euphonik is one of those DJ/ Producers whose career has been built on his understanding that the crowd doesn’t necessarily want to hear the same music all the time (even the most hard line deep-house head has a closet jones for some commercial) hence this very eclectic release; For the Love of House – Special Edition. It’s a very cleverly packaged and unpretentious album, mixing a variety of House sub genres, from deep to electro and afro-deep, there’s even a gospel inspired track at the end, though I think it could have been left out. Flight Facilities by Crave You kicks things off on a playfully techy note, flowing quite smoothly into a string of dancefloor fillers including the incredibly popular Want You in My Soul by the Lovebirds, Gregor Salto’s Please Me & Imaani’s Found My Light. A few of his own productions have become hits in their own right, with tracks like House Nation ft. Antoni Lyons, Seng’Khathele ft. Shota and Domination ft. Mandel all receiving considerable radio airplay and love from the crowd. He’s even included Cabo Snoop’s runaway smash hit, Windeck, just because he knows people love the jam. It’s the kind of album you could pick a track at random from, play just after midnight and reasonably expect a positive reaction from the crowd.

Review: Nathan Kabingesi

DJ China – Deep Inside (Soulcandi)

<House> DJ China has a knack for putting together the most unlikely artists on an album that somehow ends up pitching at exactly the right level; his selection of tracks predicts what the market will want to be listening to in the months after release. The second installment in the Deep Inside series is no exception. At times, mournful, always soulful, the album is a journey through deep house terrain, with a view. Tracks like Leon Ware’s On the Beach (Atjazz Love Soul Remix) and Maybe We Could Be Free by Jonny Montana ft. Pete Simpson soothe like a Sunday afternoon drive along a winding road with the top down. China is a deft guide, ably shifting through subtle changes in mood, from Osunlade’s slightly techy No Way, through the unexpected In Need by Da Capo, to the very jazzy Rhythm of Reality by Marco Fracasso ft. Nica Brook. Quality contributions by DJ Hypnosis, Kemeticjust and Dolls Comber round out a top notch release, one of my favourites so far this year. I can only fault it by adding that it might be a little obscure for some peoples tastes at first glance as the first album made some concession towards commercial appeal by including some afro-deep and tribal tracks.

Review: Nathan Kabingesi

Tokzen Sound presents Mzanzi vs. International Selection 1 (Soulcandi)

<House> Tokzen steps away from his legendary Mmthi’s series to deliver a quality double disc album – Mzanzi vs. International Volume 1. Disc one is a medley of deep, soulful internationally produced or remixed tracks. With this disc, Tokzen strikes that elusive balance between deep-house sensibility and commercial appeal, showing once again why he is still one of SA’s foremost taste makers. Live 4 Now by T3N is sublime (with conscious lyrics to go with), followed by elegant productions from Freaks & 012, Spinna and Phonique. There’s also the well loved Atjazz remix of Chasing by C.9 ft. Kholi. The very oddly named Give Me A Dub F#*k rework of the Lovebirds Want You in My Soul adds a bit of an electro-techy flavour to the mix before tracks from Distant People, April Hill and Blaze close out the album on a jazzy high note. Disc two showcases some of SA’s hottest rising talents; Hoodnatives and Audiopyper have two tracks apiece, with the latter’s My Love for You having a strong following in the ‘underground’ dance scene. Also included are some beautiful synth laced remixes by Snow and the duo of Cuebur & Shimza, as well as La Shad and Mindgames. Definitely in my top five of local house releases so far this year.

Review: Nathan Kabingesi

Grace Jones – Hurricane – Dub (Sheer)

<Soul/Reggae/Dub> If I need to first explain to you who Grace Jones is then perhaps you should skip this review. If you vaguely recall her as that ‘old weird looking fashion model from the 80’s’ then really; Hurricane may not mean much to you as a release. But if you’ve been a fan of this imitable legend from the late 70’ and early 80’s you may want to pay attention here. Jones serves up a delicious double disc – her tenth studio album but her first of new material in nineteen years – of delectable dub-infused dance pop that begs the question; what took her so long? Emitting the same sort of confidence and soul as someone like Sade Adu, but with so much more sleaze and that wonderful avant-garde voice of hers, Grace Jones belies her grand old age of 60-something to deliver 9 wonderfully composed songs that harks back to her Nightclubbing album when she first teamed up with Sly [Dunbar] & Robbie [Shakespeare], a partnership she reignites with aplomb. Produced by Brian Eno, Hurricane is a heady mix of dancehall meets electro, reggae, soul and trip hop. All 9 tracks get the remix treatment in the form of dub versions compliments of Ivor Guest, a London based producer with a deft touch. If you are a Jones fan, find this album and buy it. It’s a keeper! [Hurricane was originally released in 2008. This re-release includes the 9 dub versions].

Review: Dave Mac

Thievery Corporation – Culture of Fear (ESL Music)

<Lounge> I’ve been a Thievery Corporation fan for many years. Their smooth dub-infused lounge grooves with just a hint of Latin influence together with their slick New York image, all decked out in classy suits captured the imagination of many a fan. They were often compared to Kruder & Dorfmeister, mostly because they arrived on the scene not long after them, and back then lounge grooves in a chill room were an essential part of any decent event. The Thievery duo also went off the boil for a while, each release starting to sound like a regurgitation of the previous but thankfully Culture of Fear sees a return to form with a solid 13 tracker that includes a healthy smattering of dub, rap, lounge and a hybrid mix of all of the aforementioned. As the title suggests they’re still hell bent on conspiracy theories and their lyrics are consumed by political rhetoric. It’s not superfluous talk though; Eric Hilton and Rob Garza are well read individuals, so led by strong lyricism they deliver an album that has all the familiar Thievery trademarks but also sees the duo return to their best offering in some time.

Review: Dave Mac

Dance Computer – Various Artists – Compiled by Ace Ventura (IBOGA RECS)

<Progressive Trance> When Ace Ventura blasted the dancefloor at Alien Safari ‘s Masqued Ball late in February of this year it confirmed what many had been feeling; tough, serious sounding progressive artists would rock our dancefloors if only the promoters would ‘take a chance’ and fly somebody out! Well the Alien’s got the jump on everybody and Ace did not disappoint; made all the more sweeter now by the release of this double disc compilation as compiled by the man himself. Featuring the likes of Rocky, Zen Mechanics, Egorythmia, Ectima, Captain Hook, Klopfgeister, Riktam & Bansi, Liquid Soul, Atmos, Flowjob and of course Ace himself as well as a tasty collaboration with Liquid Soul as Liquid Ace, those in the know will be salivating at this list of producers and so they should. With no less than 18 tracks to choose from, Dance Computer is a quality release that’ll find itself on the playlist of many a DJ this summer as indeed on sound systems at home. Although quite a varied selection of artists with different styles there is certainly a cohesiveness to the tracks he has selected, or perhaps it’s in the mastering, either way Dance Computer is one of those rare compilations you can play from beginning to end without the strong urge to skip a track proving Ace’s quality both as a producer and as a selector. Highly recommended.

Review: Dave Mac

Journey – Through the Mirror (Free Spirit Records)

<Psytrance> Journey is the psychedelic trance project of Giampiero Mastino who was born in Italy and now resides in the UK. He also happens to be the label head for Free Spirit Records. The opening track is a full on psy tune that forewarns one of serious psychedelic tunage to follow. The Journey remix of Help Is On The Way by Tron is a fast paced affair that kept me bopping. Deeksha is banging with darker undertones and this makes it suitable for any time slot at a party. Psychedelic Fusion is a collaboration with Rastaliens and the synth echo made my toes curl, bloody awesome. This track is definitely a future classic and I cannot wait to hear it on a big rig. Spirit Molecule is an excellent track but this is not yet the time to peak. Phonik Trip, a collaboration this time with Holophonic, is phat and will blast those winter cobwebs away. Another big tune with a nice build-up is Monkey Sees, Monkey Do; this one will keep you glued to the dance floor. The thought-provoking vox at the start of The Ripple Effect Part II just adds an extra element to this fantastic track. Physical Reaction by Journey vs. Monastic Squid just keeps the banging going until we reach the final beautiful chilled track by Journey, Alexampt and Mononegro. Recommended.

Review: SevenR

V / A – Israliens V.6 Close Trance Encounters (HOMmega Records)

<Psytrance> What initially seems like a strange collaboration between Astrix and Ace Ventura turns Drunk On Dreams into a very good albeit fluffy opening track. The Atmos remix of Warrior by Skazi doesn’t work for me as it sounds amateurish and very poppy. One Night Stand by Hipnotix starts off with a slow rumble, turns into a mash up of techno sounds and never goes anywhere. The Sub6 tune, Twenty o six is passable but certainly not one of their best, it just drags. iVoltage by Freedom Fighters & D-Addiction doesn’t sound much different from the previous track. Along comes Basic to save the day with Limbo a full on track with thumping bassline, stomping music and eerie background singing. The X-noiZe remix of Non Human by Domestic & X-noiZe and High By Definition by Pixel & Tristan are both super blasters. Infected Mushroom spoils a cool track with stupid lyrics once again. The Noise by Black & White vs. Bizarre Contact feat. Aquapipe is a massive track with nice build-ups and a banging beat. Flake by Outsiders is very melodic and fluffy which is not a bad thing. The epic sound of Teleport by Loud ends this compilation on a high note, but it is a pity the first half of V.6 is very mediocre at best.

Review: SevenR

V/A Wide Open – Compiled by Sphera (Echoes Rec)

<Progressive Trance> Well known for his melodic sound and euphoric build ups, Sphera has put together this compilation with a track selection of note. Featuring nine previously unreleased tracks from some of today’s top producers, this release explores the light and sometimes dark realms of progressive trance. Driving, warm and powerful beats with nothing superfluous – sounds only placed where it matters most. Capturing emotion mainly with soulful and uplifting melodies but also taking you to the more serious side with some darker tunes which will be playable at night. Echoes delivers once again and just in time for our outdoor season. Listenable at home or in your car, but off course the best effect will be obtained over a massive sound system underneath an open summer sky.

Review: Jos

EP Review: Darque Ft Kaylow – Difference

Artist: Darque Ft Kaylow

Title: Difference

Record Label: Peng Africa

Release Date: 4th November 2011

Genre: Deep House

Additional remix production by:

Mawuli Kojo Akusa (Kojo Akusa)

Tebogo Mojapelo(The Antidotes)

Suggie Suges(Suges)

Bright Ledwaba (Bright Breeze)

With so much music available at our fingertips, the unfortunate reality is that we tend to trail through countless tracks in an attempt to discover those gems and in the process we are often faced with sub-standard productions which can leave us slightly disillusioned about the current state of musical affairs. Thankfully, there is hope and even more positive is the fact that quality deep house is being produced right here in our own country.

“Difference” is a beautifully smooth, deep and soulful five track EP which oozes quality and grace with soothing vocals courtesy of Kaylow. The original mix is simply outstanding and an absolute pleasure to ones ears with a laid back, swooping melody and moody sax which is guaranteed to instill a sense of calm.

It has an infectious groove which will have you nodding your head and tapping your feet without you even realizing. This is the kind of track you could happily put on repeat, close your eyes, sit back, relax and enjoy – a true gem.

The quality continues throughout the EP with a variety of impressive interpretations from a selection of remixers while remaining true to the soulful beauty of the original. The Antidotes provide an equally smooth offering with subtle piano keys and synths while Suggie Suges deliver a version with a little more tempo and percussive elements well suited to the dance floor.

The pleasure also continues with Kojo Akusa guiding us into a deeper stripped down version which still contains all the quality elements of the original but with the bonus of a subtle Afro-Deep percussive sound. The closing track takes us right back to the chill zone with the aptly named ‘Bright Breeze’ the Acoustic Jazz Remix. Another impressive release from Peng Africa and when there’s music like this being produced in our own back yard there’s no need to look elsewhere for quality Deep and Soulful house.

REVIEW: Darren Rose

EP Review: Mike Richardson & Howard Sessions ft. KT Forrester

Artist: Mike Richardson & Howard Sessions ft. KT Forrester

Title: Looking Back

Remixers: Huxley, Pete Dafeet, YSE, Matt Gray

Genre: Deep House

Record Label: Lost My Dog

Release Date: 05 December 2011

This is solid Deep House production from Mike Richardson & Howard Sessions. Their original track got me grooving at my desk this morning. Punchy kick drums, a bassline that makes you wanna bounce, very chilled and melodic samples used throughout and all completed with KT Forresters sublime vocals.

Huxley brings some darker Deep Tech flavours to the table with as much skill as Mike & Howard did with the original. This track is going to get many dance floors heaving. Pete Dafeet brings an Acid House style remixes to the EP. He still retains the deepness from the original but his bassline vibes it up a bit. His percussion is also a little faster in tempo which gives the track a very busy feel.

Mike Richardson & Howard Sessions ft. KT Forrester – Looking Back (Lost My Dog) (Clips) by Kahua Music

The YSE Remembers the Bass remix is the Broken Beat mix of the EP with, as the title suggests, a rolling bassline of note! Not exactly my style but as far as I can tell absolutely nothing wrong YSEs production skills. Lastly but not least, Matt Gray gives another Deep House option. His bassline just sounds like fun. Very West Coast feel to his remix.Happy days for sure after listening to this EP. Lost My Dog can be proud of this effort!

Review: Michael Baker

Album Review: Culoe De Song – Elevation

Artist: Culoe De Song

Title: Elevation

Genre: Deep/ Tech House

Producer: The Elevation

Record Label: Soulistic Music

Elevation is the highly anticipated second studio album by the precociously gifted Culoe De Song, a follow up to his very aptly titled debut offering, A Giant Leap. One of the defining characteristics of Culoe’s first album was the superb mixing of the tracks which gave the impression, from the very first listen that, while each track was a unique production, they were just meant to go together, like the score for a very modern remake of Shaka Zulu.

Culoe hasn’t managed to get that balance of harmony without homogeneity quite right this time. His trademark use of driving , earthy percussions, ethereal strings and chord progressions is still very much in evidence, especially on tracks like Let the Sunshine ft 340 ml and African Woman ft Ternielle Nelson. Other stand out tracks are Call Me, a brilliant rework of a Goldfish production ft Monique Hellenberg, as well as Yini Ngawe ft Shota which has been setting dance floors ablaze for a while now.

Elevation Album Podcast by Culoe De Song by Culoe De Song

The rest of the album left me feeling a little let down though, the last four tracks sound rushed, as if they weren’t properly mastered, and lack the subtle complexity and refinement I would have expected to hear from such a talented producer’s second effort. In fact, listening to the last track, Hold Strong ft. Zano, you might be forgiven for thinking he had layered the tracks’ vocals over the instrumentals from Call Me, added some drums over the bridge and called it a day. I’m sad to say that the album doesn’t live up to its title or the very high hopes I had for it.

Ironically, the album has received a nod for Best Produced album at the upcoming Metro awards. Maybe they know something I don’t.

REVIEW: Nathan Kabingesi

EP Review: Maxey & Fred Spider – Voom Voom Grooves

Artist: Maxey & Fred Spider

Title: Voom Voom Grooves

Producers: Maxey & Fred Spider

Record Label: Spring Strut Records

Release Date: TBC

Track listing:

1. Heartache

2. What Kind of Lady

3. Batuque

Maxey and Fred Spider’s soon to be released EP titled Voom Voom Grooves through Spring Strut records is a Baker’s Assorted Biscuit collection of everything that the soles of your feet could ever ask for.

“Batuque” is an Afro/Brazilian house remix entangled in a head on collision with some hard-headed dub insensibilities. That’s my two cents worth about that. The end result is an admittedly refreshing sound. The way the pair have meshed together different musical influences blurs the lines that are created by a fraught loyalty to genre. After the first two minutes I was already in love with the beat. A slow head bop comes from nowhere as the intro kicks in and you slowly begin to recognise that familiar Samba/Afro Brazilian beat that induces the mandatory hip swaying and shoulder popping.

After this obvious and initial bias, I was forced to conduct a little survey. I decided to hold a listening session with a couple of mates of mine. All this was done in order to retain some semblance of integrity for a dance music magazine review, from an acknowledging house music addict. Needless to say, their reaction was the same as mine, a solid three out of three swivelling shoulder and head dips!

“Heartache” and “What Kind Of Lady” provide evidence for the EP’s deserved adulation. Maxey and Fred Spider cite a large and varying musical influence that is drawn from Jazz, Soul, Samba, Afro/Brazilian and Electronic House inspirations.

Maxey & Fred Spider – Heartache – Spring Strut by Spring Strut Rec

The ensuing 1960’s Jazz and Soul inspired pieces lay those influences prominently to the fore. The track list will take you through a range of emotions. Voom Voom Grooves definitely offers more than just DOOF DOOF music. The songs have a lot of soul which is a veritable stamp of any classic tune. The duo has stayed as far away from doing anything that even resembles contemporary popular music. Which is the one and only negative you could possibly find with this contribution. We’re more likely to hear these songs alongside a myriad of dance catalogued tunes on weekend radio shows, manned by actual DJ’s. Although “Heartache” is the most radio friendly track on the EP, because it’s released under a house music label it may not be at the top of the music compiler’s pile.

REVIEW: Tebogo – Slymedia

Album Review: The Littlemen – Retro Resources

Artist: The Littlemen

Title: Retro Resources

Record Label: Mobile Trax (UK)

Genre: House

Release Date: 17th October 2011

Music is constantly evolving with new sounds, genres and sub-genres emerging on what almost seem like a monthly basis; but there’s no escaping the fact that producers are constantly drawing inspiration from the past and bringing elements of early house into today’s releases.

After all, good music is timeless. The result can either be something which sounds fresh and new with a classic tinge, or it can end up sounding stale, boring and dated. The latter is not something you want from a remix album but when listening to ‘10 Years of The Littlemen’ I couldn’t help but think “if it aint broken, don’t fix it.”

With over 35 releases and remixes on respected labels such as Drop Music and Aroma Recordings, The Littlemen are celebrating 10 years since their first release with what is really a hybrid Best Of/Remix album on their own label, Mobile Trax. The Littlemen hail from Nottingham in the UK, a city renowned for house music and also the home of Inland Knights who take on remix duties with the track ‘Hit Dat Dog’.

The Littlemen – Retro Resources (Album) (Mobile Trax) (Preview Clips) by Kahua Music

Both sets of producers were heavily involved in the UK free party scene in the early 90’s and specifically the legendary ‘Smokescreen Sound System’ which consisted of DJ’s, sound and lighting engineers, a generator and PA system set up in old warehouses, woodlands, fields or quarries where parties were held for free! 10 years down the line we have an 18 track album consisting of the duo’s favourite original releases plus a selection of remixes of these tracks by some of their favourite producers.

Not content with leaving the likes of Justin Harris, Raoul Belmans and Ken ECB to cover the remixes, The Littlemen themselves have also given a 2011 revamp to the opening track ‘Attack Me’. The problem is, despite the list of producers and the variety of old and new, there is very little which stands out.

This bumping or jackin’ house sound is not for everyone and things do become rather repetitive but if this is your style of house at least the album affords fans an opportunity to pick up a reasonable chunk of The Littlemen’s back catalogue in one go.

REVIEW: Darren Rose

EP Review: Don Pascal & Fred Spider – Do What

Artist: THE JIVERS

Producers: Don Pascal & Fred Spider

Title: Do What (EP)

Genre: Soul/ Funk /Swing/Nu Jazz

Record Label: Jazz & Milk Recordings Vinyl

Release Date: June 26 2011

THE JIVERS is a production duo formed by the two French DJs/producers: Don Pascal and Fred Spider. The EP has six tracks on it. Two original compositions which include a remix of “Do What” which is featured on the Saint Germain des Prés Café and Jazz & Milk Breaks 3 compilations.

The track was redone by DJ Moodz a French DJ and producer. The rest of the EP features four remixes of the new track “Move on Girl”. Two of the remixes are from The Jiver’s French born member Don Pascal.

The song “Do What” which is a warning against the dangers of a relationship reaching a plateau is elegantly delivered by Anqui who is featured in most of the duos musical releases. An interesting fact about the video was shot in two different cities on two different continents Cape Town and Barcelona. The fun thing about the video is the difficulty in spotting which location is which in most of the shots.

The rest of the remixes where put together by Fred Spider, who recently spent a considerable amount of time in Cape Town and has resulted in his compositions on the EP reflecting the influence of the Cape groove, with a distinct Cape Town Nu Jazz swing sound for the aptly titled Cape Town Bossa remix.

The Jivers – Do What EP (12″ vinyl & digital release) by Jazz & Milk

The songs in the EP definitely carry a Nu Jazz and Lounge vibe. The melodies are pleasant and are filled with jazzy trumpets and plenty of hand clap inducing percussion. This is especially true for track number six on the EP, the Swing inspired remix. The track is the shortest on the EP but it carries the spirit of Jazz, Samba and Sun worship that is incumbent throughout the EP. The track takes you back to Chicago Jazz clubs of the 1930’s, with huge bandstands and checker- tiled dance floors for the swingers to twirl around on all night.

The World Cup inspired remix of “Move on Girl” from Fred Spider uses plenty of percussion to give it a Brazilian Bossa Nova sound with a little Brazilian Jazz sense. The song is funky, jazzy and fun which is something that you would expect for a remix that is dedicated to what was the biggest celebration this continent has ever seen, The 2010 Soccer World Cup.

This EP is for the more cultured ear and isn’t something that you would expect a DJ to drop in the middle of a peak time club set. But if you’re in the mood for a little arm twirling and partner dipping then this is definitely the sort of music for you.

REVIEW: Tebogo – Slymedia

EP Review: Estetique – Alice Dreams

Producer: Estetique

EP Title: Alice Dreams EP

Genre: Deep/Tech House

Record Label: Artizan Music

Release Date: September 2011

Track Listing:

Esthetique – Alice Dreams (Original Mix)

Esthetique – Insomnia (Original Mix)

Esthetique – Space In My Head (Original Mix)

It is days like these that make me very grateful to be reviewing music. Awesome beats like these are why I became a DJ. I like making people dance especially to tracks they haven’t heard before and these 3 tracks from the ‘Alice Dreams’ EP fit the bill!

The label, Artizan Music, got some pretty sweet reviews for their party at Fabric recently. They have a talented set of producers and St. Petersburg based Estetique is their latest signing.

The title track is a funk inspired peak time dance floor filler of note! The crunchiest of crunchy bass lines makes it hard to sit still and ignore it. It’s a mission because I have a laptop and it’s hit or miss with my typing tonight, spell checks you beaut!

Estetique – ‘Alice Dreams’ EP – ARTMD019 by artizanmusic

The track has really good breaks with dreamy synths and quality samples. Straight into the record box you go and make yourself comfortable because you going nowhere buddy!

“Insomnia” and “Space In My Head” are deeper but with the same high levels of production. “Insomnia” is the more chilled track of the two but in the Deep House clubs this track would still make it into the main set.

They both have delish bass lines. Estetique has obviously put a lot of time into his bass lines and I am so happy he did. Carry on brother I want more!

“Space In My Head” has all of the above and a super catchy little sample that comes in half way…you’ll see what I mean. Deep house connoisseurs take note!

REVIEW: Michael Baker

Album Review: Nathan G – The Glow

Artist: Nathan G

Album Title: The Glow

Record Label: Large Music

Genre: Deep/Disco House

Release Date: 25th October 2011

Being a fan of Nathan G, I felt a rush of excitement and anticipation when I checked my mail and found out I’d be reviewing his new album, “The Glow”.

After the success of his track “Diamond’s in the Sky” I couldn’t wait to hear what this bloke from ‘down under’ had in store for us, and the fact the album is being released on the Chicago Large Music label just added to the fuzzy feeling I had inside.

After all, any label which can boast releases from the likes of Kerri Chandler, DJ Sneak, Roy Davis Junior and Dennis Ferrer can’t be bad and suffice to say I wasn’t disappointed!

The album is diverse! It’s great to see an artist who is clearly influenced by Disco, Soul, Jazz and Blues. These influences really shine through in his work.

Don’t expect too much of the same thing; as although predominantly it’s a House album there are no shortage of surprises like a touch of Broken Beat and some great Downtempo grooves. They add a very much welcome laid back vibe to an already impressive selection of tracks.

If you still need more convincing, there are vocal contributions from an impressive collection of featured artists. From Lisa Shaw on “Together” to Cecilia Stalin who delivers a laid back late night sounding vibe on “Love Letters”. Not to forget the legendary “Alexander East” who features on the first release from the album, “The Promise”.

There’s no doubt that Nathan G loves to sample and throughout the album there’s some very familiar sounding vocal snippets from old Disco classics to more recent house favourites.

The nice thing however is that there’s just enough familiarity to hook you but he keeps you wondering where you’ve heard it before by not giving too much away.

When listening to the penultimate track, “Slow Burning”, I keep finding myself singing “she sits alone in a smoke filled café”. Nicely done Nathan G!

REVIEW: Darren Rose

For More on Large Music –  Click Here

EP Review: In My Arms – Marvin Zeyss

Artist: Marvin Zeyss

Title: In My Arms EP

Remixers: Giom, Kev Obrien, Chris Luzz

Genre: Deep/Tech House

Record Label: UM Records

Release Date: 26 September 2011

Marvin Zeyss’ title track ‘In My Arms’, is a dreamy number with a catchy bassline that is going to have dance floors going off. The melodic synths take you on an awesome ride. The other original track on the EP; ‘Between Your Legs’ is a bit groovier with some excellent use of the drums in his breaks.

Giom’s remix of In My Arms adds a rumbling bassline to Marvin’s original work. He’s used less synth in this track and chucked in a few more vocal stabs for some extra flavour. Luzz and Obrien remixed ‘Between Your Legs’ and their bassline is my favourite on this EP.

It has great melodies, interesting breaks, quality samples and all round good production.

Marvin Zeyss – In My Arms EP (UM Records, UMR001) (Preview Clips) by UM Records

Anything that can get my foot tapping a day after an epic Trance party must be doing something right! This EP has definitely earned my stamp of approval and you will be hearing these tracks in my sets.

Review: Michael Baker

Track Review: Vick Lavender feat. Al Olive

Artist: Vick Lavender feat. Al Olive (Abicah Soul Mix)

Producer: Vick Lavender

Title: Beautiful Stranger

Genre: Deep Soulful House

Record Label: BBB Music & Sophisticado Recordings

There’s an African feel, a Spanish beat and some Cuban influence.

The cut begins. It flows. The swaying in my waist turns into a rhythmic side step and emerges as a Latin dance. Whether or not I know what I’m doing is beside the point. My body doesn’t seem to care. It will pull you. It will move you. It will make you smile. This latest upbeat Lavender offering is a summer track. It’s soulful and captivating.

Chicago born maestro, Vick Lavender, has proven once again that Sophisticado Recordings is indeed, sophisticated. He maintains a soulful sound coupled with a magical yet simple bass guitar to bring an edgy, elegant sound to the cut. This song makes me want to be the girl he speaks of. It takes the sounds of music and translates them into a story; the one of attraction and lust. A story carried by the essence of a beautiful woman and how she would sound if she was a song.

Vick Lavender’s Stevie Wonder influence makes total sense. With Al Olive on vocals, he adds a sultry, smooth and seductive feel to a simple but captivating composition. It’s an excellent collaboration as Olive adds a spiritual edge to this light-hearted track.

The mature sound of this track is not limiting, it could be popular in clubs as much as it might be at a Brazilian festival. The jazzy feel caters to the relaxed. The undercurrents in the beat make it dance-friendly and the vocals, gently laced over the bass, speak to the listeners in the crowd.

Blurring the lines between African dance and Cuban inspired sound, Lavender lays the beat down like a bed of roses and caresses your senses with the excitement that arises with the strength in the vocal delivery. It’s a well done track all in all.

To Listen to Beautiful Stranger

Review: Star Khulu

Track Review: Nastee Nev ft Afrotraction

Album: A Gift of Dance

Title: Uyazi

Producer: Nastee Nev ft Afrotraction

Genre: House/ Afro House/ Deep House

Record Label: DO IT NOW Records

Release Date: August 2011

The composition on this one is great. The vocalist taps his voice lightly across the instruments, causing a seamless flow that’s hard to ignore.

I closed my eyes and listened again to the vocals. I liked it more. It came across even more contemporary and clear. It manifested more than just Deep House; it became kind of eclectic and sexy, not just jazzy. The vocals make it an easy-to-love clean track making the whole composition spicier.

Nastee Nev has stayed true to his trademark sound in this one. He’s maintained his flair for expressive and soulful sounds. The lyrics touch on emotions like love and the assurance one needs in a relationship. This offering will definitely be loved by urban ‘Commercial House’ lovers.

‘Uyazi’ is a good track. It’s upbeat and hard to forget. I’m certain it will be played in cars and in clubs purely because it’s a catchy tune and it is easy to dance to. It’s a crowd pleaser that makes people tap their feet and acknowledge it, but nevertheless it doesn’t tickle my taste buds all the way.

It’s like a croissant with no butter; it’s still really tasty, but the butter would have taken it to a distinctive level. With that said, music is food for the soul and this track serves as an appetizer, but an enjoyable one, nonetheless.

Check out DO IT NOW Records on Soundcloud

REVIEW: Star Khulu

EP Review: City Streets By Mr Cenzo

Artist: Mr Cenzo

Title: City Streets EP

Genre: Deep Tech House

Producer: Mr Cenzo

Record Label: Electric Sheep Recordings

Release Date: 25 August 2011

MrCenzo’s latest EP, City Streets, on the Electric Sheep label is some pretty fine work. These 3 tracks are going to work their way into many beat selectors collection.

“Out of the City” has a synth and bassline combo that will rock any deep house floor. Mmmm Mmmm mmmmm I will be dropping this number soonest! “Limited

Dreams” is aptly named because it’s dreamier than “Out of the City”, it’s still the same quality production but more mellow. I see this track being used in bars and restaurants, you know easy on the ears.

“Moving Clouds” takes us back to the dance floor. Very intelligent producing here MrCenzo, sweet rhythms, samples, basslines, everything is ‘toight’ like a ‘toiger’.

MrCenzo is going on my list of producers to watch! I like his work and when he gets hold of some quality vocalists we are going to see some magic. I’d love to see a MrCenzo and Lisa Shaw collaboration soon… Please!

1. MrCenzo – Out Of The City – out soon on Electric Sheep by MrCenzo

REVIEW: Michael Baker

EP Review: Mr Bong Ft Bakaman

Artist: Mr Bong Ft Bakaman

Producer: Mr Bong

Genre: Break Beats/Dubstep/ Drum and Bass

Remixes: Callan Maart/ Melodik/ Liver

Record Label: On A Break Records

Release Date: 22 August 2011

I was sitting across the table from another blind date setup, the conversation led to music. We were still making small talk after the starters. Cleary this date was not going the way that I saw it going earlier on in the night. She leaned across the table and put on her most convincing “I’m interested in what you have to say,” smile while trying to pry the details of my closely guarded playlist.

She had asked so nicely, so I had to oblige. The powers that be at BPM magazine were in possession of the latest single from Mr. Bong called Bong Addict, which is already available for download and purchase for mere mortals.

My date had already confessed to being a reggae and rhythm & blues fan. So listening to Bakaman deliver deft lyrics laced with sexual and alternative healing innuendo over a slight garage beat changed her opinion of me right there and then, which earned me some serious brownie points. This would later change the entire outlook of the evening.

She had honestly never heard anything like it before, which made me look a little worldlier.

This was almost like winning the lottery. It became very clear at that moment that Break Beats/Dubstep or even Drum and Bass as genres are as underground as their come. If your established music routine involves you switching on any sort of knob to access your tunes, be it radio or television, then listening to snyth beats mixed with a little techno and reggae will tilt your axis just a little.

Mr. Bong – Bong Addict passes all the tests you would expect from a dance track, regardless of how fringe the genre may be. The original version of ‘Bong Addict’ highlights the vocal prowess of Bakaman. His delivery almost has you imagining that you are bounce along to the rhythm of the beat in a dank warehouse, while twirling dreadlocks are whipping across your face.

While the beat is as accessible as any intro would be for a dub-step single, that’s expecting to sell. All that changes with the first bass drop, and the track incorporates an electro sample and the pace of the track picks up. The label of the single should carry a disclaimer… for serious injury incurred from rigorous hair twirling.

The single ‘Bang Addict’ has 3 remixes. One from Callan Maart and the other from Melodik, the remixes keep up with the current trend of Electro Dub. The songs which, although fun to listen too when the club is under siege from mammoth speakers, are moving precariously close to having an identical sound. There’s nothing that kills a genre more than over saturation, when songs and remixes start sounding the same.

To Listen – Click Here

REVIEW: Tebogo – Slymedia

Album Review: Timeless – Lawrence

Artist: Various Artists 

Title: Timeless mixed by Lawrence

Record Label: Cocoon Recordings

Genre: Techno

Release Date: 19th August 2011

When it comes to things Deep, Minimal and Tech the Germans really do know how to do it. Peter M Kersten aka Lawrence launched the Dial label in Hamburg in 2000 with his flat mate Carsten Jost and has released seven albums under various production aliases with musical styles ranging from Deep House, Techno to Abstract Hip-Hop. It is as Lawrence, however, that he is probably best know and has been receiving the most attention.

Timeless is Lawrence’s first commercially released mix compilation and the name says it all. Too often DJ’s are overly concerned with playing the newest releases they can get their hands on and it’s something I have never fully understood.

Yes, it is important to be ahead of the crowd and keep abreast of what’s new and cutting edge but not to the detriment of what you are actually trying to achieve as a DJ. Truly great music is timeless and in my humble opinion when a DJ pulls off a mix with a track selection which encompasses both new releases and classics from years gone by, it demonstrates not only talent but also musical knowledge and maturity.

Be prepared for a true mood altering musical journey. The mix starts with Lawrence’s own “Floating” which is a beautifully simple, atmospheric track followed by the Deep melancholic sounds of “Zukunft in English” by Melchior Productions.

Timeless – mixed by Lawrence (CORMIX035) by cocoonrecordings

Lawrence takes us back to 1995 with the Minimalized Deep house track “Forever Monna” by Chez Damier, Ron Trent and Stacey Pullen then demonstrates his love of Detroit Techno with tracks such as Smallpeople & Rau’s “Life Aquatic”.

Things really pick up half way through the mix but there are in fact just too many good tracks to mention.

One thing I noticed, and liked, when listening to this mix is that you can tell it has actually been mixed by Lawrence and not a computer. It’s got that rawness about it which I love so much and which has unfortunately become so rare in commercially released mix CD’s.

In closing….buy this album! Close your eyes while listening to it and imagine a dark underground club in Germany. You’ll be there instantly and you’ll be stuck on the dance floor all night.

In fact, you’ll probably still be there when the sun comes up and wanting more. I’m off to book my flight to Hamburg!

REVIEW: Darren Rose

DVD/ Album Review: The Prodigy – World’s On Fire (LIVE) (DVD/CD) (Sheer)

The Prodigy – World’s On Fire (LIVE) (DVD/CD) (Sheer)

<Breakbeat> For the most part a dance act consists of a guy with enough technology to bang out some tunes to get bodies moving, pulling in the odd guest vocalist, and in a live set-up standing in the DJ booth pointing in the air. But, as we all know, the Prodigy is an entirely different beast altogether when it comes to their live footprint. With Liam being the music mastermind, Keith (or Keef as he’s now known) together with Maxim adding their voices and live instigation on stage, the gang has been at it for decades, carving that unique spot they’ve held for a long time – one of being something between a dance act and a rebellious rock concert. The addition of live guitars and drums drives the latter point home very poignantly as the punk attitude behind the music comes to fruition with explosive shows around the globe. The 17 killer cuts were recorded live on their mid-2010 Warrior’s Dance Festival slot (covering their catalogue from The Prodigy Experience’s rave culture flavour of the time, through the more in your face progression on the mid-’90s Fat Of The Land, to the latest hard edged incarnation with Invaders Must Die. The intense energy vibrates through the live recordings, reflecting where this music really comes to its own, but what makes this package such a killer one is the added DVD giving you a visual reminder of what a force The Prodigy is. Your body is sure to be humming after experiencing this audio and visual attack on your senses, as The Prodigy once again cement their place as one of the most prominent cross-over musical phenomena. Confirmation is pending on the inclusion of this live show as part of the Sound On Screen Music Film Festival line-up later in the year. More info at www.flamedrop.com/sos

Review: Paul Blom

Album Review: Pascal & Pearce – Passport (Just Music)

Pascal & Pearce – Passport (Just Music)

<Electro Progressive House> Pascal & Pearce. Let me say that again… slowly; Pascal & Pearce. Notice how the alliteration of the two P’s just rolls of one’s tongue? As a good friend pointed out to me the name just sounds so international and sounds like they’ve been around for ages! Now for the good news. Their music sounds equally international and extremely accomplished. Passport is a double disc comprising of 10 originally produced tracks on CD1 and 12 of their remixes of other artists on CD2. Kicking off with the sublimely penned Paper Skies featuring Michelle Breeze, she of 90’s band Fetish fame, anybody familiar with Breeze’s vocal prowess will know that she is simply magnificent. But P&P reel in several other top vocalists in SA too, such as Greg Carlin (Zebra & Giraffe), Tamara Dey, Yoav, Locnville and Juliet Harding (Goodluck) all of which ably accompany the intelligent arrangements. Passport is a combination of progressive, techy based electro house, extremely well produced and guaranteed to get your party on. The album moves effortlessly through subtle changes in genre but never loses its cohesiveness, a feature that makes this a very, very good artist album. Now if that’s not enough boogie for you, they serve up twelve delicious remixes on disc 2, further displaying their production prowess. World class, simple as that!

Review: Dave Mac

Album Review: Dirty South – Strictly Dirty South (Strictly Rhythm)

Dirty South – Strictly Dirty South (Strictly Rhythm)

<House> Aussie born Grammy nominated Producer/ Remixer/DJ Dirty South has been chosen to compile and mix the latest instalment of Strictly Rhythm’s acclaimed compilation series. While already well established on the global scene Dirty South took it up a notch delivering smash original productions, remixes and toured the world non-stop and this compilation is one of the results. The Double Disc combo consists of CD one that delivers a string of the bigger House Music moments from the nineties. The mix builds nicely with cuts from Aly-us, KOT, Lil Mo Ying Yang, Shakedown, Bob Sinclar and includes exclusive re-edits of Ultra Nate Free fused with Live Element Be Free. Nostalgia is the word, bringing home memories of back in the day shake downs and balls out happy parties. This makes it the perfect high school reunion party CD to pop in while you reminisce. CD two is filled with the best remixed club bangers of 2011 from the likes of David Tort, D.Ramirez, Thomas Gold, Green Velvet, Danny Freakazoid & Matt Casseli and Tristan Garner as well as plenty of remixes and productions from Dirty South including his Diddy-Dirty Money Coming Home remix. This disc has a more apparent modern feel with that unmistakable Dirty South magic touch. If you are a House fan– you will love this!

Review: Mary Honeychild

Album Review: Locnville – Running to Midnight (Just Music)

Locnville – Running to Midnight (Just Music)

<Electro Rap> The SAMA Award winning Locnville twins have come out with their second album hot on the heels of their first Platinum selling delivery, Sun in my Pocket. With little time to waste they whipped it together in nine short months with the help of their international record deal so the album was engineered, mixed and co-produced by American producer Alan Armitage. It is technically sound and securely vexed in the Electro-Pop phenomenon. The first few tracks, a bit slower in bpm, take a little bit of ear tolerance to get through with of course the same Locnville testosterone bass vocal. For the fans this offering will definitely satisfy the craving of another Locnville fix. They experiment with varying distinctions of Electronica combined with Pop and without a doubt make it their own. Tracks like Stars Above You with its happy World Electro feel will more than likely feature as a ring-tone favourite. Head to the Sky has the definite Alan Armitage mark . It takes on a more urban hip hop influenced street feel complete with adlibs. When The Sun Goes Down remixed by Pascal & Pearce is the last track on the album boasting an edgy, darker techy club feel. If you liked their first album – you will no doubt like this follow release.

Review: Mary Honeychild

Album Review: Martin Solveig – Smash (Just Music)

Martin Solveig – Smash (Just Music)

<House> Frenchman Martin Solveig has risen sharply from being a well-respected Global DJ, to one of the most formidable producers and performers in the Dance scene. With his fourth studio album SMASH, Martin draws the listener into a world of pure and unparalleled fun. The first track on the album and hit Hello sold over 1.3 million copies, achieving platinum status in four countries. This album SMASH entirely produced by Solveig, is unrelenting in its quest for cheery, good mood commercial dance music tunes. His eccentric taste and non-conformist and multifaceted approach to production is what helps set him apart. The track Big in Japan plays out like an ode to his hit Hello echoing much of the same production. This should be a nice follow up to that happy tune – considering how obvious it is that he is taking a rightful brag. Get Away From You has alternative pop Rock infused Electro – Guitar feel, making it perfect peak hour traffic driving music. You will dig this if you want tunes for just that or for those ‘so drunk at a party I could dance to anything moments.’

Review:Mary Honeychild

Album Review: KID FONQUE – 2 SIDES OF THE BEAT (Soulcandi)

KID FONQUE – 2 SIDES OF THE BEAT (Soulcandi)

<Eclectic> If you know anything about Kid Fonque you will know that he is one of the most eclectic DJ’s we possess on our shores. Having seamlessly played an array of genres from hip-hop to nu jazz and even drum and bass one would expect nothing but the best from Kid Fonque. 2 Sides of The Beat is exactly that, an eclectic mix that includes the likes of Mujava, Nick Holder, Osunlade, DJ Gregory and Quadron to name but a few. This compilation takes one on a journey into deep soulful renditions and down tempo rhythms for the trained ear. The seamless transition from one genre to the next is what sets this record apart from anything out there. Tracks to look out for are Today by April Hill, A Day Without You by Osunlade, Mercyless by Fred Everything masterfully remixed by Atjazz and Love Of My Life by Zephrin Saint and Nathan Adams. To try and box this album in would be a futile exercise; its either you have an ear for good music or you don’t. So if you’re looking for smooth deep sounds meditatively mixed for your eardrums and soulfully soothing then this one is definitely for you.

Review: Sive Booi

Album Review: GLEN LEWIS – GLENZITO HOUSE AVENUE 6 (Soulcandi)

GLEN LEWIS – GLENZITO HOUSE AVENUE 6 (Soulcandi)

A season is never quite the same without an offering by Glen Lewis aka The Great One. Having countless compilations under his belt and graced many a dance floor the world over this well-respected DJ has managed to stay relevant always introducing house heads to musical gems the world over with his fine music selection. His sixth edition of the house avenue manages to do this and more. This latest edition features the likes of Furry Phreaks, Roland Clarke, Charles Webster and Jimpster with remixes from legends like Joey Negro and Jerkhouse Connection. Tracks to look out for are Andre Lodemann’s Where Are You Now, Jimpster’s Alsace and Lorraine and C9ine featuring Kholi Chasing. A track that is bound to fill the dance floors is the Atjazz remix of Relax by Rainy Payne and Doc Link. If you have ever sampled any of the offerings on the House Avenue series you will realise that it is for the true lovers of deep house music. So if you are not accustomed to the sounds of the house avenue have a listen and you will be pleasantly surprised.

Review: Sive Booi

Album Review: ELECTROCANDI 3 – Various Artists (Soulcandi)

ELECTROCANDI 3 – Various Artists (Soulcandi)

The long awaited ElectroCandi 3 is finally out and the dance floor is in for one hell of a summer. The latest offering is mixed by the likes of Black whole, Game and Capetonian DJ Dean Fuel. This triple disk banger is littered with an array of talent from the likes of Mr Cee, Tom Novy, Chris and Lake Lulo Café to name but a few. The beauty of the record is that it has something for everyone. From the pulsating basslines, to electrifying vocals to ass-shaking tracks all particularly put together for your listening pleasure. You will be hard-pressed not to find something you like from this compilation. Stand out tracks include I Wanna Love You by Lulo Café featuring Nothende, Summer in Greece by Chris IDH and Zogri featuring Amara the DJ Hypnosis remix. Tracks that will make you stand up and take notice are Pain from Mr Cee featuring Mindgames and the track Paris Hilton by Fuse. In general this is going to be one of the biggest records this summer without a doubt.

Review: Sive Booi

Album Review: DJ CLAUDE – STEREO CANDI 5 (Soulcandi)

DJ CLAUDE – STEREO CANDI 5 (Soulcandi)

Claude is one of those names that are synonymous with beautiful offerings. With a touch of eloquence and pizazz comes Stereo Candi 5. This compilation features mega tracks and remixes by the likes of Rocco, Atjazz, Charles Webster, Imaani, Nasty Nev and that hit factory known as the Infinite Boys. Masterfully selected and mixed from one track to the next this album is definitely going to have dance floors buzzing this summer season. Laced with spiritually elevating vocals and pulsating basslines this is a compilation for all seasons. From the infectious For Real by Atjazz to Imaani’s Found My Light the anthem that has dance floors across the country bumping to its rhythm, you are really spoilt for choice on this one. A track that is sure to take you by surprise is the jazzy joint Hung Up by Nasty Nev that is masterfully remixed by the Infinite Boys. I personally recommend Learning to Love Me by Charles Webster featuring the hypnotic vocals of Diviniti. If you’re looking for soulful deep sounds that are eloquently mixed and masterfully selected you should get your hands on Stereo Candi 5.

Review: Sive Booi

Album Review: Tyler, The Creator – Goblin (XL)

Tyler, The Creator – Goblin (XL)

<Hip Hop>Tyler, The Creator, is a 19 year old, American rapper and record producer from Los Angeles, California. He is also the leader of the alternative hip hop collective OFWGKTA. Tyler has attended twelve different schools during his twelve years of education and gets his thrills in coming off as an angry teenage delinquent. With fairly relevant apolitical and anti religion sentiments shared by a lot of other rappers, he makes a few valid points when referring to nonconformity. However, a little too much angry teenage boy and a little more lyrical art is what hangs missing from this piece of work. His delivery tempo remains the same throughout the album, profanity filled, from the throat spitting instead of the heart. Given his inexperience and the obvious talent sitting beneath his need to prove his masculinity, this rapper shows evidence of growth worthy talent. I bet ten to nothing he will look back on this work and blush just a little. You will enjoy this if… you just couldn’t get enough of Immortal Technique’s earlier juvenile stuff and if you don’t really mind every second word being F this and F that.

Review: Mary Honeychild

Album Review: Flowjob – Sway – Iboga Records

Flowjob – Sway – Iboga Records

<Progressive Trance> Flowjob is Joakim Hjorne from Denmark and Sway is his 3rd album for Iboga Records. From the outset this progressive psytrance release gently eased me into a relaxed state but still kept my foot tapping throughout. The second track, Mercury Calling (U.F.O info) has a much faster beat, interesting vox and had me dreaming of a sunny dance floor. Goas Ark doesn’t sound very Goa but it is another fast track with a stunning melody. For Behind the Speaker Joakim slowed the pace and added a lot of echoes which results in a very trippy tune. He then takes you to the crazy titled Boomerangutang which has a thumping disco beat and lots of vocoder. The dreamy and angelic sounding, So many Dynomos has all the synthy elements, which reminded me of 80’s electronic music I love. Wow, what fun! Flowjob is mixing it up with a lot of different styles here and Pimp Your Hat sounds like it has its roots in Techno/Disco. Back to the liquid flowing prog sound with Panic in Purple. The album ends on a bouncy and melodic note, similar to the end of a daytime set, with Lightyear. Highly recommended.

Review: Riqardo

Album Review: Rocky – Keyboard Wipeout (Echoes Records)

Rocky – Keyboard Wipeout (Echoes Records)

<Progressive Trance> It has been four years since his previous release A Thread of Light, but Roy Tilbor (aka Rocky) has not been relaxing since. He has featured on numerous compilations in the meantime and collaborated with big names such as Ace Ventura. Retaining his reputation as one of Israel’s top progressive trance producers he now brings us his second album. Nine fresh tracks, containing two remixes, portray this artist’s ability to make a tune sound at least 3 BPM faster than what it actually is. Lengthy, interesting intros sets the tone before breaking into fat kicks with a mega drive. An overall result filled with daytime vibrations, sometimes beautiful and sometimes just plain kick ass. Not trying too hard to blow you away, but eventually does just that. Not to be missed!

Review: Jos

Album Review: Loud – The Remixes (Nano Records)

Loud – The Remixes (Nano Records)

<Psytrance> Loud (Eitan Reiter & Kobi Toledano) have recently signed with Nano Records and this is their first release with the label. These guys have recently burst onto the scene with their banging style of dance tunes and I am looking forward to them sharing their music on a South African dancefloor at Earthdance 2011. Their first track is the classic L.S.Dance by Psysex and it has been remixed by Loud. The Ace Ventura remix of Subinya is so sweet and creamy, a perfect Nano tune if I’ve ever heard one. Sun Dance is remixed to perfection by Perfect Stranger; a stunning track. Prometheus has remixed the psychedelic and trippy track, One Way. The goodies just keep coming and this is followed by a remix of Digital Hippie by Psysex vs. Activator. The dub step remix by Captain Hook of Wired is a pleasant surprise and then my ears were filled by the beautiful full-on symphony of All Rights Reversed as remixed by Avalon. Laughing Buddha takes on the Big Squid and wins the battle. The album comes to a close with the aptly titled Enlightenment as remixed by Zen Mechanics. Recommended.

Review: SevenR

Album Review: Vuuv 20th Celebration – Various Artists (Iono Records)

Vuuv 20th Celebration – Various Artists (Iono Records)

<Psytrance & Progressive> Two styles spread over two discs, equally brilliant. Dedicated to twenty years of the legendary VuuV festival held in North Germany with a track listing that promises nothing but brilliance. Disc 1 is compiled by Iono label partner and well renowned DJ Murus and explores the progressive side of this double gem. Slightly different to the general fluffy trend that progressive trance seems to follow nowadays, these nine monster tracks have quite an edge to them and some will even be suitable for the night. Sticking to the same high calibre, the second disc is compiled by full on wizard Paul Taylor and contains faster, harder tracks that will flip you and dip you in a full dose of psychedelia. Miss it and you will definitely miss out!

Review: Jos

Track Reviews: Yucatech Recordings & MPI

Artist: MPI ft 3 am in The Valley

Track: Smut

Producer: MPI

Genre: Electro / Crackhouse / UK Garage

Label: Yucatech Recordings

His most recent release ‘Smut’ which features Australian based rapper 3 am in The Valley leans more towards Techno Dub than Dubstep. The incorporation in the track of a vocalist makes you want to listen a little closer to the song. 3am in the Valley may not be in the speed dial on the phones of major party promoters, but who doesn’t want to “take a girl home and make her shout…f*ck me”? Because sometimes at a party you might just might want to sing along.

Artist: MPI

Track: Closure

Producer: MPI

Genre: Electro / Crackhouse / UK Garage

Label: Yucatech Recordings

‘Closure’ sounds like Darude and Bennie Bennassi are locked in a galactic light sabre battle trying to one-up each with a crazy synth beats, definitely a track to bust in the car on the way to the warehouse.

Artist: MPI

Producer: MPI

Track: Who Run Tings?

Genre: Dubstep

Label: Yucatech Recordings

The track ‘Who Run Tings’ is homage to traditional South London Dubstep. Not because of the reggae delivery, but because the mixing of Dub beats with Techno leaves you longing for the days when vinyl’s weren’t vintage. It’s a right proper trance inducer of a track. Listening to it over and over again, I couldn’t help but want to raise my lighter in the air and salute such a polished track, and it didn’t matter that I was lighting my smoke.

If there was a bridge that you could cross to ease the tensions between a ‘diehard’ Deep House fan and an all-out Electro-Tech head, a little MPI attached to the cables of the bridge will definitely help them move a little closer.

Artist: MPI

Track: Empire X

Genre: Dubstep

Producer: MPI

My first introduction to Dubstep and MPI was through the epic track Empire X. It’s a Dubstep mangling of Darth Vader’s iconic ‘Imperial March’ theme from the Star Wars saga.

The tune was definitely as epic as the saga. The remix has probably done for MPI what the Imperial March did for Darth Vader. It would announce the arrival of a serious beat legend. Although one could argue that the music that MPI isn’t dubstep, in the strictest definition of the genre – but he undeniably creates music that affirms the principles established by South London DJ’s in the infancy of this millennium.

His new beats reflect a fresher sound, making music that will pack dance floors and have little Tristan’s and Bella’s dancing and banging against the walls at the nearest warehouse space of convenience. It is however at the same time music that is easy on the ear, and doesn’t require said warehouse to be boarded from wall to wall with 1000 decibel speakers to have you moving and bumping your head to.

If you had to nitpick and try to find something wrong it would the lack of any accompanying vocals with the songs. Random thoughts scribbled onto paper, to tell a story that will mesh with immaculately woven random beats, which have no business working that well together in a song, in the first place.

REVIEWS: Slymedia

EP Review: DJ Ra Soul – Take it Slow

Artist: DJ Ra Soul

Title: Take It Slow EP

Genre: Deep House

Record Label: So Sound Recordings

Release Date: 9 September 2011

I never feel particularly comfortable talking negatively of an artists’ work because music, like any art form is an expression of oneself. It’s the artist’s personal creation which is the end result of countless sources of inspiration, moods, experiences, feelings.

It tells a story in a form that is ten times more powerful and profound than words can. Who am I to criticize someone as experienced, musically talented and knowledgeable as DJ Ra Soul? It’s like a ‘laaitie’ trying to teach his father life lessons. So, it’s with no disrespect that I offer my two cents worth as at the end of the day you can’t and won’t satisfy everyone. This is what I have tried to keep in mind while listening to DJ Ra Soul’s “Take It Slow EP”.

Perhaps quite a fitting name, as I found it pretty slow in evoking any kind of positive emotion in me. There is no doubting that DJ Ra Soul has been around for a long time with his first release dating back to the early 90’s. He has seen it and done it and is well respected in the industry as both a DJ and producer. The truth is however I struggled with this EP. There are definitely elements that connect with me in some of the tracks but overall, I was left rather disappointed by the release.

I always look forward to receiving music to review and the excitement of potentially finding that new gem, but my initial impression of the “Take It Slow EP” was that it had been produced by a new kid on the block who just didn’t quite get it. Granted, this is definitely much more of a West Coast style which isn’t a style that has ever resonated with me as in my opinion it lacks any real depth. I’m inclined to also think a lot of South African House heads will feel the same.

The saving grace of the EP is the signature track “Take it Slow” which stands out as the most listener friendly my opinion, with a soft, soothing vocal and melodic baseline. There are elements of classic 90’s house with a reminiscent piano stab which I must admit takes me back to the good old days. As the label boss for this release said “When I think about Ra Soul’s music, I get the feeling I used to get at the pick point of house music (1998-2000), when house was about happiness, love, feelings, emotions, community, soul, discovery and sharing”. Ah, I get tingles just thinking about those days. It’s just a pity the rest of the EP doesn’t also take me back there.

REVIEW: Darren Rose

Album Review: Miguel Migs – Outside The Skyline

Artist: Miguel Migs

Title: Outside The Skyline

Label: Om Records

Genre: House/Dub/Funk

Release Date: 20 September 2011

Diarise the 20th of September because that’s when Deep House aficionados can finally get their hands on the much-anticipated album by Miguel Migs- ‘Outside the Skyline.

Miguel has gathered the vocal talents of Meshell Ndegeocello, Lisa Shaw, Evelyn “Champagne” King, Aya, Reggae legends Capleton, Half-Pint and Freddie McGregor, Bebel Gilberto as well as Georg Levin. Those are some serious heavyweights and I can’t wait to drop all these tracks in a set!

I love the combination of Reggae and House, it’s been done before but I don’t think ever so slickly – definitely Zion sounds still flows through his veins. Trust me the single, ‘Everybody’, released in July is just the tip of the iceberg.

Miguel Migs – Outside The Skyline (Om Records/Salted Music) (Preview Clips) by Kahua Music

I really do love every track! Miguel has truly done himself proud and this album is definitely worth the 4-year wait since his last. I will be very surprised if ‘Outside the Skyline’ doesn’t make it into the Top 10 of Billboards Dance/Electronic Album chart.

As you can probably tell I have been a fan for a while, who doesn’t remember Nude Dimensions 1?

The man deserves credit for pioneering the Deep House sound and holding his own against other legends like Bob Sinclair and Dimitri from Paris. We all know what he can do, which is why when I say, “He’s done it again!” That should be all you’ll need to hear for this album to make it’s way into your collection.

REVIEW: Michael Baker

EP Review: Dmitriy Toks – Pak Free

Dmitriy Toks – Pak Free EP

Genre: House, Tech House, Progressive House

Label: Triplefire Music

Tracklisting

1. Dmitriy Toks – Puk Pak

2. Dmitriy Toks – Feel So Free

Okay, so I have been playing Deep House for over 10 years now perhaps I’m not the best person to review a Tech/Prog House release but I have always had that ‘rawkus tougher side’ bubbling and slowly simmering in my music collection.

Just recently I was invited to play at an Underground Tech event in Cape Town so I dusted off some a few current Techy nuggets including these ones from Dmitriy Tok’s I had recently added into my collection. Although I prefer a more intelligent sound, these 2 tracks sounded a tad repetitive. I was however quite taken by the production.

Dmitriy Tok’s breaks are great! They really build you up until you are screaming for that bassline and when it breaks trust me any DJ definitely have the house rocking – but after 30secs of that loop I find myself getting bored again. One will be inclined to say have a very critical ear, yeah and you’d be right on the money. I also harbour a very personal opinion on what sounds are currently “in”.

These 2 tracks fit into the commercial bracket as far as I am concerned which is not a bad thing because that’s where the money is. Wait…I know exactly what you are thinking now! Let me re phrase – personally it’s not about the money, it’s about the soul. Let’s be honest the average ‘club goer’ will probably enjoy these tracks. The drums are clean, the harmonies are good, the basslines are heaving and the synths, my favourite part, are quite dreamy.

So you know what… don’t take my word for it; find it and listen for yourself.

Review: Michael Baker

Album Review: Silulu VOL 1

Label: PENG AFRICA

Artist: VARIOUS

Title: SILULU VOL 1

Genre: AFRO DEEP HOUSE

It’s no secret that all eyes in the world of House are currently focused on South Africa and this album is a perfect example of the talent and diversity which is flourishing in our country.

Truth be told, my first impression of Peng Africa’s debut release was “it all sounds a bit local” but I quickly overcame my initial short sightedness and realized that in actual fact that’s the very beauty of this compilation, which provides a showcase of what’s happening right now in South African Underground House music.

Don’t expect one specific style or sub-genre because as the name Silulu suggests (Swati word meaning many more eggs in the chicken’s nest) although the featured artists share a common South African heritage, the eleven tracks differ significantly and as such the album offers something for everyone.

There’s elements of Afro Deep, Jazz, Soulful vocals and also something for those who prefer the simpler, deeper and darker sound of House but throughout the album is consistently “smooth”.

As a friend of mine, who also happens to be a serious House connoisseur recently commented, “The aim is not to sweat on the dance floor. You got to keep it smooth” and certainly while listening to this album in a variety of surroundings, whether it be driving, chilling at home on a lazy Sunday morning or DJing around Cape Town one consistent thing has been that I’ve found my body moving to these tracks without even realizing and smooth is a word that most definitely comes to mind.

As a DJ, the test for any track is to see how a crowd reacts when you play it live and in this regard it’s thumbs up for the soulful vocal track ‘City of Dreams’ by Soul Side Up featuring Keeno Lee which had heads and bodies moving when I dropped it during a recent set at arguably ones of Cape Town’s best lounge bars.

There’s plenty of other tracks on this release which I’m looking forward to playing out, in particular Mystic Streets by Deep Soul which is my personal favourite. A deep, slightly dark journey, perfect for an intimate club. Likewise, Querer by F.L.G.P. featuring Tanya and Cafro Deep’s The Goldilocks Zone also hit the spot.

Overall, an impressive compilation and I’m sure many people will be looking forward for future eggs from Peng Africa’s nest.

REVIEW: Darren Rose

EP Review: Robert Babicz – What a day

Album: What A Day

Producer: Robert Babicz

Genre: House

Track Listing

Insider

I Am Here

Release Date: 29 August 2011

Since its 2010 launch Babiczstyle has seen owner, Robert Babicz, delving into his recent archive of work to unearth and compile personal productions that have rocked his live sets. To date, we have been entertained and amazed by a multitude of styles and sounds, with each and every track a standout.

With the tones of April’s “Nektar” EP still resonating with us, he prepares to unveil his latest offering, the three track “What A Day” EP. The title tracks is pure bliss. Its brushed snares and warm comforting bassline working brilliantly with its twinkling melody and sensitive piano stabs to whisk us away on Babicz’ musical cloud. Stunning work.

Track two “Insider” sees Robert going polar opposite on us. Matching glitchy beats with a killer jazzy bassline he creates a track that is… well… genius! Final Track “I Am Here” signals an upping of the pace, yet still Robert achieve’s that masterful combination of delicacy and power. His bubbling bass synths drive the track as waves of sax lap throughout. House at its finest? You better believe it.

Album Review: C.9ine – Sound Garden

Artist: C9ine

Album: Sound Garden

Title: What you do

Genre: Downtempo/ Lounge

The eclectic feel of this C9nine offering is so cool and suave. I imagine a scantily clad brunette; face heavily cemented in make-up, walking through an alley with no destination.

The track has a hypnotic element. A sexual undertone that will be ideal for upmarket bars perched on the coast. Deep house enthusiasts will be impressed how this track crosses over to new age sounds without compromising the underground vibes we know C9nine for.

The mixture of light instruments in the background tapping lightly on the vocals is inviting. These revered house practitioners have experimented with electric guitar sounds and managed to keep the track as mellow as cough mixture to a strained throat.

“What you do” is chilled. It’s modern and chic. It’s a futuristic sound that will remain relevant for years to come. It’s not for people who love to dance, not for the crazy or bounce-off-the-wall types. It’s a slow-down track – a travel track that you can play over and over again.

Once again, C9nine’s dedication to solid and neat lines is evident. Their attention to small detail shines through in the composition. I am now a convert and you know what …let me just leave it on until I fall asleep.

C.9ine – What u do (SOUND GARDEN) by C.9ine

REVIEW: Star Khulu

Album Review DJ Jazzy Jeff & Ayah – Back For More

Album Review: The Rural – Ocean

Label: PENG

Artist: The Rurals

Title: ‘Ocean’ (Album)

Genre: Deep House/ Lounge

Release Date: 15 August 2011

My brotha in House music, pointed me to the ‘Rurals’ latest album recently to review. We share a passion for Deep House, which is why he knew I’d love the album ‘Ocean’.

After hearing a couple of scrumptious tracks from the album and subsequently ‘dropping’ them in my recent set; it turned out to be one of my best sets to date. There was old and young in the crowd and everyone recognised the quality of the music on offer. It’s not often that you can please 20 and 50 year olds at the same time. Thanks Andy for making me look like a pro!

I have listened to a few Rurals mixes and have enjoyed their funk; so to hear this jazzy album was a little unexpected. I have always been very fussy with my music and for me to like an entire album is very rare.

This is my 1st review of an album and I was so hoping I could get the chance to be a little bitchy but that’s not going to happen. This album is pure class and will make any Deep House connoisseur happy to part with their hard earned cash.

When I play music like this; I feel like I am showing off. It’s so different from the commercial music being punted by the radio stations and when you have an open-minded crowd at your fingertips, like I did in my recent gig, why wouldn’t you want to show them your soul.

That’s the word that sums up this album best for me “SOUL”!  Play music like this and no one will doubt you’ve got your fair share. The production is super tight and the vocals are perfectly suited to the mood the music creates.

For those of you out there like me who haven’t had too much exposure to the Rurals it’s time to get well acquainted. I know I am going to delve deeper into this Devonshire collectives past works.

Review: Michael Baker

EP Review: Sumsuch – My Keepsake & Underwear Model

Label: Etoka Records

Tracks: My Keepsake & Underwear Model

Producers: Sumsuch, Harold Heath &Alvaro Hylander

Genre: Deep, Progressive House

Release Date: 27 June 2011

Track Listing

My Keepsake

Underwear Model

Etoka Records release SumSuch’s EP – featuring his 2 tunes , My Keepsake & Underwear Model.  An EP for those who are into the deeper sounds of progressive house. With 2 extra remixes per track, i was expecting to hear an EP with a good variety in styles from track to track. But unfortunately, I found all of them to be a little too similar for my liking. Some interesting moments from Leigh Morgan and Mr Cenzo’s remixes – giving the track a more melancholic twist, and all round smoother production, compared to the original, which i personally found to be TOO under-polished. I won’t be loading these onto my playlist.. But don’t take my word for it. Check this out for yourself, it could be what you looking for.

Review By: DJ Danalog

Track Review: Nomarema – Ubuhle Bakho

Label: BBB Music (South Africa)

Track: Ubuhle Bakho

Artist: Nomarema

Genre: Soulful House Music, Afro Soul

Release Date: 29 July 2011

Nomarema is no stranger to the soulful house scene; having already introduced himself with the 2009 hit ‘Nkosazana’ which was featured on the 115point one compilation mixed by DJ Octave. The latest single continues in the same vein as ‘Nkosazana’.

With house music groups like Crazy White Boy and Liquideep having taken the genre of house crooners to the next level by acquiring massive cross-over appeal and corporate recognition as evidenced by their current success.

The track continues the trend of sweet, down tempo house rhythms accompanied by the hypnotic voice of vocalist (Nomarema).

Even though the song is sung in isiZulu the hypnotic voice and delivery will leave you with no doubts about what the song is about. ‘Ubuhle Bakho’ is a Zulu love letter exalting the beauty and sparkle of woman, through the eyes of a man in love. It’s the type of music that has, ‘emotion, music that speaks to the heart and soul as opposed to that that speaks with the feet alone (Sic).’

The song although beautifully created and written isn’t the type of song that will get a dance floor jumping. But it is definitely a song that will have the ladies singing along in hope of someday meeting a man who will share those same sentiments about them. And if the man they envisage can sing the lyrics as harmoniously as Nomarema that would be a bonus.

Review: Slymedia

EP Review: Linnea Shossow – Someone Like You

Producer: Linnea Schossow

Label: Vandit

Genre: Prog Trance

Track Listing

Someone Like You (Original Mix) (03:07)
Someone Like You (Alex M.O.R.P.H.’s Darth Morph Rework) (08:14)

Linnea Schössow’s Someone Like you EP , is one for all the Proggy lovers out there.. Big synths and uplifiting vocals, sure to get the ladies dancing. However this sound is very tryed and tested, listening to it, you can’t help but feel that this artist is just another Deadmau5 copycat. Not my cup of tea, but if thats what you are looking for, then this one’s for you. Check out the remix too, for a more aggressive/electro take on it.

Review By: DJ Danalog

EP Review: Atapy – Lost & Believe

EP Review: Disappointing Dancefloors By Alex Jones

Producer:Alex jones

Label: Hypercolour Records

Track: Disappointing Dancefloors

Genre: House/Techno

Release Date: 11 July 2011

Track Listing

Disappointing Dancefloors C

Morning game

Romania Pika

Cowboy Trap – feat Kris Wadsworth

Disappointing would be the most appropriate and operative word here. If Hypercolour has released better EPs and productions before this I hope the success of those over shadows the serving of this one. The make up of the tracks are based in its “forward-thinking and interesting electronic music” that is an “exciting and irreverent take on house and techno” complimented by “oddball treatment of vocals and synths, over-loud snares or brutal use of EQ”. Oddball? Or simply unreasonably trying to be the kind off eccentric that is not dance floor worthy. No thanks.

Review By: Mary Honeychild

EP Review: Underworld ‘Dark & Long’ (Christian Smith Rmxs)

Producer: Christian Smith

Label: Underworld

Track: Dark & Long

Genre: Techno

Release Date: 22 August 2011

Track Listing

Underworld – Dark & Long (Christian Smith Hypnotica Dub) – Tronic

Underworld- Dark & Long (Christian Smith Tronic Treatment Remix) – Tronic

Christian Smith’s biggest remix yet- the reworking of Underworld’s seminal ‘Dark & Long’. The sort of track that everyone has personal memories of. Remixing Dark & Long is a huge challenge. He definitely pulled through with The Tronic Treatment Remix, the only commercially viable of the two – preserves the vibe of the original perfectly while bringing a condensed yet slow burning feeling of tension that explodes into an epic break. It’s just perfect! The Hypnotica dub version underpins Karl Hydes classic vocal refrain and is a lot more melodic and minimal. It satisfies the craving but remains pretty much standard.

Review By: Mary Honeychild

EP Review: Items &Things 06 by Danny Benedettini – Tell Me Quietly

Producer:Danny Benedettini

Label:Items & Things 06

Track:Tell Me Quietly

Genre: Disco-Tech, Nu-Disco, Sci-fi

Release Date: 25 July 2011

Track Listing

A1 Disco Hook
A2 Nephastum
B1 Tia’s Home
B2 Fodie Joster

This Dark, Grimy Groove of  Disco-Tech, Nu-Disco, Sci-fi is a little something for fans of harder and more eclectic House music.“Disco Hook” takes its cues directly from its name, with a wonky take on the genre. A three-note bass loop pieces it all together, combining neon melodies with a house beat for an intriguing taste of deconstructed disco. “Tia’s Home” is a dark tech house jam with sharp percussion and heavy slo-mo distortion. “Fodie Joster” is Benedettini’s tongue-in-cheek thriller that increases with cinematic tension, and then gets dismantled with mental low-fi synth madness.

Review: Mary Honeychild

Cozzy D & Eric Volta ‘The Gift’ EP

Album –  Cozzy D & Eric Volta ‘The Gift’ EP

Album –  Cozzy D & Eric Volta ‘The Gift’ EPArtists – Cozzy D & Eric Volta (inc. Planas / Kevin Griffiths / Nick Harris Remixes)Label – Four:TwentyGenre- Tech House (plus Remixes)
The long awaited next Bristol EP ‘The Gift’  is a low-slung  absorbing houser  wrapped around flowing ethnic instrumentation and superb vocals. The remixes done by Planas, who layered over rich percussive touches over the original’s epic vibe. Nick Harris tripped over some moody hypnotics into sultry chord drenched beauty. Kevin Griffiths serves up a modern Dubby and drawn out style that suitably fits the late night cut for a heads down and feet pounding vibe.

Review By: Mary Honeychild

Connect Series:01 Mixed By Wollion

Album – Connect Series:01 Mixed by Wollion

Album – Connect Series:01 Mixed by WollionArtists – VariousLabel – Four:TwentyGenre- Deep, Tech House
The Connect Series:01 by Bristol based label Four:Twenty features tracks from producers such as Marcus Sur, Arado & Marco Faraone, Luca Agnelli Remerc, Sandrino & Beckers Stu Patrics and Nicole Moudaber.  Four:Twenty has a reputation over the years for unearthing new talent and developing quality producers who are now well established. For House and Techno fans they are most certainly a ‘must check’ imprint for some of the best download tunes.This latest release mixed by Wollion delivers a strong segue of satisfaction for the Deep Tech-House palates. The first track Fiersole Landscape by Luca Agnelli  gets in to the groove almost immediately and sets the tone for an album of party and club worthy tracks that are upbeat and decidedly contemporary in feel, delivery and style.The Connect Series is a selection of entirely new and exclusive tracks that will focus on a wealth of underground talent via a mixed CD/digital version and subsequent EP samplers in both digital and vinyl formats. Making  the first installment Connect Series:01 the perfect snapshot of Tech-House releases from Four:Twenty in 2011.

Review By: Mary Honeychild

News: We Hope This Night Will Never End: Filterwolf – Night Patterns

Filterwolf, the critically acclaimed DJ, producer and live act hailing from Munich, is back with a new full-length album. Out from today on FILIGRAN Records, Night Patterns is an artful 12-track blend of heady European and international flavours.

Music Review: Huxley ‘Shower Scene’

UK house imprint Act Natural kicked off last month with a purposeful release that featured Camiel Daamen, Claire Ripley and Matt Tolfrey and its second release, from the prolific Huxley, looks set to continue the strong start.

The second, of three, original tracks on the EP is ‘Like One’. Much like its predecessor, it’s old school credentials are impeccable and with clever arrangement, beautifully balanced production and mellower vibe, it’s the perfect foil to ‘Shower Scene’.

Album Review: Vinny Da Vinci – House Afrika: Deep House Sounds Vol. 8 (House Afrika/Sony Music)

<Deep House> It goes without saying that Vinny Da Vinci is one of South Africa’s true DJ legends. If you fancy yourself even partly knowledgeable on the house scene over the past 15 years in this country you’ll have heard the name if not witnessed one of his DJ sets. Cited as a major influence to so many DJ’s interviewed within these very pages over the year’s many will tell you that Da Vinci’s gift is to whip out the most unassuming tracks at the least expected moment in his set and simply rock the floor beyond. Much respect is held in the fact that he does not need to play the hits to get a response from his audience. He knows good music (as DJ’s should) and he plays good music. Deep House Sounds Vol. 8 sees a return of this legendary series with vintage Vinny mixing up international gems (Priss, TL Cross, Atjazz to name a few) with local heroes, Mr Cee, Simbad ft. Brian Temba and a priceless Black Coffee remix to boot. But it’s the sum of the whole that really impresses with a sublime Da Vinci DJ mix that’ll have party people and trainspotters alike bopping in appreciation. A top notch release.

Vinny Da Vinci – Deep House Sounds 8 (sampler) by House Afrika

Album Review: GoodLuck – GoodLuck (Just Music)

<Electro swing/pop/dance> Whether GoodLuck like it or not, there will always be comparisons made between themselves and Goldfish. Aside from the obvious – Ben from GoodLuck is Dom from Goldfish’s younger brother – both artists produce a mix of jazzy melodies over a dance beat. So let’s assume then that they at least were hugely influenced by Goldfish’s success and so decided to try their, ahem, luck at something similar, hence GoodLuck. Musically I’d even categorise this album in the same vein but happily it does come with its own uniqueness and individuality and therein lays its charm. The album kicks off with the very cute and loveable Hop On Hop Off – a slinky electro swing bopper scheduled to be their second radio single. Their first single – Taking It Easy – has genuine pop appeal with a really good vocal delivery from Capetonian singer Mathew Moolman and Harlem features vocalist Lisa Kekuala who sang on the Basement Jaxx cut, Good Luck. All in all it’s a worthy debut album and suggests a lot of promise for the future. As an added value the album also includes a remix disc featuring the likes of Lissat & Voltaxx, Wez Clarke and Miami inc amongst others.

Album Review: Kaskade – Dynasty (Just Music)

<Commercial Dance> When you’ve remixed the likes of Lady Gaga and Britney Spears I guess you’ve earned the kudos to pump out albums as often as Ryan Raddon (Kaskade) does.  Dynasty is his ninth full length and features 12 vocal house tracks. If you’re a Kaskade devotee I’m pretty sure Dynasty will satisfy on all levels as he doesn’t venture too far from what I would say typifies his sound save a few new elements. All in all this is an album of dance music with strong pop sensibility and radio friendliness. The ever reliable vocalist, Haley Gibby, delivers on no less than four of the cuts and is impressive as always. Elsewhere the mood does switch from silky smooth grooves to a raunchier rockier sound on Fire In Your New Shoes featuring the feisty Dragonette on vox duties. Call Out and Human Reactor are two further tracks that impress as does Only You featuring Tiësto and who else but Haley once again. Dynasty treads a sublime line between wistful pop music and crunchier dance beats, all done with typical Kaskade perfection. If you’re a fan this will not disappoint.

Album Review: Ticon – I Love you – Who are you (Iboga)

<Tech & Progressive House> Anytime Ticon makes an album it’s worth checking out. They’ve never actually made a bad album and to be honest they’ve had some sterling ones too. But I must say I am getting a little bored with their penchant for trying to produce tech house when their roots (and where their best music came from) is still somewhere in the mire of progressive trance. I Love You – Who Are You is a strange album title but what’s even stranger is how apt this album name becomes with every listen. You see their musical direction at times is almost as difficult to decipher as the title. So whilst I’m not 100% sure who the title is intended for, so too am I not too sure who the music is directed at. Look it’s not bad music; in fact the opening track, Balkan Tourist and track 3, Blow My Horn are destined to be progressive house anthems in Europe this summer for sure. It’s the rest that seems to fade away by comparison. Other than the aforementioned tunes I’d have to say the rest of the album is fairly forgettable. I dunno… maybe I’m expecting too much from an album these days but after three decent tracks you’re made to wait until the second last one, Bazinga for something meaningful again. Four great tracks is a bit disappointing overall.

Album Review: Remady – No Superstar – The Album (Just Music)

<Electro / Garage / House> Remady is a Swiss producer from Zurich who made some headway on the UK Top 100 charts by reaching number 75 with his hit No Superstar, hence the album name. This has proven to be his breakthrough track with success all around Europe and US dance label, ULTRA RECORDS signing the single for release in the States. This fourteen track album also includes two extra Remady remixes as well as two bonus edits, totalling 18 tunes in all. The easiest way to sum up this collection of songs/tracks is that if you like No Superstar you’ll no doubt lap up the rest of what Remady has to offer. Personally I don’t think he’s doing anything that hasn’t been done dozens of times before. Nonetheless he has an ear for a hit song and the man’s production skills are top drawer. To my ears it sounds a little dated and crass but I’m sure there is a willing audience who’ve seemingly not heard this formulaic dance music before or possibly simply enjoys hearing the same obvious chords over and over. Oh well…

Album Review: The Streets – Computers and Blues (Just Music)

<Rap/Hip Hop/ Streetwise> The Streets is Mike Skinner. The only other member to appear on all their albums is Johnny Drum Machine but really, it’s all Skinner. He… or they… have been around since as early as 1994 but Skinners breakthrough actually came in 2000 when the Locked On label agreed to release Has it Come to This?  which proved to be a hit reaching No. 18 on the UK charts. 2012 sees the release of his 5th full length album Computers and Blues and reportedly his last. Those who know The Streets music will know that theirs is a street-wise, urban rap sound kind of typical of what’s known as UK Rap. So what of Skinner’s swansong then? It’s not quite as legendary an offering as his earlier work, but Computers and Blues does nonetheless hit all the notes fans will be familiar with and is still full of vintage rhymes and brutally honest beats. So whilst this final offering is not quite as breathtaking as Original Pirate Material, nor is it the conceptual masterpiece of A Grand Don’t Come For Free, it is nevertheless a fitting finale to one interesting fella.

Album Review: Riktam & Bansi – Constructor (Plastik park)

<Minimal Tech> Riktam & Bansi have been producing and releasing electronic music since they  were about 14 or something silly like that. Often mistaken as brothers (which they are not) legend had it that the duo were raised on an Ashram and were somehow ordained to be the psychedelic leaders of the 90’s Goa trance movement. As the Growling Mad Scientists (more commonly known as GMS) they went from producing the cheekiest psychedelic trance music to erm, well the cheesiest. Their production skills however have never been in doubt so as they won and lost fans over the years one thing has remained consistent – their skills set. In fact as Riktam & Bansi  (and not GMS) they have probably regained many of their old fans and acquired thousands of new ones with this new minimal tech project. Smatterings of psychedelia lace the deep throbbing basslines and heavy kick on an album that feels a little rushed and perhaps not as good as their recent single releases. Still great DJ fodder for the sub 134 BPM’ers and will be caned no doubt.

Album Review: Invisible System – Street Clan (Harper Diabate Records)

<World Beat> Dan Harper aka Invisible System is known for fusing Ethiopian, dub, reggae, techno, trance , drum & bass with rock, folk and well, just about anything else that makes the music psychedelic. His album Punt (Made in Ethiopia) released in 2009 was met with wide critical acclaim as it challenged the conventional. Street Clan continues this trend of mixing up cultural styles as he delivers a mix of dark Ethiopian folkish songs with hippy electronica. The album is jam packed with  so many well respected musicians;  Adrian Utley (Portishead), Skip McDonald (African Head Charge, Grandmaster Flash, Little Axe, On-U-Sound / Adrian Sherwood, Tackhead etc), Merv Pepler (Eat Static/Ozric Tentacles etc); Stuart Fisher (Hole/Courtney Love), Zewditu Tadesse (Ethiopiques) and Dennis Wint UK/Jamaican Roots Reggae vocalist all participate amongst others. Street Clan is a lot more frantic than its predecessor, Punt, but nevertheless it has a certain charm and irresistible attraction that makes for an absorbing if not challenging listen. Thrashing guitars and frenetic beats meet Ethiopian folk songs in what can sound very cohesive at times and at others quite messy. An interesting listen nevertheless, particularly the quieter moments.

03 Zedanmer by Invisible System

Album Review: Robag Wruhme – Thora Vukk (Pampa Records)

<Ambient Electronica/House> Just in time for Winter (well here anyway) Robag Wruhme drops a dark, desolate slab of electronica and house that’ll get the trainspotters and chin-strokers nodding in appreciation. It’s an album more fitting to followers of sites like Pitchfork than out and out dance fans. If you’ve never heard of Pitchfork then, well I guess Thora Vukk may not be for you. But if you appreciate the subtleties of electronica like I sometimes can then this new release on Pampa Records may be of interest. It’s an album consisting of 12 tracks, most of which are eerie soundscapes of twisty electronica that ebbs and flows with elegance and subtlety atop a backdrop of leftfield house beats and weird techno. Amidst the dark eerie bit’s shines a light of calmness and beauty with some simply glorious arrangements. Highly recommended to those that like it very left of centre.

Album Review: Class B Band – Movie T (Wagon Repair)

<Tech House> Ooh lala!!! I love it when something really unexpected arrives in the mail to review. Canadian imprint, Wagon Repair have had some stellar releases in the past; Jules Chaz’s Toppings and Danuel Tate’s Mexican Hotbox both spring to mind. Movie T, by Ibizan duo Class B Band, continues the label’s penchant for releasing interesting and diverse takes on electronica as they ably sustain this high standard with the Class B Band’s album release. Over 15 tracks (well, actually 10 if you don’t count the intro and 4 weird sound effect inserts)  DJ Bea Tricks and Beatmaster G deliver a slinky collection of retro tinged tech, house and electronica that oozes with edgy retro synths, funked beats and eclectic vocals. The charm of Movie T lies in its simplicity to deliver a concept without overdressing the arrangements; that and the quirky lyrics and vox all make for a trippy weirded out electronica experience and a fine album.

Album Review: Ultravoice – The Star Alliance Vol. 3 – Compact

<Psytrance> Ultravoice brings us another bumper album of collaborations with his Star Alliance series. Shake Walker is a full on bouncy track with Perplex. The collaboration with Bizarre Contact, Summer Breeze sounds like a proper big trance track that will have you swirling on the dance floor. Grandmasters of psytrance Astral Projection have their classic People can Fly, remixed and improved by Ultravoice vs. Azax. The First Ring by Am Pm continues the full on festival of glorious sounds. The beautiful voice of Michelle Adamson is evident on Rubber Hands by Ultravoice and Intrsys. Master of Blaster by Ultravoice v Visual Paradox v Twina has its moments, but is certainly not one of the top tracks. The Bliss remix of Ultraswitch by Ultravoice v Switch kicks you in the stomach and stomps ahead at a rate of knots. I am not a big fan of Twina, but his remix of Stop the Beat by Ultravoice v Visual Paradox v Cosmic Tone is first-class. The final track, Double Click by Ultravoice vs. Indra slows the pace with its smooth tones. Recommended.

Album Review: The Riddler Questions – Tesseract Studio

<Electro Trance> The Riddler is Goran Juric (aka Talpa) from Serbia. I don’t want to ride the “unique” horse but this album is just that, unique and so different to anything else I’ve heard in recent times. You’ve never had your progressive psytrance served up like this before. The opening track, Robots Like to Have Sex is a psychedelic disco affair and has a very fresh sound. Every track comes with its own surprises and quirky melodies. It is like taking a walk through a hall of mirrors on acid, fun and confusing in places. A few tracks contain what can only be described as male and female angelic singing (not recognisable as words but sounds); it actually brings a sense of magnificence to the album. The tracks are quite short, the majority are just over 5 minutes in length, and this was a bit disappointing for me. I guess this just made me want to play it repeatedly and appreciate it even more. Highly recommended.

Album Review: Audiomatic – Weekend Society – Spin Twist Records

<Progressive Trance> Having had a hands on introduction to this style of progressive when Vaishiyas played in Cape Town we can gladly welcome the new album from Audiomatic. His pulsing flow of rhythmic synth riffs upon simple open ended grooves gives the music a universality which one can relate to regardless of personal musical preference. The flashy programming wizardry on Weekend Society is colourful fun and crowd friendly, a breath of fresh air to a party. The album contains 2 remixes and 2 collaborations (with Vaishiyas and Phaxe) and is overall a fun filled journey into the Audiomatic day time sound of today. Blissfully stealing your mind from its nine to five clockwork and putting you onto the fun & games network, the Weekend Society is certainly a jumping castle to any festival without the thought of muddling your shoes. Look out for Audiomatic just in time for the European summer.

Album Review: Haldolium – GLW DRK – Blue Tunes Recordings

<Progressive Psy> Haldolium has become a name of true legend among artists and followers familiar with their distinctive dark surrealist sound. The latest from them, GLW DRK (Glow in the Dark) is a great album from first beat to last, made even greater in context of over a decade of crossing boundaries in music production, this time designing their own software synthesizer to even further refine their already larger than life sound.  In the true “SCI-FI” sense, this record is extremely high technology in its architecture, purposed not simply for intelligibility but for indulgence. Once again expanding the listener’s horizons testing pleasure zones rather than pain thresholds, but still reminding you just how seductive the dark side of the force can be. Each track is a different episode with its own beautifully twisted tale from some of the masters in the craft of psychedelic music. Easily one of the most definitive records of this year.

Album Review: Zyce & Flegma – 8 Cell – TesseractStudio

<Progressive Trance> To Zyce & Flema, relatively new and blossoming artists in a diverse market, an album like 8 Cell marks a milestone in recording their experiences and ideas and pouring all the fun into writing the music. The sound of TesseractStudio has quickly established itself as familiar in festivals around the world, with Zyce & Flegma as a driving force behind them. Each with their own separate solo and duo project Ectima they have consistently delivered quality outdoor sounds, this one particularly progressive. Achieving great definition in soundscapes and grooves has never been too hard for these guys, yet their playfully energizing hooks and melodies will have the floor in a full-on frenzy in no time. Ever polishing that classic outdoor progressive sound, Zyce & Flegma’s ingenuity is also found in maintaining and changing the music’s energy dynamically with layers of harmonics and smooth changeovers will keep you slipping and sliding on the dancefloor.