Tech News

Updates for Reason and ReCycle

The good people at Propellerheads have been busy working on Reason and ReCycle to make them better for you. Recently, they’ve released updates for both. Reason 6.0.2 fixes a couple of bug reports and performance issues. It is recommended for all users of Reason 6. You can download it from their website.

Please note, if you store your ReFills in the Reason program folder (not recommended), you’ll want to back them up or move them prior to upgrading.

ReCycle 2.2.1 sports an all new interface, 64bit support, Mac OS X Lion support, and a couple extra bonus features like Rex files created in 2.2.1 will now contain tempo meta data for use with Reason’s time stretch feature.

SA Distributor: Tuerk Music

Melodyne Awarded Technical Grammy

At this year’s 54th annual Grammy Awards, the nod for Technical Grammy goes to Celemony’s Melodyne editing software.

Since its release more than a decade ago, Melodyne, has become an invaluable tool for studio professionals, gaining recognition as one of the most powerful and unique audio editors available. And PreSonus Studio One software is the only digital audio workstation software to fully and seamlessly integrate Melodyne into the program.

Producer and songwriter A.R. Rahman has called Melodyne a milestone in audio processing, saying, “Melodyne has completely changed how I record music. With Melodyne one can seamlessly correct out-of-tune notes in a piano track, change the chords in a harmonic accompaniment after it’s been recorded, or manipulate the timing within notes. The creation of music is enriched by this technology.”

PreSonus Studio One integrates Melodyne so tightly that it becomes essentially part of the program. Melodyne’s editing window opens within Studio One, and edits created in Melodyne can be immediately auditioned within Studio One, without cumbersome porting of files between the two programs.

“PreSonus has long recognized the unparalleled power Melodyne brings to audio editing, and we knew early on that integrating it into Studio One was a big part of creating the next generation of DAW software,” said Jim Odom, PreSonus co-founder, President and Chief Strategy Officer. “We’re truly excited that the Recording Academy has recognized Celemony with this tremendous award, and we’re proud to be associated with such an innovative team.”

SA Distributor: Tuerk Technologies

PreSonus Announces Monitor Mix Control via iPhone/iPod touch

Up to 10 musicians can simultaneously control their StudioLive monitor mixes using an iPhone® or iPod touch® and PreSonus’ free QMix™ app. QMix builds on PreSonus’ original Virtual StudioLive (VSL), which provides bidirectional computer control of PreSonus StudioLive™-series mixers via FireWire. Next came StudioLive Remote for iPad®, which provides wireless control of StudioLive mixers.

“SL Remote is very useful for the front-of-house engineer but it’s overkill for onstage performers, and the cost of iPads can add up. That’s why we created QMix,” noted PreSonus Chief Technology Officer Bob Tudor. “The iPhone and iPod touch offer enough screen real estate to comfortably manage an aux mix, yet are relatively inexpensive and ultra-portable. QMix is designed for musicians and can be used in parallel with an engineer running StudioLive Remote from an iPad.”

QMix works by networking one or more iPhones wirelessly with a Mac® or PC, enabling QMix to remotely access Virtual StudioLive to control one or more FireWire-connected StudioLive mixers. As each iPhone connects to the network, its copy of QMix will discover all StudioLive mixers on the network, enabling each musician to quickly and easily create an aux mix that includes all mixer channels. And QMix lets the engineer set permissions so that each iPhone on the network only controls a specified mix.

QMix will be a free download from the Apple App Store and is expected to be available in January 2012.

SA Distributor: Tuerk Technologies

PreSonus Ships BlueTube DP V2 and TubePre V2 Tube Preamps

Enjoy solid-state clarity or tube warmth with the BlueTube DP V2 dual-path mic/instrument preamp. The solid-state path feeds PreSonus’ Class A XMAX™ mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP. The tube path features a 12AX7 tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. The Tube Drive enables you to achieve anything from gentle warmth to edgy distortion. You also get 48V phantom power, an 80 Hz high-pass filter, -20 dB pad, and polarity reverse.

With two combo mic/instrument inputs, the half-rackspace BlueTube DP V2 is a great choice for guitars as well as vocals. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.-no guitar amp needed. It also serves as a DI box, thanks to balanced XLR and unbalanced ¼” outputs, and is housed in a new, rugged, 1/2U case. Try the BlueTube DP V2 as a front end for a DAW, too. The BlueTube DP V2 is available immediately.

The single-channel TubePre V2 tube preamp is an affordable way to add high quality tube warmth and character to your sound. This new version provides an even wider palette of sound options, and a much more focused tube saturation, than the original TubePre. It has been upgraded to employ PreSonus’ popular XMAX Class A solid-state preamp, which is followed in the signal path by a 12AX7 vacuum-tube stage with Tube Drive tube-saturation control.

Housed in a rugged, 1/3-rackspace case, the TubePre V2 rear panel sports separate unbalanced, ¼” instrument and balanced, XLR mic inputs and unbalanced ¼” and balanced XLR line outputs. The front panel offers controls for gain, 48V phantom power, 80 Hz high-pass filter, and polarity-reverse, as well as a mic/instrument input switch. A lighted VU meter and a clip LED help you keep an eye on your levels. The TubePre V2 is available immediately.

The Music Business Master-class

Places are still available in the Music Business Master-Class as advertised last year. The Academy of Sound Engineering, in conjunction with David Chislett and Nick Matzukis, are proud to present the Music Business Master-class (MBM): the one-stop business course for the modern musician trying to make it in the new music industry.

The industry is abuzz with talk of how the music business has changed, how no-one needs a record deal anymore, and how easy it is to do everything yourself as an independent. The problem is however, that there is not enough information readily available for average South African musicians to empower themselves to take advantage of the situation. That is all set to change.

Many course and ideas have surfaced, but the MBM is the one where you can find out everything in one place, taught by two highly-respected industry personalities in a professional music environment.

Presented by Nick Matzukis and David Chislett, under the auspices of the Academy of Sound Engineering, the MBM is a two-month skills programme that covers everything from contracts and contract law, to marketing and the use of the digital arena. It is the only truly comprehensive course available that will empower musicians and managers of any level to seize control of their careers by understanding the business and then being able to take advantage of the new business terrain in the music industry.  This course, pitched at the highest level, is designed to teach you everything you need to know about making money out of the music industry.

The programme covers:

Getting started: thinking about your music

Artist agreements: steering your project

Income streams

Planning for Success

Marketing start

The digital arena marketing, reach

Business Models

Industry overview key players (SA and internationals)

Royalties

Contractual Principles

The Record Deal and its variants

The Publishing Contract and its variants

The Artist Management Agreement and its variants: Copyright

With a one-off introductory offer of R5 950.00, the MBM is now available.

The programme takes place 2 nights a week for 2 months at the ASE campus in Auckland Park from MARCH 2012. The course fee includes tuition, some working materials, a copy of Nick Matzukis’ Book “South African Music Law And Contracts“ and a copy of David Chislett’s Book “1,2,1,2: A Step By Step Guide To The SA Music Industry.”

The first programme kicks off in MARCH 2012 and registration is open NOW

For more information or to book your place contact:  (011) 482-9200 or georgej@ase.co.za

PreSonus Streams NAMM Show to the World

At this year’s Winter NAMM Convention the PreSonus booth was a non-stop nexus of activity, with live performances, technology demonstrations, showcases, and more. But perhaps the biggest buzz was one most attendees were barely aware of. In a tiny 12 x 6 foot room behind the stage, PreSonus staffers were busy streaming the entire show out to the world.

Winter NAMM is one of the world’s largest and most exciting events for musical instruments and music technology. But while tens of thousands of industry visitors from all corners of the globe converge on the Anaheim Convention Center every year, members of the general public have rarely had an opportunity to get inside the show – until now.

Multiple video feeds, including PTZ camera on the performers and an oversize screen behind the stage, were fed to a Black Magic switcher in the editing suite, where Video Designer / Producer Paul Charbonnet cranked some serious performance out of three computers at once. “The Black Magic system is mixing directly to a Mac Pro, which gives us our primary program,” Charbonnet explains. “Then we’ve got an iMac and MacBook Pro doing multiple duties including rendering, encoding for the Web, capturing for our YouTube and Vimeo channels, monitoring live chat, and more.”

“We’ve got a multitrack audio split feed coming from the stage into our StudioLive 24.4.2 console,” explains Audio Engineer Mat Criddle. “That enables us to deliver separate, simultaneous mixes for FOH and Webcasting.” Criddle also provided monitor mixes back to the performers, who were able to manipulate their mixes using their iPhones via PreSonus’ new QMix™ wireless technology.

“At the same time, we’re also recording a multitrack feed of the live performances directly into StudioOne,” says Criddle. “So any of our performing artists can take their tracks and do a full mix later on, and create a live recording or music video from their performance here at NAMM.”

In addition to the performance camera feeds, Associated Creative Director Cave Daughdrill and Social Media Manager Ryan Roullard were regularly roaming the show floor, camera and wireless mic in hand, conducting interviews with other exhibitors, attendees, and anyone else who might have something interesting to show, say, or play. “In between performances, we’re mixing in a bit of Cave and Ryan’s feed, along with a range of product demos and other content,” says Charbonnet.

Besides roaming the show, Roullard was a full-time presence on the web, blasting out photos and posts to Facebook and Twitter, fielding questions and comments from viewers, and monitoring the Web for relevant info.

And the action didn’t stop after the show closed. At 6PM, the day’s content was uploaded to PreSonus’ LiveStream channel, where viewers from time zones in Europe, Asia, and elsewhere could get a peek. “Over the first two days of the show alone, we edited and uploaded more than 32 videos,” says Charbonnet.

Despite the daunting demands of bringing NAMM to the world, Charbonnet reports that both men and machinery held up to the job. “It was a non-stop gig, but we were pleased to see that everything went off without a hitch,” he says. “It was a real team effort, and we had tons of support from everyone. In the end, it was a great feeling to know we were doing something great for music fans everywhere, and making history at the same time.”

SA Distributor: Tuerk Technologies

Audiosure proudly launches their long awaited new website

PreSonus VSL Gets Smaart with Leading Sound-System Analysis Tools

PreSonus has begun incorporating Rational Acoustics’ highlyregarded Smaart Measurement Technology™ directly into the software used to control its StudioLive digital mixers.

PreSonus’ Virtual StudioLive™ (VSL) remote-control/editor/librarian software will now incorporate Smaart Spectra™ and Smaart Locator™, powerful tools for sound-system analysis and optimization, as part of PreSonus Universal Control 1.6, expected to be available later this spring.

Smaart is not a single technology but an evolved collection of audio measurement tools and techniques. If you’re a live sound engineer or sound contractor, you’re already aware of Smaart’s reputation as the gold standard of room/sound-system analysis.

Using Smaart technology, users can tap into the power of the StudioLive mixer’s EQ to improve the sound of their P.A. system. With Smaart-enhanced VSL, users can view the spectral content of their mix in real time, and easily make changes. Clicking on the Graphic Equalizer button in Universal Control 1.6, Smaart Spectra’s Real Time Analyzer activates Spectrograph’s algorithms, displaying the spectral content of whatever is routed though a particular graphic EQ. Users can activate a Real Time Analyzer, much like the plug-in used in PreSonus’ Studio One 2.

Even better is the Smaart Spectra Spectrograph display itself, which can help to precisely identify nasty feedback frequencies, enabling even less experienced users to easily tune their P.A. speakers to the room. Smaart Spectra graphs a continuous series of spectrum measurements, showing frequency on one axis, time on another, and level indicated by colors – making it particularly useful for quickly identifying feedback frequencies, which can be easily addressed using StudioLive GEQs.

“This is just the start of a beautiful relationship – PreSonus products are about to get a lot Smaarter,” says PreSonus Chief Technology Officer Bob Tudor. ”This is the real thing, trusted by acousticians and live-sound engineers the world over. We’re thrilled to be incorporating Smaart Spectra and Smaart Locator into Virtual StudioLive.”

SA Distributor: Tuerk Technologies

PreSonus Exchange Enables Users to Share Resources from within Studio One

With the launch of PreSonus Exchange, registered users of PreSonus’ Web-connected Studio One DAW can easily and conveniently swap presets, effects chains, MIDI files, and soundsets-without leaving the program. Users can access online files from directly within the searchable Studio One 2 file browser, including audio preview. Just drag-and-drop from the browser, and Exchange automatically downloads the resources and loads them into your Song. No other DAW can do this-only Studio One.

Exchange users will be able to rate and comment on shared resources, so you can quickly identify what fellow users like and can share your experiences. PreSonus has implemented an approval process to protect users from problematic downloads.

PreSonus Exchange, part of Studio One 2, is a free service for registered Studio One users with licensed accounts and works with Studio One Artist 2, Producer 2, and Professional 2.

Along with Exchange, PreSonus has released Soundset Builder, a free extension to Studio One that can be downloaded via Exchange. With Soundset Builder, any folder in the file browser can be made into a Studio One soundset, complete with a name, description, icon, and URL. This is an excellent way to create and share packages of content, including audio loops, MIDI loops, presets, and more. Soundset Builder installs into Studio One quickly and easily by drag-and-drop and is available immediately.

SA Distributor: Tuerk Technologies

DDJ-S1 – Perfect Control For Serato ITCH 2.1

Uses the layout of Pioneer’s professional DJ equipment to ensure a high level of operability

The controller has excellent operability thanks to its layout similar to that of Pioneer’s professional DJ equipment and to its jog dial with a diameter of 115 mm. Furthermore, since the master and channel level meters are arranged close together, you can monitor the level of the master and each channel while adjusting the volume. The controller also has an effect control area so you can arrange tracks using the effects of the ITCH DJ software.

Includes a dock to connect with your laptop

The laptop dock allows you to store the keyboard of the laptop under the DDJ-S1. Since the laptop screen is nearby, you can easily monitor the DJ software or track information while DJing.

Includes a playing address system that allows you to visually confirm the track progression status

The controller has excellent operability thanks to its layout similar to that of Pioneer’s professional DJ equipment and to its jog dial with a diameter of 115 mm. Furthermore, since the master and channel level meters are arranged close together, you can monitor the level of the master and each channel while adjusting the volume. The controller also has an effect control area so you can arrange tracks using the effects of the ITCH DJ software.

New Hot Cue Fader Start functionwith Serato ITCH 2.0 to expand DJ performance

The new Hot Cue Fader Start function allows you to start playing a track instantly from five(5) random points using the crossfader. Returning to the Cue point instantly, using the crossfader to start playing track will allow DJ to expand performance capabilities.

Connecting the controller only requires a USB cable, so you can start DJing by simply plugging in

You can connect the controller to a computer with just a USB cable, so you can truly “plug and play”. Since all of the buttons and knobs have already been assigned DJ software functions, you can easily start DJing without making any complicated settings. Furthermore, the controller can be powered by the USB port of a computer.*1

*1 Some functions are limited. Furthermore, depending on the power supply of the USB port of the computer, the controller may not operate on bus power. In this case, connect the included AC adapter.

Comes with dedicated software “SERATO ITCH 2.0″. Latest “SERATO ITCH 2.1″ is available for free download.

New feature, new advanced GUI, the new “Serato ITCH 2.0″ bundled. The DDJ-S1 is eqquiped with a dedicated button to easily switch to the album artwork view at any time. And has an Alphabetic Search function for quick track selection from large music collections, and a Slip mode for looping, reversing, and scratching without changing track tempo.

“SERATO ITCH 2.0″ update features

Album Art Views for quick and easy song selection

Now you can see album artworks in the browsing area. This allows you to quickly and easily select the song you want using a visual reference.

Night & Day Modes for easy screen viewing in any environment

This allows you to change the on-screen colors to best suit the time and place where you are performing.

Four display modes switch function to match your unique DJ style

Choose from four different display modes: Horizontal, which displays the waveforms horizontally, Vertical, which displays the waveforms vertically, Library, which displays the decks in smaller size, and Stack, which displays the decks stacked vertically. Select the display mode that best suits your DJ style!

SP6 sample player, which allows you to synchronize and play sound from six different sources *2

The renowned SP6 sample player from SERATO Scratch Live has been added to ITCH in this version 2.0 update. Synchronize and play up to six different music files. The SP6 can be controlled via your computer keyboard to further enhance DJ performance possibilities.

Smart Crates which auto-fill using keywords from your music library

Serato Playlists to share your tracklists either as you play, or online afterwards

Re-optimised SYNC engine for precise grids and locked grooves

Improved Library Management so you can easily copy crates & tracks to external drives for gigs

*2 The PC keyboard operation is required.

“SERATO ITCH 2.1″ update features

Enables DDJ-S1 to control the sample player [SP6] that plays back 6 independent audio samples.

Choosing sample control mode from the GUI, users can play [SP6] audio samples or switch the bank by SHIFT and HOT CUE buttons.

Enables users to select two Sync modes

Users can choose either Simple Sync Mode (BMP Sync mode) or Smart Sync Mode (Beat & BPM Sync mode) to suit their DJ play styles.

for more inforation about update

A wide range of terminals

The controller is equipped with various terminals (3 input and 4 output), including XLR input/output terminals (1 each) for connecting professional PA equipment, so you can connect various devices.

A high quality design for a clear and powerful DJ sound

Pioneer has utilized technology developed from its professional DJ equipment,including audio circuits from our DJ mixer in the master output terminal area, to ensure high quality sound. In addition, audio characteristics optimal for the ITCH DJ software have been included to realize a clear and powerful DJ sound.

Pioneer DDJ-ERGO-V

For instance, Blue LEDs on the jog wheels show how close the mix phase is, pulsing more strongly when you’re closer in pitch. The channel fader lighting, meanwhile, match track beat with their flashing as well as showing output levels by their brightness. There are also dedicated controls for loops, filters and sample playback, while ports include a MIDI output, microphone input and line-out. The angled physical design means you can slide your laptop keyboard underneath and keep the overall footprint low.

The Pioneer DDJ-ERGO-V DJ Controller is available from January in South Africa. Pricing is expected to be around R 10 K. Buyers get a copy of Atomix Productions Virtual DJ Limited Edition in the box, though the controller should support other apps as well.

Take Anywhere with USB Power & Plug-n-Play Connectivity

Sleek, Stylish Ergonomic Design

Included Virtual DJ LE software

Pulse Control Provides Visual Prompts via Various Types of Illuminations Directly on the Unit

SA Distributor: Proaudio |011-8221430| www.proaudio.co.za

Numark – NDX900 – Pro Software Controller with Audio Interface

The NDX900, a new and highly adaptable DJ controller, opens the door to all types of music media.

The NDX900 DJ controller is capable of mixing music from virtually any digital source including a computer, audio CDs, MP3 CDs and even USB flash drives. NDX900 has a layout that is recognizable to DJs everywhere with a large, seven-inch touch-sensitive illuminated platter, smooth, frontloading CD drive, top-facing USB DJ controller port, powerful remixing, effects control, scratching, looping, and sampling capabilities, all in a chassis that has a solid feel and professional look. NDX900’s Beat-synced DSP effects include chop, echo, filter, flanger, pan, and phaser with full control of the effects blend.

NDX900′s built-in audio interface works plug-and-play, allowing DJs to seamlessly integrate NDX900 with practically any computer and control virtually any DJ software. No drivers or external sound cards are required. With two NDX900s and a mixer of choice, DJs have a powerful and versatile digital DJ rig.

NDX900 includes Traktor LE 2 DJ Software and comes pre-mapped for use with a variety of DJ software including Virtual DJ and Traktor 2 Pro, and is compatible with almost any MIDI compatible DJ software.

“With plug-and-play capability and Traktor software included, NDX900 is truly an all-in-one DJ controller,” said Chris Roman, Numark Product Manager. “DJs will love the large, seven-inch platter for scratching; it has an illuminated ring that’s just like putting tape on vinyl.”

SA Distributor: Viva Afrika | (011) 2503280| www.numark.com

Reloop RMP – 2.5 Alpha

The Reloop RMP-2.5 Alpha is the latest member of Reloop’s RMP-series and a true cross media player with additional MIDI function. Besides playing current audio formats such as WAV and MP3 from CD, CD-R, memory stick or hard disk drive, it is also possible to control any MIDI compatible DJ software (for example Traktor) thanks to the RMP-2.5′s full MIDI compatibility. All the user interface’s control elements send out MIDI commands; this way this media player becomes the perfect controller for mixing software. Via the shift function all control elements are double assigned with MIDI commands which make it possible to control two virtual decks with only one RMP-2.5 Alpha. The assignments can be stored as MIDI presets for various purposes. No matter whether audio or MIDI, with the large, touch sensitive jog wheel, the control feeling is always vinyl-like and literally invites you to scratching and beat juggling. Its high-resolution micro pitch of up to 0.02% allows pitch adjustments and bending with the highest precision. The shock-absorbing bearing of the device’s feet, as already known from the RMP-3, secures the RMP-2.5 from getting out of place.

Moreover, the RMP-2.5 disposes of some new cool features: In order to play music from one USB source on two players the RMP-2.5 Alpha comes with the possibility to be connected to a further RMP-2.5 Alpha via USB audio link. Also you can use the Data Base Builder software to analyse the desired USB drives, thus obtaining quicker and filtered results. Another very convenient feature is the Next Track function: During playback you can already select the next track. As combination of CD/MP3 player, USB mass storage media player and MIDI software controller, the Reloop RMP-2.5 Alpha is up to all requirements of modern DJ business.

SA Distributor: Tradelius Music Group | Tel: 031 5023080 | www.tradelius.co.za

Korg Releases Two New monotrons

Korg puts the thrill of the analog synthesizer into everyone’s hands. Announcing the new monotron DUO & monotron DELAY

Go Anywhere Analog: That was the theme behind the remarkable battery-powered and palm-sized analog synthesizer that Korg dubbed the monotron. Now the powerful and fun-to-play monotron is joined by two new siblings. The Dual Oscillator monotron DUO offers X-MOD capabilities for generating even more extreme sounds. The monotron DELAY features a Space Delay that can produce intense, analog-like echo effects. Each is played from a ribbon controller keyboard with newly added features. The monotron’s simple operation and ease of use (5 knobs and 1 switch) is alive and well, inviting hours of enjoyment and musical exploration.

Casual users and gadget mavens will quickly enjoy performing melodies, DJs can create dazzling effects on stage, while established players can add analog muscle to their performance – the possibilities are virtually unlimited. Grab yourself a monotron, monotron DUO, or monotron DELAY, and get in touch with the exciting world of analog synths.

monotron DUO

Offering two oscillators, the monotron DUO adds an extra dimension, delivering an even more extreme sound. Tune the oscillators in unison for a rich, thick, analog tone.

monotron DELAY

A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that’s indispensible for swooping, cosmic sounds.

SA Distributor: Tuerk Music Technologies |011-7928402| www.tuerkmusic.co.za

Vestax VCI-400

Vestax have been in the DJ Midi Controller game for some time. In fact that’s an under-statement! It’s fair to say that Vestax were the early pioneers of professional DJ controllers, their VCI-100 setting the benchmark for what has now become the ubiquitous standard in digital deejaying.

Of course today every manufacturer of DJ gear has a range of controllers and they are all forced to compete in what is a fairly restrictive market. I say restrictive because there really is only so much a manufacturer can do to separate his product from the competition since at the heart of all the functionality is the DJ software that is being controlled. Which is what makes the VCI-400 a fascinating new addition to this somewhat saturated market.

What is it?

Building on the solid foundation and indeed the legacy of the VCI-100, the concept behind the new VCI-400 is a controller with no boundaries. Basically this means that any software with a midi learn function can be controlled via this device. The product does however still come bundled with a special 4 deck version of Virtual DJ LE.

Looking closely at the controller you may notice that only the obvious non-negotiable controls, buttons, sliders and rotaries are labelled, the rest being left blank. This is deliberate by Vestax as the controller is designed to cater for every DJ program currently available. Included in the package are blank overlays which fit neatly over the controls that can be custom assigned by you, depending on what you want to do.

If this sounds like too much work, do not fret; a quick pop over to vestax.com and you’ll find several pre-designed overlays ready to download too, so should you already have a program like Traktor 2 for example, you can simply download this and place over the controller. A Traktor 2 tsi file (a file that hosts specific mapping and is transportable between users) is also available for download should you wish to simply load and play. Using midi learn and programming one’s own settings may only appeal to advanced users looking for some personal customisation.

Quality Control

Whilst Vestax documentation is famously cryptic at the best of times the build quality of their products is undisputedly good. The VCI-400 is no exception and is certainly in the top echelon of solidly built, professional controllers. From the torque adjustable and sensitivity controlled jog-wheels (I love the simulated vinyl grooves on their platters) to the large red aluminium filter knobs, the smooth sliders (tempo and channel) and the responsive rubberised buttons both in the transport and sample/hot cue section, the VCI-400 certainly looks the part for the professional digital DJ.

Ergonomically I really like the layout too. It is true that one can only do so much with the layout; each device will always need a mixer section, transport section, jog-wheels etc but where to place some key controls will definitely influence how much one uses the extra features digital deejaying affords one such as looping, hot cues and FX. The VCI-400 scores big in this department.

In Use

I tested the VCI-400 with 3 applications; the bundled 4 deck Virtual DJ software which worked straight out the box and is easy enough to operate. Although it is a 4 deck version – and the VCI-400 includes 4 channel sliders, it is still an LE revision so don’t expect all the bells and whistles to be in the software.

I also tested it with my own Traktor 2, configuring it for 2-channels plus sample decks. The downloadable tsi file works perfectly despite one small idiosyncrasy where one has to set the in-port and out-port manually in the Controller Manager to get a response from the unit but once this is done, its plain sailing. I also did some basic mapping in Ableton Live 8 just to see the potential of having a ‘blank canvass’ type controller at one’s disposal.

Verdict

Whilst most will want instant gratification with the device auto-mapped to your DJ software, the added benefit of quick and easy midi mapping for programs like Ableton or to simply customize one’s own DJ software integration does add that extra something to the VCI-400. The build-quality, layout and functionality is indisputably good making this new controller a very good prospect alongside the other professional DJ controllers available today.

Supplied by: Rolling Thunder | 021 557-8630 | www.rollingthunder.co.za

Suggested Retail Price: R 11,750.00 incl. VAT

MIXING IT UP

Tricks from the Pro’s 10: Your Soldering Iron May Not Help

ReWire allows you to take an audio signal from one program and send it to an audio input of another program. Not only does it do this in audio, but it has similar functionality for MIDI channels. Commonly, this is used when you are working with a host platform such as Pro Tools, Logic, Cubase, Nuendo Adobe Audition, where you may want to take MIDI to the synth/sampler and then take that audio back into your host program or another synth/sampler program. As long as it has ReWire compatibility and audio/MIDI inputs and outputs, you should be able to get signals from one program into another without too much hassle. The two programs then synchronise with each other and your playback acts as though it is one program.

Here’s how it works: firstly you need to understand that ReWire acts where one program is the host (your general digital audio/MIDI editor) and the other the slave. The slave will pass its audio to the host program, and the host MIDI to the slave. So, start the host program first (very important) and then the slave program, which should indicate it is running in ReWire slave mode. After this, you’ll need to load up an audio or auxiliary track in the host program and insert the ReWire plugin on it. Enable the “record-ready” button (if its an audio track) and if you play something from the ReWire slave you should hear the audio coming from the host’s audio/aux track.

Routing MIDI is similar; create the virtual instrument you want to control within the slave program then create a MIDI track in the host. Route this MIDI track via its MIDI In port to the instrument within the slave – it should pop up as a new MIDI channel in the selection menu. Record enable this MIDI track and you will be able to play the slave’s virtual instrument with the host’s MIDI track. ReWire that instrument’s audio into the host and you now have an endless amount of possibilities for recording via a multitude of music creation programs!

Play long and prosper!

Resistance to better sound is futile!

Jonathan Shaw is a professional record producer who has worked with a multitude of artists and record labels in a freelance capacity. Outside this, he lectures music business at the University of the Witwatersrand and provides business consultation to the music industry. jshaw@smstudios.co.za

Denon launches new MC3000 Controller

4 Deck control and a high quality internal soundcard, in-fact the same soundcard found in the highly popular DN-MC6000, that proves there are no sacrifices in quality and reliability with the MC3000 and a clear reference to the standard that Denon DJ has already set for Professional DJ Controllers.

The quality of the high resolution, 105mm touch-sensitive jog wheels and the smooth 100mm long pitch slider (with 14 bit resolution) is evidence that the Denon DJ build quality and reliability is still present even at this more affordable price point.

Line to master gives the option of 2 analogue line input mixing control so a variety of external players can be connected and used alongside a Mac® or Windows PC – great for handing over to the next DJ after a set without interrupting the flow of music.

The Layer Function for Dual Deck and 2+2( 4-channel) mixer control retains functionality whilst maintaining an un-cluttered and ergonomic layout so that both the Bedroom DJ and those wanting to move onto a more professional setup still get maximum functionality with minimal hassle.

MC3000 layout has been optimised for use of the new sample deck and loop recorder function in TRAKTOR™ 2 making it is easy to hit SAMPLE and switch the EFX panel to a dedicated sample section with independent volume, and filter, controls for each sample – creating unique mixes don’t get much easier than this!

Complete with file browse navigation keys and rotary encoder file selector knob, 8 (4+4) hot cue buttons with layer bank selector key keeps the MC3000 as a fully operational controller for the latest software’s and means you never have to touch your laptop mid-set again.

The powerful shift key for various dual button operation, large size Cue and Play buttons, and the inclusion of Denon “Legacy” Pitch bend keys gives truly professional features at your fingertips, minus the hassle.

Denon DJ’s MC3000 is taking the next step into DJ controllers with build quality that has come to be expected from a Denon DJ product and has earned its place alongside truly Professional DJ controllers such as the DN-MC6000. Whilst managing to remove the lengthy process involved with learning features and button combinations – the MC3000 brings simplicity and functionality together to create the very best DJ showcase from Bedroom to Dance floor.

*Virtual DJ LE included for America’s & Canada

* TRAKTOR™ 2 LE included for Europe and Asia Pacific

SA Distributor: Audiosure

New Vestax Midi Controller

The VCI-400 is the hardware solution for DJs who have been seeking an instrument that perfectly adapts to their style of performance. Shifting focus from integrity with bundled DJ software to any DJ software has made the VCI-400 the most versatile and intuitive DJ controller in its league. Along with it’s excellent potential for customizing control assignments, the VCI-400 and its ergonomic 4-channel lay out provides perfect control for standard DJ software operation such as cueing, pitch control, looping, FX control, track browsing/loading, triggering samples and scratching.

MAIN FEATURES

Ergonomic 4 channel layout

Transport buttons with maximum 3 banks of mapping

Instant Deck select

Highly responsive stress free soft touch buttons

Optimized control knob layout

Milled large aluminum filter knobs

Premium full-bit sound quality generated by a low latency high resolution 24bit/48kHz soundcard

Dual core digital processor

Bundled with Serato DJ Intro & Virtual DJ LE

Software overlays included for default midi assigns

INTUITIVE CONTROL

The symmetrical intuitive control surface consists of iconic Vestax features such as the high-resolution JOG wheels with torque & sensitivity control. The option to adjust each parameter enables DJs to tailor the functionality of the JOG wheels to the most suitable for their style. The large aluminum Filter knobs are also a distinctive Vestax feature that has been inherited from previous Vestax quality hardware. The highly responsive multi-mode transport section triggers layers of controls instantly, which is perfect for finger drummers and controllerists. All buttons are backlit with high-intensity LEDs, and along with the built-in LED Meter input faders, the VCI-400 provides excellent visual support for DJs in any environment.

CLEAR DYNAMIC SOUND

The sound quality of a DJ controller is determined by its D/A conversion capability. There were no compromises when Vestax designed the integrated audio interface, which uses a studio-grade asynchronous USB streaming system to provide low-latency, bit-perfect audio at 24-bit / 48 kHz resolution. This advanced audio system combines a dual-core digital processor with carefully selected analog components, to deliver a clear and powerful sound. On the road or in the studio, the VCI-400 simply sounds awesome.

EXCELLENT SOFTWARE COMPATIBILITY

The VCI-400 is bundled with Serato DJ Intro and Virutal DJ LE 4 Decks together with overlays of each software for immediate DJ experience out of the box. A blank overlay for DJs who seek to customize MIDI assigns and create their own layout is also included. MIDI maps for a variety of software including TRAKTOR PRO 2, MixVibes, TORQ 2, Deckadance are available from the VCI-400 download page and the Vestax support page.

Included overlays:

Serato DJ Intro, Virtual DJ LE 4 Decks, Traktor Pro2, Blank (For user customization)

CUSTOMIZE YOUR CONTROLS

The biggest advantage of using a MIDI controller to DJ is regardless its compact size, having all necessary controls in one unit and being able to transport/ play all your songs from a laptop. But the VCI-400 brings you another advantage that is often overlooked: the great ability to customize how the controller works with software. The customize capability of the VCI-400 is nothing like any other and provides options that will spark your imagination. The Vestax VCI-400 works with any DJ software that has a MIDI learn function. Having more than 200 assignable parameters (knobs, faders and buttons), you will have plenty of room to fit in all necessary controls of the software you use. The wide and highly versatile control surfaces will map just to your style, and the multi-mode transport button enables great finger drum skills. Whatever your style is, whatever control function it is that you want to assign, the VCI-400 will have the best options for you.

DJ Set-up for your iPhone, iPod touch and iPad

Turn your mobile devices into a complete DJ setup and hit the road with the new Red Bull BPM range of apps for your iPhone, iPod touch and iPad.

Whether you’re a professional DJ spinning at a club or an amateur mixing music in your bedroom, the range of Red Bull BPM Player apps can put a complete mobile DJ booth in your pocket. Quick to install and easy to understand, the apps are compatible with a wide range of sound formats. You can use it on its own and even in harmony with a traditional DJ setup – just add an iPhone, iPod touch or iPad.

The Red Bull BPM applications have been developed over the past 12 months in partnership with Stereomusik Systems in Essen, Germany. The range of brand-new Red Bull DJ applications include a handy customizable player, built-in effects engine, Vinyl Vision, iTunes tag management, iTunes library usage, built-in virtual audio mixer, zero latency monitoring and two independent stereo outputs on WLAN.

Never miss a beat

Using mobile devices as the base for a DJ set-up poses a unique problem but we’ve found an ingenious solution. An iPod touch, iPhone or iPad only has one stereo output, so how can you listen to the next track before you cue it up? Red Bull BPM apps overcome this limitation by offering a special audio SPLIT CABLE ADAPTER. If you are a pro DJ then switch your app to Classic Club mode to use two devices as two separate decks, connected to a hardware mixer. Another option is to get the MasterOut app which provides you with a latency free stereo output for monitoring.

A new compact controller with form, the DDJ-ERGO-V for Virtual DJ

A new addition to the DJ controller range, the DDJ-ERGO-V. This unique, design-led controller places emphasis on the DJing experience, combined with instinctive operability of the included Virtual DJ Limited Edition software from Atomix Productions.

The DDJ-ERGO-V brings simplicity into both setup and performance, without compromising sound quality or features. Portable dimensions and sharp styling are complemented by a single bus powered cable connection to your laptop.

Pulse Control uses lights to highlight what features are in play, how accurate your beat matching is and which track is loaded. All major controls and effects are intuitively positioned and ready on the first press of a button. Quick access features include four-deck control, filters, FX, Hot Cues and sample banks with loop sampling too. Features you may not expect at this price point, such as high quality audio circuitry from the Pioneer professional mixer range and dual positioning options, mean the DDJ-ERGO-V will have wide appeal.

The DDJ-ERGO-V comes bundled with Atomix Productions Virtual DJ Limited Edition, which is ready to use straight from the box. Packed with features that even top of the range software can’t boast, Virtual DJ LE lets DJs scratch, mix and add modern remix effects to your music and video sets without paying for an upgrade. On top of the four decks with autosync, you get instant access to eight samples, smart loops and much more. Automatic beatgrids, high-detail waveforms and a software interface that matches the controller will make it easy to keep track of the mix.

A new approach to the DDJ-ERGO-V adds a visual dimension to DJing. Pulse Control uses lights to highlight what features are in play, how accurate your beat matching is and which track is loaded.

The DDJ-ERGO-V suggested retail price is £429 inclusive of VAT.

Plentiful dedicated knobs and buttons for all your favourite functions

Key features

Bundled with Virtual DJ LE for DJing right out of the box

The DDJ-ERGO comes packaged with Atomix Productions’ Virtual DJ Limited Edition with a Pioneer original GUI and a broad range of performance functions straight from the controller.

The DDJ-ERGO boasts plentiful dedicated knobs and buttons for all your favourite functions, including four-deck mixing, filters, sample decks and loop recording. This makes it possible to access all the most important controls instantly without pressing the Shift button, which is only required for DJs looking for even more advanced performance features and settings.

Plus the MIDI output makes the DDJ-ERGO compatible with most other DJ software on the market, Traktor users can apply the included TSI settings file to control their favourite software.

NEW! Pulse control adds a visual dimension for precision performance

The newly developed Pulse Control uses light to give a visual representation of pitch, beat, effects and which decks are in use. Built-in LEDs enhance your mixing precision and add a new dimension to the art of DJing. The main features of Pulse Control include:

Mix Pulse: A blue LED on the jog wheel shows how close the phase of the mix is during a mix. The bigger the difference in pitch, the weaker the light. The closer the match, the more intense the light shines.

Beat Pulse: LEDs in the channel faders match the beat of the track in play. Plus the strength of the light reflects output levels, so you always know if a track is still in the mix.

Launch Pulse: A red light travels from the Load button towards the Jog Wheel to indicate when a track has been loaded.

FX Pulse: Various light patterns on the Jog Wheel clearly show which FX DJs have applied.

Boasts features from Pioneer’s pro range for top quality sound and ease of operability

The DDJ-ERGO boasts many features that are unusual at this price point, including the 115mm Jog Wheel from the Pioneer pro-DJ range. The controller has also inherited the same layout as the popular DDJ-T1 and DDJ-S1 controllers. Plus the controller employs the same audio circuitry as Pioneer’s professional mixers for the master out terminal, ensuring a clear, powerful reproduction with no sound degradation.

Innovative laptop integration keeps screen in DJs’ line of sight at all times

Pioneer’s laptop dock design enabled DJs to place laptop keyboards underneath the controller to use as little space as possible and keep the screen in view while using the controls. The DDJ-ERGO can also be adapted to sitting or standing positions; simply set the controller flat on any surface by unscrewing the removable legs.

Completely USB-powered for an even easier set up

The DDJ-ERGO is fully operational from a USB bus through your computer, eliminating the need for an external power supply. There LEDs shine bright and the audio output levels are powerful and loud with no compromise.

Unique “Delight” design concept suits every environment

The controller’s eye-catching design features a black top panel and black and silver half-tone Jog Wheel. With it’s rounded edges and white side panel. The DDJ-ERGO looks good in the studio, the booth or the bedroom.

Other features:

Line in and MIC input

The industry’s first lock mechanism, “P-LOCK Fader Cap”, is equipped on the cross-fader and each channel fader to prevent fader caps from slipping during performance.

Built-in audio interface.

Supplier: ProAudio

LoopMash HD released for the Apple iPad 1 and 2

Steinberg is very happy to announce the immediate availability of LoopMash HD for the Apple iPad 1 and 2.

LoopMash HD is an innovative virtual instrument which made its debut in Cubase (the most popular music production system the world over). With LoopMash HD you can blend up to eight four-bar loops together by juggling similar elements across looped beats and tunes.

Now ported to the iPad platform by popular demand, this sizzling-hot instrument lets you choose from over 30 presets and 258 included loops ranging all the way from ethno to electro. Quality content, 19 cool live performance effects such as tape stop and stutters, intuitive control and 3-D navigation for effortless page browsing make this app a must-have for party-goers, music aficionados and pretty much everyone in between.

Native Scratch – Scratch The Difference

The next step in timecode performance is here. All their scratch products now contain Native Scratch technology – delivering tight, accurate performance via TRAKTOR SCRATCH MK2 timecode* for fully authentic vinyl feel.

But don’t simply take our word for it – check out this video with TRAKTOR SCRATCH virtuoso and first ever online DMC champ DJ Unkut – in this stellar performance he uses both the Native Scratch timecode vinyl and the new TRAKTOR Butter Rug slip mats – which are both available now!

Native Scratch technology features newly-designed TRAKTOR SCRATCH MK2 timecode for incredible scratch performance and more authentic vinyl feel. Designed for use with TRAKTOR Scratch Pro 2 and Duo 2 (with software version 2.1.1 or higher) it also includes innovative vinyl marker stickers for a clear visual reference point. The new technology is now included in all new TRAKTOR SCRATCH 2 products.**

Native Instruments

SA Distributor: Tuerk Music Technologies

www.tuerkmusic.co.za

Free Expansions when you buy MASCHINE or MASCHINE MIKRO

Buy MASCHINE or MASCHINE MIKRO before the end of 2011 and they are throwing in MASCHINE Expansions for free: One free with MASCHINE MIKRO, two free with MASCHINE. The brand-new Expansion TRUE SCHOOL gives you true grit for pioneering hip hop. VINTAGE HEAT warms up the analog kitchen and TRANSISTOR PUNCH delivers serious dance floor bounce. Just choose your size — MASCHINE or MASCHINE MIKRO — then choose your flavor.*

This offer is available at participating retailers and the NI Online Shop, from October 27 to December 31, 2011.

iMASCHINE is making waves

Just hours after launch, it was already the most popular music production app on the App Store. Renowned tech blog Gizmodo called it “one of the most functional production apps out there.” Jamie Lidell can’t put it down — he’s just released a free sound pack for iMASCHINE on his own website. And stateside, Chuck Inglish of The Cool Kids is taking his beats to the streets, with iMASCHINE as a true source of inspiration. Watch Chuck in action at Venice Beach in the new video and find out more about iMASCHINE below.

PreSonus Announces Studio One Version 2—a Stunning Upgrade!

PreSonus announces version 2 of Studio One, its groundbreaking, easy-to-use DAW for Mac OS X® (Snow Leopard and Lion) and Windows® XP/Vista/7 (and soon, Windows 8). Version 2 offers more than 100 new features and enhancements, including fresh takes on multitrack comping, multitrack MIDI editing, transient detection and editing with groove extraction, and Folder Tracks. And only Studio One 2 offers exclusive, tightly integrated Melodyne pitch correction. Yet the software is still uncluttered and easy to use.

Here are some of the important new features in Studio One 2:

Integrated Melodyne pitch correction. Studio One 2 seamlessly integrates Celemony’s Melodyne so tightly that, for practical purposes, Melodyne is simply a part of Studio One. You hear your edits in context with the rest of the arrangement, and when finished editing, render the audio in place—no track transfers or manual rendering! Furthermore, edits made in the arrangement are seamlessly synced in Melodyne. Want to go back to where you were? It takes one click. No other DAW can do this. Melodyne Essentials comes with Studio One Professional 2; Studio One Artist 2 and Producer 2 come with a Melodyne trial version.

Transient detection, editing, and groove extraction. Sure, you can do transient detection and editing in other DAWs—but it can be slow and painful. In Studio One, you simply select an audio event and press Q to quantize. Groove extraction is as simple as drag-and-drop; extract a groove from any audio and apply it to any other audio in seconds!

Multitrack comping done right. Single and multitrack comping are quick and easy in Studio One—and faster than with most DAWs! No tool-switching is needed, and crossfading between takes is automated, although you can edit the fades. Auditioning takes is as simple as holding Alt and clicking on a take.

Find it quickly. Studio One’s Browser offers quick access to instruments, effects, sounds, files, and more. In version 2, you can search within any location in the Browser, making it even faster and easier to find the resources you want.

Organize your tracks. Organizing related tracks and working with them as a group is a breeze with Folder Tracks. Group and bus your Folder Tracks with the click of a button—an exclusive Studio One feature.

Edit multiple MIDI tracks simultaneously. Now you can view and edit more than one instrument track at a time in the Music Editor, including editing multiple parts on different Tracks at once.

A great plug-in collection just got better. Studio One’s Native Effects plug-ins have drawn rave reviews from the media. Now they’re even better. The Ampire guitar-amp modeler is now Ampire XT and features new amp models, a new convolution-based cabinet-modeling section and an effects section. And the new OpenAIR convolution reverb delivers ultra-realistic reverberation based on real spaces and classic hardware reverbs. To top it off, with the new IR Maker, you can capture your own impulse responses.

Enhanced mastering with Studio One Professional. No other DAW offers a truly integrated mastering suite comparable to the Project page in Studio One Professional. To its already extensive list of mastering and distribution features, Version 2 adds DDP Export, PQ editing, and higher-quality sample-rate conversion.

PreSonus now offers three versions of Studio One 2: Artist, Producer, and Professional. Studio One Artist delivers all of the core audio and MIDI recording and editing features, plus 26 32-bit effects plug-ins and 4 virtual instruments, and there is no limit on track count and plug-in instantiations. Studio One Producer includes everything in Studio One Artist and adds support for ReWire and AU/VST plug-ins, MP3 import and export, and additional third-party content.

Studio One Professional has everything in Studio One Artist and Producer and adds the Project page, an integrated mastering solution; fully licensed Melodyne Essential pitch correction; SoundCloud™ support; Red Book CD burning; video playback and sync; and five more Native Effects plug-ins.

Studio One 2 is expected to ship on November 1, 2011.

Supplier: Tuerk Music Technologies

TEL 011 792 8272

TEL 031 566 6980

Native Instruments turned 15 this year

Native Instruments turned 15 this year and to celebrate, they are launching a 15-day streak of amazing extras and giveaways! From October 17 to 31, you can enter the 15 Years of NI Giveaway every day for the chance to win valuable NI products. They will also draw 15 runners-up each day. Each will receive a limited-edition T-shirt as well as a copy of our NI Anniversary Book.

At the end of the month, all participants will automatically be entered into thier Grand Prize Draw for an all-expenses-paid trip to the Native Instruments offices in either Berlin or LA — depending on your location!

Last but not least, throughout thier anniversary celebrations, every order in the NI Online Shop entitles you to a FREE NI ‘Future of Sound’ T-shirt — just add the shirt to your cart when you order*.

Enter – Now

BBE Sound is back in SA

The legendary BBE Sonic Maximizer that will transform and enhance the sound of your PA

Ø DEMONSTRATE A BBE in conjunction with YOUR PA DEMONSTRATIONS

A wide range of rugged, high quality products encompassing Compressors, Crossovers, Speaker Management Systems and Graphic Equalizers.

Superb sounding, Jensen transformer equipped DI Boxes with built-in Sonic Maximizers that are built for the road.

For Studio:

This is where BBE probably made a name for itself first. There was a time in the 80S & 90S where the BBE SONIC MAXIMIZERS were “ industry standards” in EVERY STUDIO. In fact we are fortunate enough to be able to connect up a BBE [ second hand from the 80s ] alongside their new models for a real A/B

The Sonic Sweet plugins for your DAW as well as the hardware Sonic Maximizers, will take your mixes to the next level.

And of course the range of Instrument Preamps, Stomp Boxes, Compressors and DIs are also ideal for the studio.

Legions of world-renowned musicians and engineers insist upon using BBE. So should you!

Distributed by Tuerk Music Technologies

office: +27 11 7928402

mobile: +27 82 4429095

fax: +27 11 7928465

email: hohner@hot.co.za

skype: tuerk182

web: www.tuerkmusic.co.za

Durban Hiring Company chooses HK Audio

Durban based rental company Clifi Sound (formerly Sound Design), who specialise in corporate and live event production, recently invested in a HK Audio ConTour Array 2 system from Pro Audio, the authorised distributor for HK Audio loudspeaker systems in South Africa.

“The flexibility of the CTA as well as its warm tone has made an impression on those looking for quality professional audio products,” says Andrew Sorrill, Audio Specialist at Pro Audio. “The ConTour Array is extremely expandable in setup from a compact system to a line array for larger events – and it can be groundstacked or flown, which enables companies like Clifi Sound to use it in a range of different ways for various events,” he added.

Clifton Westraad, owner of Clifi Sound has been so impressed with the product, that he placed another order for a ConTour Array 2 System as well as HK’s Elements. He says “These are simply outstanding sound systems. The audio quality and versatility from the HK range make them indispensable in the hiring and events arena. Adding another CTA system to my inventory speaks for itself and my Elements are thriving and kept busy – which is a good thing in this industry. I love them!”

The ConTour Array closes the gap between conventional PA systems and big touring line arrays, bringing the benefits of affordable and profitable line array technology to a whole new range of applications.

www.proaudio.co.za

Tech News: iMASCHINE is available now – create beats and grooves on-the-go…

iMASCHINE is an intuitive beat-making app for iPhone®, iPod touch® and iPad®*. Develop song ideas anytime, anywhere – play and record drums on the 16 pads, jam a melody on the keyboard, sing on top of your loops via the built-in audio recorder or create your own unique sample banks from any source. Upload and finish your groove in MASCHINE or MASCHINE MIKRO, or instantly share it on SoundCloud. To show you what it’s capable of, we asked soul hero Jamie Lidell to reinterpret one of his songs using iMASCHINE – witness the mind-blowing results in this video.

Supplier: Native Instruments

Propellerhead Releases Reason 6, Reason Essentials and Balance

Propellerhead Software today released for sale Reason 6, a major update to the award winning music software; Reason Essentials, the successor to Record, that packs all the recording, editing, effects, instruments, mixing and mastering necessary to sound great, in a streamlined package; and Balance with Reason Essentials, an audio interface for Mac and Windows integrated with Reason Essentials software.

Reason 6

Combining all the features from Record, Reason version 6 adds audio recording and editing, along with Propellerhead’s acclaimed mixing console with masterfully modeled EQ and dynamics on every channel, multiple parallel racks, Line 6 amp models, new effect devices, seamless and pristine time/tempo stretch plus additional features. New creative effects designed for using directly with instruments or inserting into tracks include: Pulveriser, sound crushing effect with crunchy compression, dirty distortion and flexible modulation; The Echo, advanced stereo echo with modern delay and analog tape echo emulation; and Alligator, a three band pattern gate for complex rhythmic texturing. Interface enhancements, high definition audio transpose and true 64-bit compatibility highlight other new feature improvements. www.propellerheads.se/reason6

Reason Essentials

Built for independent-minded musicians, Reason Essentials has the feel of a million dollar recording studio with the streamlined simplicity of a tape deck. Distilled from the core of Reason, Reason Essentials contains a great selection of instruments and effects in a virtual rack that builds itself, or can be infinitely customized—drum machine, loop player, sampler, synths, reverb, delay, distortion, mastering effects and more. For guitar players, the built-in virtual guitar and bass POD from Line 6 bring a wide range of top quality guitar amps, cabinets and effects. The intuitive audio and MIDI sequencer makes recording and arranging music a breeze. Users never have to worry about track counts, latency issues or adding that extra reverb or effect. With an easy to grasp interface, it won’t get in the way of ideas and will inspire users to make more music. www.propellerheads.se/products/reason-essentials

Balance with Reason Essentials

Balance, a two-in by two-out audio interface for Mac and Windows, is designed for the single person operated home/project studio. Fully USB 2 powered with separate volume controls for monitors and headphones, it contains 8 input connections to keep all instruments, mics and devices connected and ready to record with the press of a button—without software pop-ups or control panels. The included Reason Essentials packs in all the recording editing, effects, instruments and mixing tools needed to create great sounding tracks. Owners of Reason or Record who purchase Balance will automatically receive the Reason 6 upgrade as a download for free. www.propellerheads.se/balance

Pricing & Availability

Reason 6, Reason Essentials and Balance are available now for purchase worldwide at the following suggested retail pricing:

Reason 6 :: R4995 Including Vat

Reason Essentials ::R2995 Including Vat

Balance with Reason Essentials ::R5595 Including Vat

(Includes a free upgrade to Reason 6 for any registered Record or Reason owner)

Reason 6 Upgrade :: R1995 Including Vat

(from any Reason version, Reason Essentials and Balance)

Reason 6 Upgrade from Record-Reason Duo before October 31, 2011 Pay What You Want

(Download from Propellerhead website) starting at €1.00 / $1.00

After October 31, 2011 (worldwide) EUR €149 / USD $169

Supplier Details: Tuerk Music Technologies

Tel: (011) 792 8402

Tech News: New TRAKTOR Butter Rug slipmats – Thinner than thin

Brought to you in collaboration with scratch guru Qbert and his Thud Rumble brand, Native Instruments presents TRAKTOR Butter Rugs. These super-slim, ultra-slick slipmats will make the trickiest scratches butter-smooth. The reduced friction between vinyl and platter minimizes additional noise and gives you more responsive control.

Step up to the executive-class of slipmats! TRAKTOR Butter Rugs are available now at the NI Online Shop or participating DJ gear retailer. The first run will be sure to sell out fast so make sure you order now from the NI Online Shop or your local dealer!

Supplier Details: Tuerk Music Technologies

Craig de Sousa on Rane Serato Scratch Live system

Renowned South African DJ and producer Craig de Sousa has been using Rane Serato Scratch Live system for a few years now. His vision was to bring something to the market that would make it easier for all DJ’s to convert to the digital world of dj’ing without compromising their performance. Craig joined forces with Digicape and came up with the Music Box packages.

Music Box offers the digital DJ a solution for all Dj’s whether you are a pro or an aspiring beginner. Craig’s tried and tested powerful combination of Apple, Rane & Akai has proven to be the best. These solutions offer the DJ flexibility during a performance, easy portability afterwards and unbelievable affordability.

Supplier: Pro-sound

0861 4SOUND

Beatport Emulator Winner Accepts Prize at PLASA Show 2011

SmithsonMartin Inc. in partnership with Beatport LLC have given 10 lucky winners free license for the Emulator multi-touch midi software. The promotion, run in late summer, also gave one winner the opportunity to contribute his or her own setlist to the Beatport Charts. The winner was announced and received his prize, one full 32″ Emulator Dual View Multi-Touch DJ System, at this year’s Professional Lighting and Sound Association (PLASA) Show held at Earls Court in London, UK.

“The winner of the 32″ Dual view system is Damion Burbank, a native of London and one hell of a great DJ” said Alan Smithson, CEO of SmithsonMartin (the makers of Emulator). “I am thrilled that Damion won this prize because he is a hard working DJ and is very good in what he does and humble at the same time. You will see him rocking the Emulator in London clubs soon.”

Emulator represents a new way of thinking for sound, lighting, video and of course DJ’s. The Modular version of the multi-touch midi control software will be released at the BPM DJ Show October 1-3, 2011. Emulator is nominated for the DJ Mag Tech Awards Innovative New DJ Product of the Year and was nominated for the Professional Lighting and Sound Association Awards for Innovation.

A cross-country tour is planned for the United States in early November and Emulator will make its first Asian appearance at the Pro Light & Sound show in Shanghai October 9-11, 2011.

Check out www.SmithsonMartin.com for details of upcoming tours near you.

For more info on Damian Burbank – Click Here

Tech News: Studio Gear – Event 20/20 BAS V3 the return of Big Ass Sound!

What Is It?

The Event 20/20 BAS V3 is the third incarnation of one of the most universally acclaimed studio monitors available. The very first pair of 20/20′s were released back in 1995 and were handed over to Francis Buckley who’s first project on them was to mix Quincy Jones’ Q’s Jook Joint for which he won a Grammy Award for ‘Best Engineered Album’.

Fifteen years and three versions later the engineers at Event still try and remain true to the original 20/20′s character and tone but also draw a lot of the technology and innovation from the critically acclaimed Opals. So while the transducer design and cabinet volume have remained unchanged the components themselves have seen a couple of upgrades.

In case you were wondering what the bas acronym stands for, its bi-amplified system and refers to the Class AB amplifiers from the Opal series for the tweeter and woofer that provide up to 250 watts of burst power with less than .01% Total Harmonic Distortion. This more than doubles the power of the original 20/20′s while halving the THD! Couple that with some mods in the cabinet bracing and construction and you have a monitor with the same feel and tone of the originals but with more oomph, less distortion and exquisite definition. A very potent combination when you need accuracy for mixing, mastering and recording.

Inputs for the 20/20 BAS V3′s are via unbalanced RCA or balanced XLR, but we all know exactly which of those inputs most of us are going to use. Rounding out the specs for those that like the numbers, the frequency response is an impressive 35Hz to 20KHz and they peak at around 108 dB SPL.

Who Should Own One?

I find it hard to think of any reason why someone taking their craft seriously would overlook a pair of the 20/20 BAS V3′s. In a price to performance comparison it would be a very steep gradient leaning towards the performance aspect while still pointing to real value for money. The 20/20′s have always carried the reputation as a reference monitor that manages to bridge that tricky gap between making something that sounds amazing in the studio and will still sound great on your TV, headphones or car system and the V3′s are no different. These are the type of monitors that friends will start calling you regularly to “check” their mixes on.

The Verdict

I have been lucky to see and hear the insides of quite a few studios and it’s a glowing testament to Event’s calibre that a fair stack of them have a pair of 20/20′s filling the hallowed centre position. Putting them through their paces in my home studio revealed some amazing details in CD’s and tracks that I thought I knew well and some disconcerting holes in my own productions. While the response is flat, uncoloured and accurate they are also amazingly detailed. The stereo imaging was incredible and really hard to convey using words; they have to be heard to be believed.

But what I really liked was that they still had the feel of the 20/20′s that I have heard so many times before. The bass is the most noticeable improvement though, not just in its volume but also in the definition available at those all too tricky low end frequencies. It’s a comfortable experience listening to the 20/20′s recreate so many of my favourite CD’s with a lot less ear fatigue than I experience with my current monitor setup and really gives you a deeper and more technical understanding of what the producer was trying to achieve in both recorded, and live pieces of music.

To sum up, the Event 20/20 BAS V3′s are utterly amazing and just spending a short time with them has really given me a deeper insight into sound and music that I thought I knew, imagine what they could do for you?

Watch some of the most influential producers, engineers and DJ’s talk about the new 20/20 BAS monitors.

20/20BAS from Event on Vimeo.

Price: R 12,995 per pair

Supplier: Tuerk Music Technologies | Tel: (011) 792 8402

Web: www.tuerkmusic.co.za

The MASCHINE world is expanding: New groove production tools coming soon

South African Distributor: Tuerk Music Technologies www.tuerkmusic.co.za

Tel: 011 792 8402

Reason Essentials Everything you need to create anything you want

Everything you need to create anything you want

Reason Essentials new software designed for the highly creative musician and songwriter. With unlimited audio and instrument tracks, Reason Essentials will handle any idea you can throw at it. Just like its bigger brother Reason 6, Essentials gives you that legendary Propellerhead sequencer workflow, rock solid stability, flexible rack and cable routing.

Including synths, samplers, the Dr. Octorex loop player, effects, and that beautiful Master Bus Compressor, Reason Essentials is the perfect way to get your ideas out and finish those songs!

And of course, when you’re ready to take the next step you can easily upgrade to Reason 6 for more advanced mixer features, more effects devices, advanced synths, and more.

The Rack is United Inside Reason 6

Reason version 6 is coming this October The rack in Reason 6 will be united, bringing over all the features from Record – audio recording, the Neptune pitch corrector/voice synth, the large format mixer with our classic modeled EQ and dynamics on every channel, and the oh so lovely Master Bus Compressor. In addition, however, they are adding three new rack devices which share a common goal: Creative use of effects.

The Echo is an advanced stereo echo bringing together the brilliance of modern delays with the organic sounds of analog circuitry and old-school tape machines. The Echo is equal parts pristine stereo delay, sound sculpturing toolbox, and playable performance effect.

Pulveriser puts crunchy compression, dirty distortion, a multimode filter and flexible modulation in a single, sound-crunching effect.

Alligator is a three band pattern-based gate effect that turns bland pads into rhythmic textures, radically twists your loops, and tweak boring beats into blockrocking breaks.

For more Info – Click Here

Propellerhead Balance with Reason Essentials

The music production package that has everything you need to create anything you want.

Behold Balance, the new 2 in X 2 out audio interface, along with Reason Essentials music production software.

Balance has been designed from the ground up to help you concentrate on the task that is most important for you – making music.

With connections on the back for all your gear (2 Guitar Inputs, two stereo line inputs, and 2 mic inputs), you can plug in all your stuff and leave it connected. Use the input selectors on the front of Balance to choose your input source.

Of course, you can expect Balance to have high quality converters, preamps, a headphone amp for your “in the cans” work, and compatibility across all your audio applications, but when paired with Reason 6 or Reason Essentials, Balance gains extra features.

For more info – Click Here

Tech News: Native Instruments introduces the new TRAKTOR

Native Instruments introduces the new TRAKTOR

KONTROL S2 – the two deck, all-in-one DJ

Controller System

Native Instruments announced their brand new Kontrol S2 – a 2-channel version of their massively popular Kontrol S4 launched several months back. They say it’s the most professional 2-deck controller on the market, a lofty claim but not entirely without merit since it’s no doubt the exact machine as the S4, just stripped down and since it does come with the full Traktor Pro 2 you get all the pro features of this leading DJ package. Here’s some of their press info: “With pro credentials throughout, the 2.1 design couples the most essential items for any DJ — 2 decks and a mixer — with controls for multi-effect units and a third channel for samples. Set it up in an instant and dive right into the mix. Rugged and highly portable, Traktor Kontrol S2 is the only controller of its size to come with the full version of Traktor Pro 2 included – the same software that pro DJs of all genres use. With Traktor 2 Technology inside, the S2 is tuned for maximum intuitiveness and creativity – resulting in an intensely fluid and fun mixing experience.”

SA Distributor: Tuerk Music Technologies| (011) 792 8402| www.tuerkmusic.co.za

Tech News: Shure SRH550DJ Professional Quality Headphones

Shure SRH550DJ Professional Quality Headphones

Here’s a purpose-built DJ-ready set of headphones from Shure that any serious DJ can love. Combining exquisite comfort with top-notch transducer technology, Shure SRH550DJ headphones deliver the world-class performance that will help you hear your music in the full detail you need to perform at your best. SRH550DJ’s are tuned from the beginning for DJ use, providing the high-impedance conductivity that matches the output of most DJ mixers. Expertly tuned large-diaphragm drivers reproduce room-shaking lows and razor-edged highs to bring out the details of your music. The 50 mm Dynamic drivers deliver enhanced bass, while padded ear cups with supra-aural design swivel 90 degrees for flexible wearing positions and full isolation. The included set of replacement ear pads ensures a long product life. Standard Shure build quality, including replaceable ear cups pads and swivelling ear cups, all add up to make SRH550DJ headphones some of the best DJ headphones around. Also includes a carrying bag and a threaded 1/4″ (6.3) mm gold-plated adapter.

SA Distributor: Wild and Marr (Pty) Ltd | 011-974 0633, 021-787 9378, 031-564 3877 | www.wildandmarr.co.za

Tech News: Vestax PAD-One

The Vestax PAD-One is a solid robust MIDI pad controller, compatible with various DJ & DAW software and can be used to control any kind of MIDI device, including synthesizers, samplers, drum machines, and electronic drums. The aluminium chassis will never warp or crack, ensuring you long life durability and stability.

The PAD-One can individually assign pads on the fly, and shows you each pads MIDI value on the 7 seg indicator. Compact, solid and reliable, the PAD One is the ideal addition to your DJ arsenal. The pads not only send out velocity sensitive notes but they also send out a single after touch CC with further pressure on the pad. Why should you care? It gives triggering effects and notes more character with analogue expression right on your button. Imagine:

turning on an effect with the button and then modulating the value with after touch.

triggering a cue point and then bending the key parameter for a pitch bend.

And it has an XY Pad too which is really responsive and customizable. It has a nice firm feel, as opposed to some X/Y pads which truly feel very flimsy.

There is a roll feature for the buttons that allows for fast triggering of notes in automatic succession. The tempo of the roll is controlled by the TAP button and the rate is controlled by the X/Y pad. One possible use case is:

triggering cue points in rapid succession in a true roll style drum build.

This is a very nifty device. Compact and robust, expect to see these quite a lot this summer, used by DJ’s and producers alike.

SA Distributor: Rolling Thunder | Tel: 021 557 8630 / 0090 | www.rollingthunder.co.za

Tech News: Numark Red Wave Headphones

Numark Red Wave headphones are for DJs who want something stylish and eye-catching without sacrificing fantastic sound. Comfortable to wear and great value for money, Red Waves are an excellent choice. Designed for professional DJs, they use a comfortable, closed cup design for great isolation from outside noise. The large, 50 mm neodymium drives produce clean, powerful output. A convenient, swivelling design on one cup makes them easy to wear one sided between the ear and the shoulder. Breathable protein-leather ear cups remain comfortable during prolonged use.

The Red Wave’s sleek, modern design ensures they look as good as they sound. With the included gold-plated adapter, they can be used with virtually any DJ equipment.

High-quality full-range headphones designed for DJs

Swivel design offering DJs complete flexibility

Breathable protein-leather padding designed for extended use

Large 50 mm driver, neodymium magnet and voice coil

Balanced detachable headphone cable with 3.5 mm adapter

Professional build and modern design with superior sound

Includes case to protect and store headphones, cable and adaptor

6.3 mm connector with 3.5 mm adaptor included for use with virtually any DJ gear

SA Distributor: Viva Afrika |011-2503280| www.numark.com

Steinberg releases Sequel 3

Sequel 3

Sequel 3 is also available as a trial version. Sequel 3 as a box is also available at a local Steinberg dealer near you.

Sequel 3 Highlights:

More than 5,000 high-quality loops and sounds from all genres to get started right away

Performance Mode for on-the-fly arrangements and remarkable live mixes

NEW: One-click tempo detection for easily creating your own remixes

NEW: HALion Sonic SE with more than 500 Sounds for different genres

NEW: VST Amp Rack SE virtual effect board for individual guitar styles and vintage sounds

NEW: Plug right into Sequel 3 with almost any hardware controller or keyboard, with easy setup thanks to new Controller Learn feature

NEW: AudioWarp with élastique Pro for high-quality time-stretching and pitch-shifting

NEW: Multi-take recording for stress-free recording sessions

Flexible and fast media management with integrated MediaBay

NEW: Step Envelopes for adding varied effects to your tracks

NEW: Create shaking rhythms with Groove Agent ONE and the dedicated Beat Designer

NEW: VST 3 support for third-party effect and instrument plug-ins

Cross-platform compatibility with Windows and Mac OS X

Sequel 3 is the perfect tool …

… to get started with music production on the computer.

Its versatile feature set makes Sequel 3 the all-in-one tool for many different musical styles and genres.

… to produce electronic music easily and intuitively.

Creating beats, electrifying synth lines and impressive mixes with the included loops, instruments and effects is a ton of fun. In Performance Mode, Sequel brings the music to the club and allows arranging tracks and patterns on the fly for unforgettable live sessions.

… for everyone looking for an easy-to-use sketchpad for their musical ideas.

Thanks to the massive loop library and the stunning pitch and timestretching effects in Sequel 3, it is only a matter of minutes to put together the chords, rhythms and melodies that will make creative ideas come true.

… for urban producers and hip-hop heads.

The integrated Beat Designer makes the next track just a few clicks away. Recording your own samples, adjusting them to the beat and adding bass and synth lines is easy with Sequel 3.

… for creating individual play-a-longs or putting together a virtual band.

The included VST Amp Rack SE turns your computer into a flexible guitar amplifier ranging from vintage smooth to earth shuddering crunch sounds. In addition, the multi-take recording feature will always take care that only the best takes will end up in the track.

… for all kinds of audio production projects.

Creating podcasts, interviews or audio books is easily done in Sequel 3. By plugging a microphone into your soundcard and pressing record, the next project is already under way. Then it’s down to editing, arranging, mixing and finally exporting the project — Sequel 3 takes you all the way.

NATIVE INSTRUMENTS KOMPLETE 8 IN SA!

South Africa is one of the first countries to ACTUALLY HAVE STOCK of NATIVE INSTRUMENTS KOMPLETE 8, so a feather in the cap for Tuerk Music.Here without simply just advertising it, but to actually be able to put it in your hands!

NI ARRIVALS

NEW VERSIONS: Important as many clients of “ older Komplete did not upgrade when they had the chance so now is your chance to over-take with new K8 or ULTIMATE 8

Ø NEW-KOMPLETE 8

Ø NEW-KOMPLETE 8 ULTIMATE

Ø NEW-KOMPLETE 8 UPDATE –Update from K2/7 TO K8

Ø NEW-KOMPLETE 8 ULTIMATE UPDATE –Update from K2/8 TO Ultimate 8

Ultimate Update includes Hard Drive

Ø NEW-STUDIO DRUMMER

Ø NEW-GUITAR RIG 5 KONTROL EDITION

Ø TRAKTOR S4 TROLLEY

Ø TRAKTOR S4

Ø TRAKTOR X1 – Free Traktor Pro 2 with every X1 purchase from 1st of August until 30th of September [receives Traktor Pro 2 via download. No box item, etc.]

Ø TRAKTOR AUDIO 6

Ø KOMPLETE AUDO 6

Ø MASCHINE

As with any NEW RELEASES stock is limited and we will do our best to supply AGAINST FIRST ORDERS IN , first orders out.

Additional information on KOMPLETE 8 is available at www.native-instruments.com/komplete

PRICES: ORDERS ARE OPEN AT TURNKEY

Ø KOMPLETE V8-R5995.00

Ø KOMPLETE V8 ULTIMATE-R10995.00

Ø FROM KOMPLETE V2-V8 to KOMPLETE V8 ULTIMATE-R5595.00

Ø FROM KOMPLETE V2-V7 to V8-R2295.00

Ø FROM KOMPLETE 8 CROSSGRADE if clients own MASCHINE,KONTAKT 1-4,REAKTOR 2-5,KORE 2,GR1, GR 2-4 Kontrol Edition R3995.00

Ø GUITAR RIG KONTROL PRO 5 –R4995.00

Ø STUDIO DRUMMER –R 1695.00

Contact: www.tuerkmusic.co.za

Avid Announces New sound for BX D2 Studio Monitors

The BX D2 series monitors — comprised of the BX8 D2 and BX5 D2 models — flaunt a new look, and improved sound. These models from the best-selling line deliver a listening experience that’s true to the source, helping musicians, producers, and video editors create mixes that translate well across listening systems. Plus they look great. Along with the exceptional accuracy and sonic definition that studio and post-production professionals demand, the BX D2 series features:

Technology leveraged from high-end M-Audio monitors, providing enhanced acoustic performance, especially in the low-frequency range

Kevlar low-frequency drivers and waveguide-loaded silk dome tweeters, providing rich, defined bass and smooth, clear highs

The BX8 D2 features an 8” woofer and 130 watts of distributed power and the BX5 D2 is equipped with a 5” woofer and features 70 watts of distributed power, delivering cohesive, accurate sound

Availability and Pricing

The BX5 D2 and BX8 D2 should be available in South Africa from November.

To learn more visit m-audio.com

Avid Announces New M-Audio ultra portable Keystation Mini 32 Keyboard Controller and hot new look

Burlington, Mass., Aug. 23, 2011—Avid® announced the availability of the new M-Audio® Keystation Mini 32 ultra-portable keyboard controller. This new offering extends Avid’s commitment to deliver best-in-class quality, performance, and value to mobile musicians, producers, and video editors.

The Keystation Mini 32 is a 32-note, USB bus-powered keyboard controller designed for musicians on the go. Small enough to fit in a backpack, this ultra-portable controller delivers unmatched playability in its class, with features including:

32 low-profile mini-keys, enabling musicians to play two-handed parts

Highly musical velocity curves, allowing keyboard sensitivity customization to individual playing styles

4 assignable controls, including a knob, providing real-time control of DAW and virtual instrument functions

USB bus-powered, plug-and-play connectivity including iPad compatibility (iPad Camera Connection Kit required; check specific apps to verify MIDI support)

“The M-Audio brand is leading the way in the mobile studio revolution,” said Tanguy Leborgne, Avid vice president of consumer products and solutions “Now, the new Keystation Mini 32 pushes the category further than ever before—giving on-the-go musicians a way to create great music and effects through an ultra-playable, ultra-portable design.”

Availability

Keystation Mini 32 should be available from November in South Africa.

To learn more visit m-audio.com

Marc Romboy Playing 3 Exclusive European shows, showcasing Smithson-Martin’s Emulator

Marc Romboy will be playing three exclusive European shows to showcase Smithson Martin’s Emulator. This revolutionary piece of technology for DJs and producers melds midi-based software with touch-screen hardware with stunning results. He is the first DJ ever to perform with the latest Emulator software, and these dates are the first opportunity to catch him in action. To give a hint of what’s to be expected, you can check this amazing video trailer.

The tour begins in London with a date at Ministry of Sound on 13th August. Second stop is Bloom Club in Wuppertal, Germany on 19/08 and he finishes up at Studio 80 in Amsterdam on 26/08. The final stop includes an Emulator workshop run by Romboy himself, which will give professionals and aspiring artists a chance to try the kit and learn from a true expert.

Emulator is ‘the world’s first and only fully customizable, multi-touch software for professional DJs and music producers.’ Creators Smithson Martin are a software development company with a focus on DJ technology, and this is their flagship development. The company was founded by two veteran DJs, Alan Smithson (Canada) and Pablo Martin (Argentina) who share a passion for music, DJing and technology.

During the shows Romboy will be using the state-of-the-art DJ tool dual view multi-touch system. This large-scale interface, also available from Smithson Martin, shows just what is possible when Emulator becomes part of the performance. The DJ becomes part of the light show as the crowd witnesses their every move, giving the performer a new and exciting way to communicate with the audience.

Systematic label head and DJ/producer Marc Romboy was a natural choice for raising the profile of the software. He loves ‘to DJ all over the world because he likes the way everybody understands and lives the same, universal language of techno and house music.’ A true internationalist, he regularly appears at clubs including The Rex in Paris, Fabric and Ministry Of Sound in London and Berghain in Berlin. Known as an artist who constantly seeks to change and evolve his style, the opportunity to experiment with new technology and new ways to perform was too good for him to pass up.

Free Traktor PRO 2 with Traktor Kontrol X1

In the video below, DJ Haus (Unknown To The Unknown/Hot City) drops a label mix, live remixing tracks using the new TRAKTOR KONTROL X1 Sample Deck Mapping and Overlay. Controlling eight Sample Deck slots of loops and clips, the new mapping gives you comprehensive control over one of TRAKTOR’s most creative features.

And to help you get more Kontrol over TRAKTOR, they also have a special offer starting this month.

The latest free TRAKTOR update includes a new mapping for the TRAKTOR KONTROL X1, for instant and intuitive control over the Sample Decks via an additional X1. Plus, each X1 box now includes a Sample Deck Overlay* for easy visual navigation. And if that wasn’t enough, throughout August and September 2011, they’re giving you TRAKTOR PRO 2 for free when you buy the TRAKTOR KONTROL X1! That’s a saving of $139 / 129 €. So don’t miss out – offer ends September 30, 2011.

20/20 BAS – The Return Of Big Ass Sound!

The Event 20/20BAS studio monitor started an industry revolution in the mid 1990s. Never before had such transparency and definition been made available to such a wide range of artists and engineers. Since that time the 20/20s have gone down in history as a cult speaker, one that many internationally-recognised engineers, producers and musicians still swear by and use as their go-to speaker to this day.

Now it’s back.

By combining the original tone and character that made the original 20/20 a standard in studios the world over with modern manufacturing processing, and leveraging technology direct from Event’s flagship Opal monitor, the 20/20 BAS is set to revolutionise the way you hear your mix.

Don’t take our word for it – request a demonstration at your local dealer now.

“The one thing I always liked about the 20/20s was if you can get it sounding good on those speakers it will sound good on a variety of speakers. It’ll sound good on the TV, sound good in the car, sound good on headphones.”

Fredwreck

“The low frequency amp can deliver up to 250w of peak power into the woofer. This gives you the BOOM… definition in the bottom end that you’re looking for.”

Marcelo Vercelli

Director of Engineering, Event Electronics

LoopMash 1.1 for iPhone and iPod touch

LoopMash, our innovative virtual instrument for iPhone and iPod touch, is now available in version 1.1 on the iTunes App Store. With this update you can now exchange your presets via iTunes and add hot new content sets to your LoopMash library through in-App purchases:

Be it crowd-moving Rock, vintage-flavored Funk or deep and soulful Hip-Hop: Each content set includes over 50 first-class audio loops. Plus, the award-winning composer and producer Erran Baron Cohen has teamed up with Steinberg to deliver an organic collection of chill out, house and bossa nova tunes.

If you want to take LoopMash 1.1 for a spin instead to find out what’s it all about, no problem: Download the new LoopMash Free from the iTunes AppStore. Once you’re convinced, you can upgrade to the full version of LoopMash via in-App purchase later at any point.

If you already own LoopMash, the update to version 1.1 will be distributed automatically and free of charge if you access the iTunes App Store on your device. If you don’t, please read on and get LoopMash 1.1 today:

HIGHLIGHTS:

More than 250 addictive audio loops included

NEW: More content available via in-app purchases

Over 40 presets to get you started right away

NEW: Exchange presets via iTunes

Intuitive 3-D swipe-page navigation

Load and play with up to 4 loops per scene

8 scenes available per preset

4 studio-grade effects for more sound control

NEW: Free trial version of LoopMash

For iPhone 3GS & 4 or iPod touch 3rd & 4th generation with iOS4

$3.99* / CAD 3.99* / AU$4.99* / EUR 2.99*

Have fun with LoopMash 1.1 on your iPhone or iPod touch!

Tutorial: Visual DJ-ing by Acumen

Below is a tutorial done by Acumen on the art of DJ-ing on Modul8, a pretty much a standard VJ program. So if you are keen or interested in how to get going with setting up and putting together your own visual displays, check out this video below…

Tell us what you think of the tutorial in the comment box below and also which other tutorials you would like us to source or cover for you.

Tech News: FOC MixVibes software with DN-SC2000 controller : 21June2011

Tech News: Dada Life Release Sausage Fattener Plug-In

Designed by Dada Life and Tailored Noise, and reportedly used by Tiësto, Sebastian Ingrosso, Laidback Luke, Diplo, Kaskade, Chuckie, Hardwell, Zedd, and others, Sausage Fattener is a new plug-in that claims to give you Dada’s greasy sound.

Tech News: MixVibes Unleashes U-MIX REMOTE iPad App

Tech News: Korg Monotribe

Analog Synth + Analog Rhythm + Step Sequencer = Analog

Tech News: Yamaha moX 6 & 8 Synthesizers

Yamaha has introduced two new synths at Musikmesse ‘11, described as offering “heavyweight professional performance with lightweight price tag” – the Yamaha moX 6 and moX 8 music production synthesizers. In other words – the Motif XS Sound Engine on a budget. Both models offer over 1200 voices and over 350 MB of waveforms from the Motif XS. These sounds can be edited with Yamaha’s XA (Expanded Articulation) technology and their Virtual Circuitry Modeling capability. Both models are designed to be ‘complete’ music making instruments, with a real or step time multi track sequencer, combined with 6720 arpeggiator patterns. Other notable features include bundled YC-3B Organ Emulator soft synth, Steinberg Prologue analog synth, Cubase AI and fully-weighted (moX 8 ) pr semi-weighted (moX 6) keys.

Tech News: Rane SL 2 for Serato Scratch Live

The Rane SL 2 for Serato Scratch Live is a compact, professional two-deck interface packed with creative features to give DJs a competitive edge. Boasting high quality 48 kHz, 24-bit audio, the Rane SL 2 outputs a warm, punchy sound that you have to hear to believe. With high speed USB 2.0 connection, ASIO and Core Audio drivers, and galvanic isolation to ensure interference-free signal; the Rane SL 2 packs a massive punch. The Rane SL 2 is the replacement for the Rane SL 1. The Rane SL 1 is no longer in production, but owners will continue to receive technical support and free software updates.

Tech News: Avid TORQ 2.0

Torq® 2.0 DJ software takes you beyond beat matching and into the future of DJ performance and real-time production. Don’t just spin tracks – reinvent them. Take advantage of all four decks to create unique, complex, and dynamic mixes. Develop your own sound using high-quality, innovative effects and a powerful built-in sampler. Go beyond cross-fading by transitioning between tracks in exciting new ways using the innovative new Traq Morph™ feature. You can easily integrate Torq 2.0 with turntables, CD decks, and a variety of popular DJ controllers – or run the software on its own. Designed for rock-solid stability and peak performance, Torq 2.0 gives you unlimited ways to create your own sound on the dance floor, in the studio, and beyond. Torq software’s patent-pending Traq Morph™ feature is the biggest innovation in fading since the cross-fader itself. It allows you to perform exciting transitions that would otherwise be impossible – short of having six hands and a rack of studio gear. Select between four flavours – Cut, Filter, Duck, and Morph – and Torq intelligently applies effects as you fade between songs.

Tech News: Akai RPM3 Studio Monitors

RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere. Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. The monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. They have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media.  The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo ¹⁄₈” jack, a pair of balanced ¼” TRS inputs and stereo RCA inputs. Volume control, power-switch and ¹⁄₈” headphone jack are also located on the front panel for quick access and easy adjustment.

Tech News: Citronic MPX-10

The cutting edge Citronic MPX10 is USB DJ controller specifically designed to become the ultimate all in one DJ unit. It can be used in 3 ways eliminating the need to choose between either a PC software and MIDI controller, or the traditional two media players and a mixer set-up. Firstly, the unit can be used as a stand-alone player. Simply plug in a USB flash or hard drive and access the music on either side of the player by the MP3 track and folder search buttons, viewing the ID3 tags on the large VDF display. You can then mix and add effects between each player using the built-in 2 channel mixer. Secondly, the unit can be switched into MIDI mode, which is compatible with many popular DJ software packages. This feature allows you to control your music and the sound set-up with the built-in sound card driver. Finally, the versatile MP-X10 can be used as MIDI controller on one half and stand-alone player and mixer on the other. Simply access a song on your PC and control it using the DJ software, then cue up your next track on the USB storage device and mix across. This unit is easy to transport, quick to set-up and simple to use, making it ideal for mobile DJs.

Tech News: JBL Professional Introduces Its Best EON Loudspeaker Ever

JBL Professional introduced its EON515XT active loudspeaker. As the flagship of the iconic JBL powered portable speaker collection, the EON515XT was engineered for durability, high performance and ease of use. JBL has extended the reach of the current EON technology by improving input sensitivity, lowering the noise floor, adding user selectable EQ control and re-voicing the system for peak performance and enhanced audio precision. The 2-way EON515XT incorporates a JBL 2414H high-frequency neodymium compression driver and a 15-inch JBL 265F-1 Differential Drive® dual-voice-coil woofer perfectly matched to a proprietary Crown® Class D amplifier. The system has been re-voiced from previous models for better clarity and frequency balance and now delivers a stout 132dB maximum SPL.  “We’ve raised the bar dramatically,” noted Richard Ruse, JBL Director of Marketing for Portable PA.

Tech News: Tricks from the Pro’s: So, Sir, is it 50 Hz or 75 Hz today?

Other general tips for improving clarity is to apply high pass filters with a low Q (bandwidth) on all sounds which are not obviously part of the bass spectrum. Things like vocals, piano, brass and general sounds which have their fundamental frequency (their pitch range) above the lower mids. This lets the bass and sub bands have more space. Doing a general lower to upper mid cut with a broad Q on background sounds can help them take less dominance. Similarly pushing the mids can help lost sounds sound bigger provided they don’t muddy the mix. Adding a gentle rise with a mild Q at 6 kHz on most sounds help get them to cut through.

Jonathan Shaw is a professional record producer who has worked with a multitude of artists and record labels in a freelance capacity. Outside this, he lectures music business at the University of the Witwatersrand and provides business consultation to the music industry. jshaw@smstudios.co.za

Written   By   :   Jonathan G Shaw

Tech News: Setting up Audio Effects Racks And Macro Controls

Last month we looked at setting up your tracks for DJ’ing in Live. This time I would like to show you how to build your own audio effect racks and macros on every channel.

Live has some powerful inbuilt audio effects which are great tools for any live performance. Add to that the wonderful world of VST effects out there and you have some potent weapons to really F***K up your sound (in the best possible way . Our aim here is to set up a combination of effects and then have their most important parameters controlled by a Macro Control. First let’s look at how to set up an audio effects rack:

First add the audio effects that you might like to use onto a channel in Live. For example, for a dj set, I like to add EQ Three (Ableton’s three channel dj style EQ), an Auto-Filter (for instant hi pass and lo pass filter sweeps), beat repeat (for glitch style effects), Redux (a bit crusher effect) and any combination of delays, reverbs, phasers and flangers. Basically whatever effects work well with the music on that channel.

The next step is to Group these effects into an Audio Effects Rack, making them into one giant effects unit. To do that, select all the relevant effects in the chain using SHIFT and click (or CMD/CTRL A to select All). They should all be highlighted yellow. Right click and select the Group command (CMD/CTRL G is the shortcut).

We now have a giant effects unit that has WAY too many possible options for one person to deal with. So make some Macro Controls.

What the hell is a Macro Control?It is a group of 8 knobs at the beginning of a Rack that allows you to control the most important parameters directly from your MIDI controller, or using a mouse if you’re old school like that.

As soon as you’ve created the Audio Effects rack by Grouping, you will see that a box has been put around all your audio effects, and a device title bar has been created. The button immediately under that device’s on/off button is Show/Hide Macro Controls. Click this button and your Macros Controls will appear.

Let’s use an example of setting up a hi pass filter for Macro Control. Select the Auto-Filter effect, and right click on the filter frequency. From the menu that pops up, select Map to Macro 1.

The Filter frequency is now assigned to Macro 1, meaning that you control it from the Macro Control tab and not on the effect itself. The beauty of this is that you no longer need to go digging for the parameter you want inside an audio effect, it is clearly laid out for you. Right click on Macro Control 1 to rename it and colour it to your taste.

As many effects parameters as you like can be assigned to one Macro. A trick I commonly use is to assign the filter on/off button and the filter frequency to the same Macro. By clicking the green Map Mode button, I can set from which minimum value to which maximum value a parameter will be active. For example this setting below means the effect is off in the 0 position and turns on as soon as I move it the tiniest amount to 1.

This is all the info you need to build your own Macros, allowing you to control a whole range of crazy effects from 8 knobs!

Written   By   :   Fletcher Beadon